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<small class="info">highlighted words: object thing material</small><br>
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<div class="source"><small>1968-baudrillard_system-of-objects_full-text.txt</small><br>

<div class="line t1"><small class="linenumber">55</small>
Baudrillard contends, <span class="high1">object</span>s and discourses that have no firm origin,<br>
</div>

<div class="line t1"><small class="linenumber">78</small>
the concept can no longer pretend to control or grasp its <span class="high1">object</span>. 3 In<br>
</div>

<div class="line t1"><small class="linenumber">80</small>
society, rendering impotent theories that still rely on <span class="high1">material</span>ist<br>
</div>

<div class="line t1"><small class="linenumber">97</small>
often difficult <span class="high1">material</span>.<br>
</div>

<div class="line t1"><small class="linenumber">103</small>
that consumer <span class="high1">object</span>s constitute a classification system that codes<br>
</div>

<div class="line t1"><small class="linenumber">104</small>
behavior and groups. As such, consumer <span class="high1">object</span>s must be analysed<br>
</div>

<div class="line t1"><small class="linenumber">107</small>
sociological theories of needs. Consumer <span class="high1">object</span>s have their effect in<br>
</div>

<div class="line t1"><small class="linenumber">110</small>
products, thereby fitting the <span class="high1">object</span> into a series. The <span class="high1">object</span> has its<br>
</div>

<div class="line t1"><small class="linenumber">120</small>
concrete examples of consumer <span class="high1">object</span>s as a code. He also undertook<br>
</div>

<div class="line t1"><small class="linenumber">128</small>
<span class="high1">object</span>s constitute a system of signs that differentiate the population.<br>
</div>

<div class="line t1"><small class="linenumber">130</small>
to each <span class="high1">object</span>, but only through the play of difference between the<br>
</div>

<div class="line t1"><small class="linenumber">132</small>
indicates how consumer <span class="high1">object</span>s are like hysterical symptoms; they<br>
</div>

<div class="line t1"><small class="linenumber">211</small>
determinations, a world where any<span class="high1">thing</span> can be any<span class="high1">thing</span> else, where<br>
</div>

<div class="line t1"><small class="linenumber">212</small>
every<span class="high1">thing</span> is both equivalent to and indifferent to every<span class="high1">thing</span> else, a<br>
</div>

<div class="line t1"><small class="linenumber">235</small>
deny the surface "appearance" of <span class="high1">thing</span>s in favor of a hidden structure<br>
</div>

<div class="line t1"><small class="linenumber">248</small>
does the code take priority over or even precede the consumer <span class="high1">object</span>.<br>
</div>

<div class="line t1"><small class="linenumber">249</small>
The distinctions between <span class="high1">object</span> and representation, <span class="high1">thing</span> and idea<br>
</div>

<div class="line t1"><small class="linenumber">267</small>
against <span class="high1">material</span>ists, phenomenologists, realists and historicists as the<br>
</div>

<div class="line t1"><small class="linenumber">271</small>
when no one is dominating, no<span class="high1">thing</span> is being dominated and no<br>
</div>

<div class="line t1"><small class="linenumber">278</small>
the social world from the point of view of the <span class="high1">object</span>, a seeming<br>
</div>

<div class="line t1"><small class="linenumber">284</small>
point on reality. The privileged position has shifted to the <span class="high1">object</span>,<br>
</div>

<div class="line t1"><small class="linenumber">285</small>
specifically to the hyperreal <span class="high1">object</span>, the simulated <span class="high1">object</span>. In place of<br>
</div>

<div class="line t1"><small class="linenumber">286</small>
a logic of the subject, Baudrillard proposes a logic of the <span class="high1">object</span>, and<br>
</div>

<div class="line t1"><small class="linenumber">288</small>
unveiled by Baudrillard, the world from within the <span class="high1">object</span>, looks<br>
</div>

<div class="line t1"><small class="linenumber">305</small>
<span class="high1">object</span>s as defined by the code. In this sense, only the "fatal strategy"<br>
</div>

<div class="line t1"><small class="linenumber">306</small>
of the point of view of the <span class="high1">object</span> provides any understanding of the<br>
</div>

<div class="line t1"><small class="linenumber">327</small>
media, in consumer <span class="high1">object</span>s, in the layout of city streets. 12 De<br>
</div>

<div class="line t1"><small class="linenumber">335</small>
as if no<span class="high1">thing</span> else in society mattered, extrapolating a bleak view of<br>
</div>

<div class="line t1"><small class="linenumber">418</small>
immediately. Yet, no<span class="high1">thing</span> is less certain, and the trick of advertisers<br>
</div>

<div class="line t1"><small class="linenumber">439</small>
freedom is the random selection of <span class="high1">object</span>s that will distinguish any<br>
</div>

<div class="line t1"><small class="linenumber">470</small>
like no<span class="high1">thing</span> else!" ("The meat of the elite, the cigarette of the happy<br>
</div>

<div class="line t1"><small class="linenumber">495</small>
Consumer society (<span class="high1">object</span>s, products, advertising), for the first<br>
</div>

<div class="line t1"><small class="linenumber">547</small>
superego, guilt) to crystallize on <span class="high1">object</span>s, concrete determinants where<br>
</div>

<div class="line t1"><small class="linenumber">549</small>
function of social organization is <span class="high1">material</span>ized. The freedom of<br>
</div>

<div class="line t1"><small class="linenumber">560</small>
are lifted at the cost of a regression in the security of <span class="high1">object</span>s, thus14<br>
</div>

<div class="line t1"><small class="linenumber">566</small>
A second issue: does the <span class="high1">object</span>/advertising system form a language?<br>
</div>

<div class="line t1"><small class="linenumber">569</small>
to <span class="high1">object</span>s. According to Pierre Martineau, "Any buying process is<br>
</div>

<div class="line t1"><small class="linenumber">575</small>
an active syntax? Do <span class="high1">object</span>s instruct needs and structure them in a<br>
</div>

<div class="line t1"><small class="linenumber">577</small>
the mediation of <span class="high1">object</span>s and their production? If this is the case, we<br>
</div>

<div class="line t1"><small class="linenumber">578</small>
can speak of a language. Otherwise, this is no<span class="high1">thing</span> more than a<br>
</div>

<div class="line t1"><small class="linenumber">590</small>
syntax is necessary for there to be "language": the <span class="high1">object</span>s of mass<br>
</div>

<div class="line t1"><small class="linenumber">592</small>
At the stage of artisanal production <span class="high1">object</span>s reflect the contingent<br>
</div>

<div class="line t1"><small class="linenumber">596</small>
is no <span class="high1">object</span>ive technological (technique) progress. Since the beginning<br>
</div>

<div class="line t1"><small class="linenumber">601</small>
than the system of <span class="high1">object</span>s; the latter imposes its own coherence and<br>
</div>

<div class="line t1"><small class="linenumber">604</small>
(<span class="high1">object</span>s 'made to measure' in accordance with needs) with a limited<br>
</div>

<div class="line t1"><small class="linenumber">609</small>
<span class="high1">object</span> is at the level of speech (parole), industrial technology institutes<br>
</div>

<div class="line t1"><small class="linenumber">613</small>
accessories, and the "social standing" of the <span class="high1">object</span>. Here we have<br>
</div>

<div class="line t1"><small class="linenumber">627</small>
with difficulty into a matrix of <span class="high1">object</span>s. Actually, the world of <span class="high1">object</span>s<br>
</div>

<div class="line t1"><small class="linenumber">630</small>
classified, and demarcated by <span class="high1">object</span>s: it can therefore be directed<br>
</div>

<div class="line t1"><small class="linenumber">631</small>
(and this is the system's real <span class="high1">object</span>ive on the socioeconomic level).<br>
</div>

<div class="line t1"><small class="linenumber">640</small>
exchange (the structuration of communication). The <span class="high1">object</span>/advertis-<br>
</div>

<div class="line t1"><small class="linenumber">659</small>
themselves in relation to <span class="high1">object</span>s. But this also shows that it is not<br>
</div>

<div class="line t1"><small class="linenumber">669</small>
specific collection of <span class="high1">object</span>s. The hierarchized gamuts of <span class="high1">object</span>s<br>
</div>

<div class="line t1"><small class="linenumber">673</small>
categorization of the social and personal world based on <span class="high1">object</span>s,<br>
</div>

<div class="line t1"><small class="linenumber">678</small>
of <span class="high1">object</span>ive future (<span class="high1">material</span>ized in <span class="high1">object</span>s): in short, a grid in which<br>
</div>

<div class="line t1"><small class="linenumber">681</small>
others that the reign of the <span class="high1">object</span> is still the shortest path to freedom.<br>
</div>

<div class="line t1"><small class="linenumber">685</small>
not be fooled: <span class="high1">object</span>s are categories of <span class="high1">object</span>s which quiteThe System of Objects<br>
</div>

<div class="line t1"><small class="linenumber">691</small>
<span class="high1">material</span>ize itself effectively under the sign of affluence.<br>
</div>

<div class="line t1"><small class="linenumber">696</small>
(which at times is substituted for the <span class="high1">thing</span> itself: Frigidaire or<br>
</div>

<div class="line t1"><small class="linenumber">708</small>
capable of summing up both the diversity of <span class="high1">object</span>s and a host of<br>
</div>

<div class="line t1"><small class="linenumber">711</small>
is the only language in which the <span class="high1">object</span> speaks to us, the only one<br>
</div>

<div class="line t1"><small class="linenumber">719</small>
to a brand name is no<span class="high1">thing</span> more than the conditioned reflex of a<br>
</div>

<div class="line t1"><small class="linenumber">721</small>
But is it not a beneficial <span class="high1">thing</span>, our philosophers <span class="high1">object</span>, to tap<br>
</div>

<div class="line t1"><small class="linenumber">733</small>
know that they indicate some<span class="high1">thing</span> desirable . . . The average motorist<br>
</div>

<div class="line t1"><small class="linenumber">735</small>
know vaguely that it is some<span class="high1">thing</span> good. So he orders "high-octane"<br>
</div>

<div class="line t1"><small class="linenumber">746</small>
illogicality of drives cleansed of guilt (deculpabilisées), is no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">747</small>
more than a tremendous endeavor to <span class="high1">material</span>ize the superego. It is<br>
</div>

<div class="line t1"><small class="linenumber">748</small>
a censor, first of all, that is "personalized" in the <span class="high1">object</span>. The<br>
</div>

<div class="line t1"><small class="linenumber">754</small>
Hence, the ambiguity of the <span class="high1">object</span>, in which individuals never have<br>
</div>

<div class="line t1"><small class="linenumber">759</small>
incomplete regression, the <span class="high1">object</span> serves as a vehicle for the perpetual<br>
</div>

<div class="line t1"><small class="linenumber">765</small>
No<span class="high1">thing</span> has changed, or rather it has: restrictions in personal<br>
</div>

<div class="line t1"><small class="linenumber">772</small>
The <span class="high1">object</span>/advertising system constitutes a system of signification<br>
</div>

<div class="line t1"><small class="linenumber">784</small>
Advertising refers explicitly to the <span class="high1">object</span> as a necessary criterion:<br>
</div>

<div class="line t1"><small class="linenumber">786</small>
etc. Undoubtedly <span class="high1">object</span>s have always constituted a system of<br>
</div>

<div class="line t1"><small class="linenumber">805</small>
neighborhood we live in, and the multitude of <span class="high1">object</span>s that surround<br>
</div>

<div class="line t1"><small class="linenumber">813</small>
<span class="high1">material</span> existence through their proliferation as commodities, but,<br>
</div>

<div class="line t1"><small class="linenumber">835</small>
are described in terms of their <span class="high1">object</span>s." Coherence is obtained<br>
</div>

<div class="line t1"><small class="linenumber">841</small>
socialized and <span class="high1">object</span>ified does not necessarily lead to true "democra-<br>
</div>

<div class="line t1"><small class="linenumber">848</small>
the field of <span class="high1">object</span>s: a new morality of class, or caste, can now invest<br>
</div>

<div class="line t1"><small class="linenumber">849</small>
itself in the most <span class="high1">material</span> and most undeniable of <span class="high1">thing</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">860</small>
social facts. This is not the case with the <span class="high1">object</span>/advertising system,<br>
</div>

<div class="line t1"><small class="linenumber">866</small>
I would like to conclude the analysis of our relation to <span class="high1">object</span>s as a<br>
</div>

<div class="line t1"><small class="linenumber">877</small>
consumption is an active mode of relations (not only to <span class="high1">object</span>s, but<br>
</div>

<div class="line t1"><small class="linenumber">880</small>
We must clearly state that <span class="high1">material</span> goods are not the <span class="high1">object</span>s of<br>
</div>

<div class="line t1"><small class="linenumber">881</small>
consumption: they are merely the <span class="high1">object</span>s of need and satisfaction.<br>
</div>

<div class="line t1"><small class="linenumber">891</small>
Consumption is neither a <span class="high1">material</span> practice, nor a phenomenology<br>
</div>

<div class="line t1"><small class="linenumber">896</small>
substance. Consumption is the virtual totality of all <span class="high1">object</span>s and<br>
</div>

<div class="line t1"><small class="linenumber">900</small>
The traditional <span class="high1">object</span>-symbol (tools, furniture, even the house),<br>
</div>

<div class="line t1"><small class="linenumber">904</small>
arbitrary. This <span class="high1">object</span>, which is bound, impregnated, and heavy with<br>
</div>

<div class="line t1"><small class="linenumber">907</small>
is not consumed. In order to become <span class="high1">object</span> of consumption, the<br>
</div>

<div class="line t1"><small class="linenumber">908</small>
<span class="high1">object</span> must become sign; that is, in some way it must become<br>
</div>

<div class="line t1"><small class="linenumber">912</small>
systematic relation to all other <span class="high1">object</span>-signs. It is in this way that it<br>
</div>

<div class="line t1"><small class="linenumber">914</small>
consumed in its <span class="high1">material</span>ity, but in its difference.<br>
</div>

<div class="line t1"><small class="linenumber">915</small>
The conversion of the <span class="high1">object</span> to a systematized status of signs<br>
</div>

<div class="line t1"><small class="linenumber">919</small>
to be "fulfilled," and to be "annulled") 24 in and through <span class="high1">object</span>s,<br>
</div>

<div class="line t1"><small class="linenumber">922</small>
We can see that what is consumed are not <span class="high1">object</span>s but the relation<br>
</div>

<div class="line t1"><small class="linenumber">925</small>
<span class="high1">object</span>s which manifests it.<br>
</div>

<div class="line t1"><small class="linenumber">927</small>
an <span class="high1">object</span>-sign where it is consumed.<br>
</div>

<div class="line t1"><small class="linenumber">928</small>
At all levels, the status of the relation/<span class="high1">object</span> is orchestrated by<br>
</div>

<div class="line t1"><small class="linenumber">936</small>
<span class="high1">material</span>ized as productive forces in order to be sold. Today every<br>
</div>

<div class="line t1"><small class="linenumber">939</small>
<span class="high1">material</span>ized) as sign and as <span class="high1">object</span> to be purchased and consumed.<br>
</div>

<div class="line t1"><small class="linenumber">940</small>
For example, a couple's ultimate <span class="high1">object</span>ive becomes the consumption<br>
</div>

<div class="line t1"><small class="linenumber">941</small>
of <span class="high1">object</span>s that previously symbolized the relation. 25<br>
</div>

<div class="line t1"><small class="linenumber">962</small>
Clearly no<span class="high1">thing</span> here has any symbolic value, despite the dense and<br>
</div>

<div class="line t1"><small class="linenumber">965</small>
see that here human relations are not inscribed in <span class="high1">thing</span>s: every<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">966</small>
is sign, pure sign. Not a single <span class="high1">object</span> has presence or history, and<br>
</div>

<div class="line t1"><small class="linenumber">967</small>
yet every<span class="high1">thing</span> is full of reference: Oriental, Scottish, early American,<br>
</div>

<div class="line t1"><small class="linenumber">968</small>
etc.[27] All these <span class="high1">object</span>s merely possess a characteristic singularity: in<br>
</div>

<div class="line t1"><small class="linenumber">973</small>
an <span class="high1">object</span>/sign system: far from symbolizing a relationship, these<br>
</div>

<div class="line t1"><small class="linenumber">974</small>
<span class="high1">object</span>s are external to it in their continual "reference." They describe<br>
</div>

<div class="line t1"><small class="linenumber">978</small>
in pure complicity with the system of <span class="high1">object</span>s which signifies it.<br>
</div>

<div class="line t1"><small class="linenumber">979</small>
Which is not to say that <span class="high1">object</span>s are mechanically substituted for an<br>
</div>

<div class="line t1"><small class="linenumber">985</small>
is not absorbed in the absolute positivity of <span class="high1">object</span>s, it is articulated<br>
</div>

<div class="line t1"><small class="linenumber">986</small>
on <span class="high1">object</span>s, as if through so many <span class="high1">material</span> points of contact on a<br>
</div>

<div class="line t1"><small class="linenumber">988</small>
configuration of <span class="high1">object</span>s is impoverished, schematic, and bound,<br>
</div>

<div class="line t1"><small class="linenumber">992</small>
these <span class="high1">object</span>s, "consumed" in them, and consequently annulled as a<br>
</div>

<div class="line t1"><small class="linenumber">995</small>
which far exceeds our relations to <span class="high1">object</span>s and relations among<br>
</div>

<div class="line t1"><small class="linenumber">1007</small>
In the same way, <span class="high1">object</span>s of consumption constitute an idealist<br>
</div>

<div class="line t1"><small class="linenumber">1008</small>
lexicon of signs, an elusive <span class="high1">material</span>ity to which the project of lived<br>
</div>

<div class="line t1"><small class="linenumber">1011</small>
by between these book-lined walls, among these <span class="high1">object</span>s so perfectly<br>
</div>

<div class="line t1"><small class="linenumber">1015</small>
go looking for adventure. No<span class="high1">thing</span> they planned would be impossible. 30<br>
</div>

<div class="line t1"><small class="linenumber">1017</small>
renounces it: there are no longer any projects; there are only <span class="high1">object</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">1019</small>
realization as a sign located in the <span class="high1">object</span>. The <span class="high1">object</span> of consumption<br>
</div>

<div class="line t1"><small class="linenumber">1030</small>
is a total idealist practice which has no longer any<span class="high1">thing</span> to do (beyond<br>
</div>

<div class="line t1"><small class="linenumber">1033</small>
[deçu] and implicit in the <span class="high1">object</span>. The project, made immediate in<br>
</div>

<div class="line t1"><small class="linenumber">1035</small>
indefinite possession of <span class="high1">object</span>-signs of consumption. Consequently,<br>
</div>

<div class="line t1"><small class="linenumber">1039</small>
successive <span class="high1">object</span>s. Hence, the desire to "moderate" consumption or<br>
</div>

<div class="line t1"><small class="linenumber">1061</small>
(particularly in the United States) all <span class="high1">object</span>s of one category become<br>
</div>

<div class="line t1"><small class="linenumber">1065</small>
constraint of owning the same <span class="high1">thing</span>s.26<br>
</div>

<div class="line t1"><small class="linenumber">1070</small>
standing eventually metabolize the <span class="high1">object</span>. They impose a metabolism<br>
</div>

<div class="line t1"><small class="linenumber">1141</small>
some<span class="high1">thing</span> of an actual language, structured by a research and interpretive<br>
</div>

<div class="line t1"><small class="linenumber">1155</small>
28 In G. Perec's description of the "interior," the <span class="high1">object</span>s are, through<br>
</div>

<div class="line t1"><small class="linenumber">1156</small>
fashion, transcendent, and not <span class="high1">object</span>s of a "series." A total cultural<br>
</div>

<div class="line t1"><small class="linenumber">1159</small>
29 The etymology is rather illuminating: "Every<span class="high1">thing</span> is consumed" =<br>
</div>

<div class="line t1"><small class="linenumber">1160</small>
"every<span class="high1">thing</span> is accomplished" and of course "every<span class="high1">thing</span> is destroyed."28<br>
</div>

<div class="line t1"><small class="linenumber">1169</small>
cation of <span class="high1">object</span>s, services, and <span class="high1">material</span> goods. This now constitutes<br>
</div>

<div class="line t1"><small class="linenumber">1172</small>
beings, as they have been in the past, but by <span class="high1">object</span>s. Their daily<br>
</div>

<div class="line t1"><small class="linenumber">1177</small>
"urban estate" with all the <span class="high1">material</span> machinery of communication<br>
</div>

<div class="line t1"><small class="linenumber">1179</small>
<span class="high1">object</span>s in advertising with the hundreds of daily mass media<br>
</div>

<div class="line t1"><small class="linenumber">1180</small>
messages; from the proliferation of somewhat obsessional <span class="high1">object</span>s to<br>
</div>

<div class="line t1"><small class="linenumber">1181</small>
the symbolic psychodrama which fuels the nocturnal <span class="high1">object</span>s that<br>
</div>

<div class="line t1"><small class="linenumber">1186</small>
deceptive and obedient <span class="high1">object</span>s which continuously repeat the same<br>
</div>

<div class="line t1"><small class="linenumber">1190</small>
becoming functional. We are living the period of the <span class="high1">object</span>s: that<br>
</div>

<div class="line t1"><small class="linenumber">1193</small>
whereas in all previous civilizations, it was the <span class="high1">object</span>, instrument,<br>
</div>

<div class="line t1"><small class="linenumber">1195</small>
While <span class="high1">object</span>s are neither flora nor fauna, they give the impression<br>
</div>

<div class="line t1"><small class="linenumber">1208</small>
spices from the tropics; but all of these worldly <span class="high1">thing</span>s bear odious<br>
</div>

<div class="line t1"><small class="linenumber">1214</small>
canned goods, foods, and clo<span class="high1">thing</span>, are like the primary landscape<br>
</div>

<div class="line t1"><small class="linenumber">1236</small>
form of accumulation, <span class="high1">object</span>s are organized in displays, or in<br>
</div>

<div class="line t1"><small class="linenumber">1237</small>
collections. Almost every clo<span class="high1">thing</span> store or appliance store presentsConsumer Society<br>
</div>

<div class="line t1"><small class="linenumber">1239</small>
a gamut of differentiated <span class="high1">object</span>s, which call upon, respond to, and<br>
</div>

<div class="line t1"><small class="linenumber">1243</small>
complementary <span class="high1">object</span>s which are offered for the choosing. But this<br>
</div>

<div class="line t1"><small class="linenumber">1246</small>
category. Few <span class="high1">object</span>s today are offered alone, without a context of<br>
</div>

<div class="line t1"><small class="linenumber">1247</small>
<span class="high1">object</span>s to speak for them. And the relation of the consumer to the<br>
</div>

<div class="line t1"><small class="linenumber">1248</small>
<span class="high1">object</span> has consequently changed: the <span class="high1">object</span> is no longer referred to<br>
</div>

<div class="line t1"><small class="linenumber">1249</small>
in relation to a specific utility, but as a collection of <span class="high1">object</span>s in their<br>
</div>

<div class="line t1"><small class="linenumber">1256</small>
<span class="high1">object</span>s but signifieds, each <span class="high1">object</span> can signify the other in a more<br>
</div>

<div class="line t1"><small class="linenumber">1257</small>
complex super-<span class="high1">object</span>, and lead the consumer to a series of more<br>
</div>

<div class="line t1"><small class="linenumber">1258</small>
complex choices. We can observe that <span class="high1">object</span>s are never offered for<br>
</div>

<div class="line t1"><small class="linenumber">1262</small>
towards networks of <span class="high1">object</span>s in order to seduce it and elicit, in<br>
</div>

<div class="line t1"><small class="linenumber">1264</small>
limits of economic potential. Clo<span class="high1">thing</span>, appliances, and toiletries thus<br>
</div>

<div class="line t1"><small class="linenumber">1265</small>
constitute <span class="high1">object</span> paths, which establish inertial constraints on the<br>
</div>

<div class="line t1"><small class="linenumber">1266</small>
consumer who will proceed logically from one <span class="high1">object</span> to the next.<br>
</div>

<div class="line t1"><small class="linenumber">1267</small>
The consumer will be caught up in a calculus of <span class="high1">object</span>s, which is<br>
</div>

<div class="line t1"><small class="linenumber">1274</small>
with <span class="high1">object</span>s, idle wandering, and all the permutations of these. In<br>
</div>

<div class="line t1"><small class="linenumber">1280</small>
approach to consumption. It retains some<span class="high1">thing</span> of the period of the<br>
</div>

<div class="line t1"><small class="linenumber">1289</small>
the commodity (clo<span class="high1">thing</span>, food, restaurant, etc.) is also culturalized,<br>
</div>

<div class="line t1"><small class="linenumber">1295</small>
the apartment or summer home, clo<span class="high1">thing</span>, flowers, the latest novel,<br>
</div>

<div class="line t1"><small class="linenumber">1298</small>
Cafe, cinema, book store, auditorium, trinkets, clo<span class="high1">thing</span>, and many<br>
</div>

<div class="line t1"><small class="linenumber">1299</small>
other <span class="high1">thing</span>s can be found in these shopping centers. The drugstore<br>
</div>

<div class="line t1"><small class="linenumber">1303</small>
the "art" consists in playing on the ambiguity of the <span class="high1">object</span>'s sign,<br>
</div>

<div class="line t1"><small class="linenumber">1312</small>
trinkets, records, paperbacks, intellectual books, a bit of every<span class="high1">thing</span>.<br>
</div>

<div class="line t1"><small class="linenumber">1314</small>
offering them "some<span class="high1">thing</span>": a language lab on the second floor;<br>
</div>

<div class="line t1"><small class="linenumber">1318</small>
style, with some<span class="high1">thing</span> more, perhaps a bit of intelligence and human<br>
</div>

<div class="line t1"><small class="linenumber">1324</small>
of attraction), a circular church, tennis courts ("the least of <span class="high1">thing</span>s"),<br>
</div>

<div class="line t1"><small class="linenumber">1347</small>
goods, <span class="high1">object</span>s, services, behaviors, and social relations represents the<br>
</div>

<div class="line t1"><small class="linenumber">1349</small>
articulated networks of <span class="high1">object</span>s, ascends from pure and simple<br>
</div>

<div class="line t1"><small class="linenumber">1376</small>
Not only can any<span class="high1">thing</span> be purchased, from shoestrings to an airline<br>
</div>

<div class="line t1"><small class="linenumber">1388</small>
discover the <span class="high1">material</span> conditions of happiness which the anarchy of<br>
</div>

<div class="line t1"><small class="linenumber">1391</small>
of everyday life, as a complete homogenization. Every<span class="high1">thing</span> is<br>
</div>

<div class="line t1"><small class="linenumber">1395</small>
is the sublimation of real life, of <span class="high1">object</span>ive social life, where not only<br>
</div>

<div class="line t1"><small class="linenumber">1404</small>
style! Every<span class="high1">thing</span> is finally digested and reduced to the sameConsumer Society<br>
</div>

<div class="line t1"><small class="linenumber">1411</small>
is henceforth transferred into <span class="high1">thing</span>s, everywhere diffused in the<br>
</div>

<div class="line t1"><small class="linenumber">1412</small>
indistinguishability of <span class="high1">thing</span>s and of social relations. Just like the<br>
</div>

<div class="line t1"><small class="linenumber">1440</small>
Prefer <span class="high1">object</span>s which provide him with the maximum satisfaction.<br>
</div>

<div class="line t1"><small class="linenumber">1443</small>
"endowed" with needs which "direct" him towards <span class="high1">object</span>s that<br>
</div>

<div class="line t1"><small class="linenumber">1460</small>
a bit more complex, less "<span class="high1">object</span> oriented" 10 and more "instinct<br>
</div>

<div class="line t1"><small class="linenumber">1494</small>
directed at <span class="high1">object</span>s, but at values. And the satisfaction of needs<br>
</div>

<div class="line t1"><small class="linenumber">1508</small>
does not so much refer to the <span class="high1">material</span>ity of goods (TV, bathroom,<br>
</div>

<div class="line t1"><small class="linenumber">1511</small>
notion of conformity is no<span class="high1">thing</span> more than an immense tautology<br>
</div>

<div class="line t1"><small class="linenumber">1518</small>
the individual's relation to <span class="high1">object</span>s, is simply transferred to the<br>
</div>

<div class="line t1"><small class="linenumber">1521</small>
<span class="high1">object</span>s, or to a group posited as a distinct entity, is established<br>
</div>

<div class="line t1"><small class="linenumber">1585</small>
market opportunities. And it continuously masks this <span class="high1">object</span>ive by<br>
</div>

<div class="line t1"><small class="linenumber">1586</small>
staging its opposite. "Man has become the <span class="high1">object</span> of science for<br>
</div>

<div class="line t1"><small class="linenumber">1605</small>
social goals for its own gain, and imposes its own <span class="high1">object</span>ives as<br>
</div>

<div class="line t1"><small class="linenumber">1608</small>
that the liberty and sovereignty of the consumer are no<span class="high1">thing</span> more<br>
</div>

<div class="line t1"><small class="linenumber">1626</small>
fundamental <span class="high1">object</span>ions that are all related to its idealist anthropologi-<br>
</div>

<div class="line t1"><small class="linenumber">1628</small>
There exists in human nature some<span class="high1">thing</span> like an economic principle<br>
</div>

<div class="line t1"><small class="linenumber">1630</small>
impose limits on his own <span class="high1">object</span>ives, on his needs and at the same<br>
</div>

<div class="line t1"><small class="linenumber">1658</small>
<span class="high1">object</span>ives as regards income and thus on their efforts." 23 And he<br>
</div>

<div class="line t1"><small class="linenumber">1684</small>
reorganized in accordance to the <span class="high1">object</span>ive social demand of signs<br>
</div>

<div class="line t1"><small class="linenumber">1691</small>
and demystified tone, this thesis, as he understood it, is no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">1701</small>
<span class="high1">object</span>s. There is only need for this or that <span class="high1">object</span>. In effect, the<br>
</div>

<div class="line t1"><small class="linenumber">1705</small>
specular reflections of empirical <span class="high1">object</span>s. At this level, however, the<br>
</div>

<div class="line t1"><small class="linenumber">1709</small>
on a keyboard of <span class="high1">object</span>s. We know that advertising is not omnipotent<br>
</div>

<div class="line t1"><small class="linenumber">1711</small>
reference to a single "need," <span class="high1">object</span>s can be substituted for one<br>
</div>

<div class="line t1"><small class="linenumber">1719</small>
respective <span class="high1">object</span>s. Needs are produced as a force of consumption,<br>
</div>

<div class="line t1"><small class="linenumber">1726</small>
its place by reorganizing every<span class="high1">thing</span> into a system of productive<br>
</div>

<div class="line t1"><small class="linenumber">1748</small>
as a relation between an individual and an <span class="high1">object</span>. In the same<br>
</div>

<div class="line t1"><small class="linenumber">1756</small>
demonstrate that people's relation to <span class="high1">object</span>s, and their relation to<br>
</div>

<div class="line t1"><small class="linenumber">1758</small>
myth at the same time as the <span class="high1">object</span>. Once having stated the universal<br>
</div>

<div class="line t1"><small class="linenumber">1764</small>
if there is such a <span class="high1">thing</span>. They do not see that, taken one at a time,<br>
</div>

<div class="line t1"><small class="linenumber">1765</small>
needs are no<span class="high1">thing</span>; that there is only the system of needs; or rather,<br>
</div>

<div class="line t1"><small class="linenumber">1766</small>
that needs are no<span class="high1">thing</span> but the most advanced form of the rational<br>
</div>

<div class="line t1"><small class="linenumber">1800</small>
The fluidity of <span class="high1">object</span>s and needs<br>
</div>

<div class="line t1"><small class="linenumber">1803</small>
psychoeconomicus. It is a theory of needs, of <span class="high1">object</span>s (in the fullest<br>
</div>

<div class="line t1"><small class="linenumber">1814</small>
will never produce any<span class="high1">thing</span> more than a consumed reflection on<br>
</div>

<div class="line t1"><small class="linenumber">1819</small>
field of their <span class="high1">object</span>ive function <span class="high1">object</span>s are not interchangeable, but<br>
</div>

<div class="line t1"><small class="linenumber">1820</small>
outside the field of its denotation, an <span class="high1">object</span> becomes substitutable<br>
</div>

<div class="line t1"><small class="linenumber">1822</small>
<span class="high1">object</span> takes on the value of a sign. In this way a washing machine<br>
</div>

<div class="line t1"><small class="linenumber">1825</small>
consumption. Here all sorts of <span class="high1">object</span>s can be substituted for the<br>
</div>

<div class="line t1"><small class="linenumber">1827</small>
the logic of symbols, <span class="high1">object</span>s are no longer tied to a function or to<br>
</div>

<div class="line t1"><small class="linenumber">1828</small>
a defined need. This is precisely because <span class="high1">object</span>s respond to some<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">1831</small>
Relatively speaking, <span class="high1">object</span>s and needs are here interchangeable<br>
</div>

<div class="line t1"><small class="linenumber">1837</small>
relation between the <span class="high1">object</span> and its function). In the hysterical orConsumer Society<br>
</div>

<div class="line t1"><small class="linenumber">1842</small>
This is just like the interconnection of <span class="high1">object</span>/signs, or of <span class="high1">object</span>/<br>
</div>

<div class="line t1"><small class="linenumber">1844</small>
<span class="high1">object</span>'s rational goal), but desire, and some other determination,<br>
</div>

<div class="line t1"><small class="linenumber">1847</small>
taking it literally, as it presents itself, as a need for a specific <span class="high1">object</span>,<br>
</div>

<div class="line t1"><small class="linenumber">1851</small>
The world of <span class="high1">object</span>s and of needs would thus be a world of<br>
</div>

<div class="line t1"><small class="linenumber">1854</small>
replaces and refers to, in consumption <span class="high1">object</span>s become a vast<br>
</div>

<div class="line t1"><small class="linenumber">1855</small>
paradigm designating another language through which some<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">1858</small>
the specific <span class="high1">object</span>ivity of needs, just as it is impossible in hysteria<br>
</div>

<div class="line t1"><small class="linenumber">1859</small>
to define the specific <span class="high1">object</span>ivity of an illness, for the simple reason<br>
</div>

<div class="line t1"><small class="linenumber">1863</small>
signifies itself locally in a succession of <span class="high1">object</span>s and needs.<br>
</div>

<div class="line t1"><small class="linenumber">1871</small>
for a particular <span class="high1">object</span> as much as it is a "need" for difference (the<br>
</div>

<div class="line t1"><small class="linenumber">1883</small>
The acquisition of <span class="high1">object</span>s is without an <span class="high1">object</span> ("<span class="high1">object</span>less craving," 27<br>
</div>

<div class="line t1"><small class="linenumber">1885</small>
focused and directed at the <span class="high1">object</span> and at pleasure, in fact responds<br>
</div>

<div class="line t1"><small class="linenumber">1886</small>
to quite different <span class="high1">object</span>ives: the metaphoric or displaced expression<br>
</div>

<div class="line t1"><small class="linenumber">1889</small>
function of individual interest within a corpus of <span class="high1">object</span>s, but rather<br>
</div>

<div class="line t1"><small class="linenumber">1893</small>
and not a function of pleasure, and therefore, like <span class="high1">material</span> production,<br>
</div>

<div class="line t1"><small class="linenumber">1909</small>
of pleasure. Pleasure no longer appears as an <span class="high1">object</span>ive, as a rational<br>
</div>

<div class="line t1"><small class="linenumber">1911</small>
<span class="high1">object</span>ives lie elsewhere. Pleasure would define consumption for itself,<br>
</div>

<div class="line t1"><small class="linenumber">1931</small>
(<span class="high1">object</span>/signs) and differences, and not on need and pleasure.<br>
</div>

<div class="line t1"><small class="linenumber">1942</small>
essential function of the regulated circulation of <span class="high1">object</span>s and<br>
</div>

<div class="line t1"><small class="linenumber">1950</small>
Nevertheless, at the level of distribution, commodities and <span class="high1">object</span>s,<br>
</div>

<div class="line t1"><small class="linenumber">1965</small>
commodities and <span class="high1">object</span>/signs — all of these presently constitute our<br>
</div>

<div class="line t1"><small class="linenumber">1971</small>
The best evidence that pleasure is not the basis or the <span class="high1">object</span>ive<br>
</div>

<div class="line t1"><small class="linenumber">1985</small>
relations, by the intensive use of signs and <span class="high1">object</span>s, and by the<br>
</div>

<div class="line t1"><small class="linenumber">2001</small>
Every<span class="high1">thing</span> must be tried: since man as consumer is haunted by the<br>
</div>

<div class="line t1"><small class="linenumber">2002</small>
fear of "missing" some<span class="high1">thing</span>, any kind of pleasure. One never knows<br>
</div>

<div class="line t1"><small class="linenumber">2101</small>
but a new <span class="high1">object</span>ive state, governed by the same fundamental<br>
</div>

<div class="line t1"><small class="linenumber">2105</small>
is no <span class="high1">object</span>ive "progress" (nor a fortiori "revolution"): it is simply<br>
</div>

<div class="line t1"><small class="linenumber">2106</small>
the same <span class="high1">thing</span> and some<span class="high1">thing</span> else. What in fact results from the<br>
</div>

<div class="line t1"><small class="linenumber">2110</small>
they are simultaneously endured as an <span class="high1">object</span>ive process of adaptation<br>
</div>

<div class="line t1"><small class="linenumber">2229</small>
world? No<span class="high1">thing</span>. What could he be? Every<span class="high1">thing</span>, or almost every<span class="high1">thing</span>.<br>
</div>

<div class="line t1"><small class="linenumber">2237</small>
acquisition of <span class="high1">object</span>s and commodities is individualizing, atomizing,<br>
</div>

<div class="line t1"><small class="linenumber">2249</small>
gratifications and deceptions, in this minimal exchange. The <span class="high1">object</span><br>
</div>

<div class="line t1"><small class="linenumber">2251</small>
because it is collapsed on <span class="high1">object</span>s which themselves lack negativity.<br>
</div>

<div class="line t1"><small class="linenumber">2254</small>
strategy of desire invests the <span class="high1">material</span>ity of our existence with its<br>
</div>

<div class="line t1"><small class="linenumber">2255</small>
monotony and distractions. Or, as we saw, the <span class="high1">object</span> of consumption<br>
</div>

<div class="line t1"><small class="linenumber">2401</small>
<span class="high1">object</span>ive practice and recovered by the "cultural" system of<br>
</div>

<div class="line t1"><small class="linenumber">2420</small>
form into the <span class="high1">object</span> form (cf. below, Beyond use value).<br>
</div>

<div class="line t1"><small class="linenumber">2431</small>
value and exchange value into sign value (or again: of the <span class="high1">object</span><br>
</div>

<div class="line t1"><small class="linenumber">2442</small>
defines itself precisely as some<span class="high1">thing</span> distinct from, and beyond value<br>
</div>

<div class="line t1"><small class="linenumber">2443</small>
and code. All forms of value (<span class="high1">object</span>, commodity or sign) must be<br>
</div>

<div class="line t1"><small class="linenumber">2466</small>
value, sign value). For example: the <span class="high1">object</span>s involved in reciprocal60<br>
</div>

<div class="line t1"><small class="linenumber">2472</small>
<span class="high1">material</span> is abstracted into utility value, commercial value, statutory<br>
</div>

<div class="line t1"><small class="linenumber">2509</small>
of <span class="high1">material</span> production and countersigns it in the process of ideological<br>
</div>

<div class="line t1"><small class="linenumber">2591</small>
value (where the process of <span class="high1">material</span> production (commodity form)<br>
</div>

<div class="line t1"><small class="linenumber">2598</small>
<span class="high1">thing</span>. It is the basis of a revolutionary anthropology. Certain<br>
</div>

<div class="line t1"><small class="linenumber">2608</small>
of use-value fetishism is necessary - an analysis of the <span class="high1">object</span> form<br>
</div>

<div class="line t1"><small class="linenumber">2659</small>
escapes the historical determination of class. It represents an <span class="high1">object</span>ive,<br>
</div>

<div class="line t1"><small class="linenumber">2680</small>
code of utility is also a code of abstract equivalence of <span class="high1">object</span>s and<br>
</div>

<div class="line t1"><small class="linenumber">2696</small>
the reality principle of the <span class="high1">object</span> or product. To be abstractly<br>
</div>

<div class="line t1"><small class="linenumber">2714</small>
nation. Only <span class="high1">object</span>s or categories of goods cathected in the<br>
</div>

<div class="line t1"><small class="linenumber">2718</small>
other hand, as a useful value, the <span class="high1">object</span> attains an abstract<br>
</div>

<div class="line t1"><small class="linenumber">2719</small>
universality, an "<span class="high1">object</span>ivity" (through the reduciton of every<br>
</div>

<div class="line t1"><small class="linenumber">2721</small>
What is involved here, then, is an <span class="high1">object</span> form whose general<br>
</div>

<div class="line t1"><small class="linenumber">2724</small>
Every <span class="high1">object</span> is translatable into the general abstract code of<br>
</div>

<div class="line t1"><small class="linenumber">2725</small>
equivalence, which is its rationale, its <span class="high1">object</span>ive law, its meaning<br>
</div>

<div class="line t1"><small class="linenumber">2729</small>
adequation of an <span class="high1">object</span> to its (useful) end, subordinates all real<br>
</div>

<div class="line t1"><small class="linenumber">2730</small>
or potential <span class="high1">object</span>s to itself, without taking any one into account<br>
</div>

<div class="line t1"><small class="linenumber">2736</small>
need to a useful property of the <span class="high1">object</span>, use value is very much<br>
</div>

<div class="line t1"><small class="linenumber">2748</small>
of <span class="high1">object</span>s as use values. This results from an <span class="high1">object</span>ive rationalization,<br>
</div>

<div class="line t1"><small class="linenumber">2750</small>
different type of exchange, <span class="high1">object</span>s did not have the status of<br>
</div>

<div class="line t1"><small class="linenumber">2751</small>
"<span class="high1">object</span>ivity" that we give them at all. But henceforward secularized,<br>
</div>

<div class="line t1"><small class="linenumber">2752</small>
functionalized and rationalized in purpose, <span class="high1">object</span>s become the<br>
</div>

<div class="line t1"><small class="linenumber">2759</small>
themselves through an "<span class="high1">object</span>ive" activity of transforming nature —<br>
</div>

<div class="line t1"><small class="linenumber">2763</small>
the finality of subjects who face their ambivalent <span class="high1">object</span> relations,<br>
</div>

<div class="line t1"><small class="linenumber">2769</small>
and the parallel functionality of <span class="high1">object</span>s and needs. 4 The individual<br>
</div>

<div class="line t1"><small class="linenumber">2771</small>
commodity form (exchange value), and the <span class="high1">object</span> form (use value).<br>
</div>

<div class="line t1"><small class="linenumber">2772</small>
The individual is no<span class="high1">thing</span> but the subject thought in economic terms,<br>
</div>

<div class="line t1"><small class="linenumber">2778</small>
It registers itself as a kind of moral law at the heart of the <span class="high1">object</span> —<br>
</div>

<div class="line t1"><small class="linenumber">2780</small>
It is the transcription at the heart of <span class="high1">thing</span>s of the same moral law<br>
</div>

<div class="line t1"><small class="linenumber">2785</small>
correlation of the <span class="high1">object</span> with the needs of the subject, under the<br>
</div>

<div class="line t1"><small class="linenumber">2790</small>
finality). It establishes the <span class="high1">object</span> in its truth, as an essence called<br>
</div>

<div class="line t1"><small class="linenumber">2793</small>
reduction of all the symbolic virtualities of the subject and the <span class="high1">object</span>.<br>
</div>

<div class="line t1"><small class="linenumber">2798</small>
It establishes the <span class="high1">object</span> in a functional equivalence to itself in<br>
</div>

<div class="line t1"><small class="linenumber">2803</small>
ence to itself) permits the <span class="high1">object</span> to enter the field of political<br>
</div>

<div class="line t1"><small class="linenumber">2809</small>
Thus the functionality of <span class="high1">object</span>s, their moral code of utility, is as<br>
</div>

<div class="line t1"><small class="linenumber">2813</small>
equivalence of utilities the <span class="high1">object</span> form, we can say that the <span class="high1">object</span><br>
</div>

<div class="line t1"><small class="linenumber">2822</small>
individual to <span class="high1">object</span>s conceived as use values to pass for a concrete<br>
</div>

<div class="line t1"><small class="linenumber">2823</small>
and <span class="high1">object</span>ive - in sum, "natural" - relation between man's needs<br>
</div>

<div class="line t1"><small class="linenumber">2824</small>
and the function proper to the <span class="high1">object</span>. This is all seen as the opposite<br>
</div>

<div class="line t1"><small class="linenumber">2831</small>
Against all this see<span class="high1">thing</span> metaphysic of needs and use values, it must<br>
</div>

<div class="line t1"><small class="linenumber">2845</small>
relations, <span class="high1">object</span> relations and even perversions — in short, all the<br>
</div>

<div class="line t1"><small class="linenumber">2848</small>
social labor find their general equivalent in money. Every<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">2851</small>
by <span class="high1">object</span>s. All instincts are rationalized, finalized and <span class="high1">object</span>ified in<br>
</div>

<div class="line t1"><small class="linenumber">2865</small>
can no longer be viewed as an innate function of the <span class="high1">object</span>, but as<br>
</div>

<div class="line t1"><small class="linenumber">2866</small>
a social determination (at once of the subject, the <span class="high1">object</span>, and their<br>
</div>

<div class="line t1"><small class="linenumber">2868</small>
indifferently extends itself to people and <span class="high1">thing</span>s and makes people<br>
</div>

<div class="line t1"><small class="linenumber">2871</small>
on the world of <span class="high1">object</span>s. It is illogical and naive to hope that, through<br>
</div>

<div class="line t1"><small class="linenumber">2872</small>
<span class="high1">object</span>s conceived in terms of exchange value, that is, in his needs,<br>
</div>

<div class="line t1"><small class="linenumber">2876</small>
himself qua man. The truth is some<span class="high1">thing</span> else entirely. In an<br>
</div>

<div class="line t1"><small class="linenumber">2879</small>
<span class="high1">object</span>s that function and serve, man is not so much himself as the<br>
</div>

<div class="line t1"><small class="linenumber">2880</small>
most beautiful of these functional and servile <span class="high1">object</span>s. It is not only<br>
</div>

<div class="line t1"><small class="linenumber">2899</small>
relation to others and to <span class="high1">object</span>s, in terms of needs, utility, satisfaction<br>
</div>

<div class="line t1"><small class="linenumber">2914</small>
Precisely the same <span class="high1">thing</span> is going on here. In the correlation:<br>
</div>

<div class="line t1"><small class="linenumber">2930</small>
lived, the concrete; they are the guarantee of an <span class="high1">object</span>ive reality for<br>
</div>

<div class="line t1"><small class="linenumber">2956</small>
distributed <span class="high1">thing</span> in the world. 9 People are not equal with respect to<br>
</div>

<div class="line t1"><small class="linenumber">2988</small>
has rediscovered himself. People do not rediscover their <span class="high1">object</span>s<br>
</div>

<div class="line t1"><small class="linenumber">2996</small>
that of utility for <span class="high1">object</span>s, that of the useful appropriation of<br>
</div>

<div class="line t1"><small class="linenumber">2997</small>
<span class="high1">object</span>s by man in need.<br>
</div>

<div class="line t1"><small class="linenumber">3008</small>
levels: between man and nature, man and <span class="high1">object</span>s, man and his body,<br>
</div>

<div class="line t1"><small class="linenumber">3020</small>
"liberation of needs" and the "administration of <span class="high1">thing</span>s" as a<br>
</div>

<div class="line t1"><small class="linenumber">3025</small>
the <span class="high1">object</span> form. 10 This has been absent from Marxist analysis. With<br>
</div>

<div class="line t1"><small class="linenumber">3032</small>
So far as (a commodity) is a value in use, there is no<span class="high1">thing</span> mysterious<br>
</div>

<div class="line t1"><small class="linenumber">3036</small>
noonday that man, by his industry, changes the forms of the <span class="high1">material</span>s<br>
</div>

<div class="line t1"><small class="linenumber">3049</small>
relations between Robinson and the <span class="high1">object</span>s that form this wealth of<br>
</div>

<div class="line t1"><small class="linenumber">3061</small>
of Robinson Crusoe, then it must be admitted that every<span class="high1">thing</span> in the<br>
</div>

<div class="line t1"><small class="linenumber">3116</small>
In fact, no<span class="high1">thing</span> is clear about this fable. Its evidence of simplicity<br>
</div>

<div class="line t1"><small class="linenumber">3118</small>
in metaphysical subtleties and theological niceties." There is no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">3120</small>
one's needs" or in "rendering onself useful" as well as <span class="high1">thing</span>s. And<br>
</div>

<div class="line t1"><small class="linenumber">3124</small>
immediacy of his relation to <span class="high1">thing</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">3138</small>
(UV), or between the commodity form and the <span class="high1">object</span> form: this<br>
</div>

<div class="line t1"><small class="linenumber">3152</small>
infrastructural-superstructural relation between a <span class="high1">material</span> pro-<br>
</div>

<div class="line t1"><small class="linenumber">3156</small>
of <span class="high1">object</span>ivity, a general political economy (its critique), which is<br>
</div>

<div class="line t1"><small class="linenumber">3172</small>
sum, ideology appears as a sort of cultural surf fro<span class="high1">thing</span> on the<br>
</div>

<div class="line t1"><small class="linenumber">3175</small>
traverses both the production of signs and <span class="high1">material</span> production; or<br>
</div>

<div class="line t1"><small class="linenumber">3183</small>
Marx demonstrated that the <span class="high1">object</span>ivity of <span class="high1">material</span> production didThe Political Economy of the Sign<br>
</div>

<div class="line t1"><small class="linenumber">3185</small>
not reside in its <span class="high1">material</span>ity, but in its form. In fact, this is the point<br>
</div>

<div class="line t1"><small class="linenumber">3187</small>
must be applied to ideology: its <span class="high1">object</span>ivity does not reside in its<br>
</div>

<div class="line t1"><small class="linenumber">3191</small>
feeds off a magical conception of its <span class="high1">object</span>. It does not unravel<br>
</div>

<div class="line t1"><small class="linenumber">3196</small>
as the link between the utility of an <span class="high1">object</span> and the demand of a<br>
</div>

<div class="line t1"><small class="linenumber">3199</small>
Transposed from the analysis of <span class="high1">material</span> goods to collective<br>
</div>

<div class="line t1"><small class="linenumber">3203</small>
<span class="high1">material</span> into a form. But this reductive abstraction is given<br>
</div>

<div class="line t1"><small class="linenumber">3218</small>
itself in the obviousness of value. It is in the "<span class="high1">material</span>ity" of content<br>
</div>

<div class="line t1"><small class="linenumber">3233</small>
1 The subject—<span class="high1">object</span> dichotomy, bridged by the magical concept<br>
</div>

<div class="line t1"><small class="linenumber">3242</small>
<span class="high1">material</span>ity of contents and the ideality of consciousness, reuniting<br>
</div>

<div class="line t1"><small class="linenumber">3261</small>
system of <span class="high1">material</span> production "signified" no<span class="high1">thing</span>! As if signs and<br>
</div>

<div class="line t1"><small class="linenumber">3266</small>
production. Ideology seizes all production, <span class="high1">material</span> or symbolic, in<br>
</div>

<div class="line t1"><small class="linenumber">3283</small>
the contents of <span class="high1">material</span> production or the im<span class="high1">material</span> contents of<br>
</div>

<div class="line t1"><small class="linenumber">3303</small>
and regulates exchange, makes <span class="high1">thing</span>s communicate, but only under<br>
</div>

<div class="line t1"><small class="linenumber">3311</small>
reference is no<span class="high1">thing</span> but the effect and the symptom of the system —<br>
</div>

<div class="line t1"><small class="linenumber">3325</small>
totality. This partitioning of the <span class="high1">object</span> domain obscures even the<br>
</div>

<div class="line t1"><small class="linenumber">3328</small>
the fact that no<span class="high1">thing</span> produced or exchanged today (<span class="high1">object</span>s, services,<br>
</div>

<div class="line t1"><small class="linenumber">3330</small>
a sign, nor solely measured as a commodity; that every<span class="high1">thing</span> appears<br>
</div>

<div class="line t1"><small class="linenumber">3335</small>
<span class="high1">object</span>ive substrate to it, the potential <span class="high1">object</span>ivity of the product as<br>
</div>

<div class="line t1"><small class="linenumber">3339</small>
some<span class="high1">thing</span> whose transcendence could have been rationalized and<br>
</div>

<div class="line t1"><small class="linenumber">3341</small>
distorted in exchange value). The <span class="high1">object</span> of this political economy,<br>
</div>

<div class="line t1"><small class="linenumber">3346</small>
as form. Rather, this <span class="high1">object</span> is perhaps quite simply the <span class="high1">object</span>, the<br>
</div>

<div class="line t1"><small class="linenumber">3347</small>
<span class="high1">object</span> form, on which use value, exchange value and sign value<br>
</div>

<div class="line t1"><small class="linenumber">3361</small>
and of <span class="high1">object</span>ive purpose exhaled by use value and needs. This is<br>
</div>

<div class="line t1"><small class="linenumber">3379</small>
relation of the sign, so that this equals this, and no<span class="high1">thing</span> else. This<br>
</div>

<div class="line t1"><small class="linenumber">3441</small>
sign as abstract structure refers to a fragment of <span class="high1">object</span>ive reality. It<br>
</div>

<div class="line t1"><small class="linenumber">3472</small>
analyses of others) comes down to the fact that <span class="high1">thing</span>s are just not<br>
</div>

<div class="line t1"><small class="linenumber">3488</small>
The poor speaker evidently knows no<span class="high1">thing</span> of the arbitrary character<br>
</div>

<div class="line t1"><small class="linenumber">3516</small>
The crucial <span class="high1">thing</span> is to see that the separation of the sign and the<br>
</div>

<div class="line t1"><small class="linenumber">3520</small>
sign "evokes" (the better to distance itself from it) is no<span class="high1">thing</span> but<br>
</div>

<div class="line t1"><small class="linenumber">3524</small>
<span class="high1">thing</span>, an identity of content that acts as the moving shadow of the<br>
</div>

<div class="line t1"><small class="linenumber">3548</small>
The referent, the "real" <span class="high1">object</span>, is the phenomenal <span class="high1">object</span>, the<br>
</div>

<div class="line t1"><small class="linenumber">3576</small>
attempts to reunite the subject and the <span class="high1">object</span> it posits as separate:<br>
</div>

<div class="line t1"><small class="linenumber">3610</small>
concept of need (like motivation) analyzes no<span class="high1">thing</span> at all. It only<br>
</div>

<div class="line t1"><small class="linenumber">3614</small>
appropriate a given <span class="high1">object</span> for themselves as use value "because they<br>
</div>

<div class="line t1"><small class="linenumber">3622</small>
2 But: the <span class="high1">object</span>ivity of this "denoted" fraction of the real is<br>
</div>

<div class="line t1"><small class="linenumber">3634</small>
by the logic of the sign onto the world of <span class="high1">thing</span>s (onto the<br>
</div>

<div class="line t1"><small class="linenumber">3690</small>
"<span class="high1">object</span>ivity" (whether the denotation is that of the linguistic sign,<br>
</div>

<div class="line t1"><small class="linenumber">3710</small>
parasitical significations onto an "<span class="high1">object</span>ive" denotative process; nor<br>
</div>

<div class="line t1"><small class="linenumber">3719</small>
Sd, this <span class="high1">object</span>ive "reality," is itself no<span class="high1">thing</span> more than a coded form<br>
</div>

<div class="line t1"><small class="linenumber">3723</small>
any<span class="high1">thing</span> more than the most attractive and subtle of connotations.<br>
</div>

<div class="line t1"><small class="linenumber">3731</small>
seem, appear to be telling us some<span class="high1">thing</span> simple, literal, primitive:<br>
</div>

<div class="line t1"><small class="linenumber">3732</small>
some<span class="high1">thing</span> true, in relation to which all the rest is literature? 25<br>
</div>

<div class="line t1"><small class="linenumber">3733</small>
So it all parallels use value as the "denotative" function of <span class="high1">object</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">3734</small>
Indeed, doesn't the <span class="high1">object</span> have that air, in its "being serviceable,"<br>
</div>

<div class="line t1"><small class="linenumber">3735</small>
of having said some<span class="high1">thing</span> <span class="high1">object</span>ive? This manifest discourse is the<br>
</div>

<div class="line t1"><small class="linenumber">3737</small>
<span class="high1">object</span>ivity is involved. Utility, like the literality of which Barthes<br>
</div>

<div class="line t1"><small class="linenumber">3742</small>
or use value; <span class="high1">object</span>ivity or utility: it is always the complicity of the<br>
</div>

<div class="line t1"><small class="linenumber">3745</small>
the <span class="high1">object</span>, resurges continually from the system of exchange value,90<br>
</div>

<div class="line t1"><small class="linenumber">3757</small>
its universality and "<span class="high1">object</span>ive" innocence. Far from being the<br>
</div>

<div class="line t1"><small class="linenumber">3758</small>
<span class="high1">object</span>ive term to which connotation is opposed as an ideological<br>
</div>

<div class="line t1"><small class="linenumber">3769</small>
"beyond" of semiology which, in its quite "<span class="high1">object</span>ive innocence,"<br>
</div>

<div class="line t1"><small class="linenumber">3774</small>
name of the Sd (or the Rft: same <span class="high1">thing</span>), which it is then necessary<br>
</div>

<div class="line t1"><small class="linenumber">3815</small>
signification is, at bottom, no<span class="high1">thing</span> but a gigantic simulation model<br>
</div>

<div class="line t1"><small class="linenumber">3823</small>
every<span class="high1">thing</span> in terms of itself, can only speak the language of values<br>
</div>

<div class="line t1"><small class="linenumber">3828</small>
the sign, we can say no<span class="high1">thing</span>, really, except that it is ambivalent;<br>
</div>

<div class="line t1"><small class="linenumber">3838</small>
copulation is <span class="high1">object</span>ified in the bar of structural inclusion between<br>
</div>

<div class="line t1"><small class="linenumber">3839</small>
Sr and Sd (Sr/Sd). 28 It is then even further <span class="high1">object</span>ified and positivized<br>
</div>

<div class="line t1"><small class="linenumber">3845</small>
creates its rationality. And this is no<span class="high1">thing</span> other than the radical<br>
</div>

<div class="line t1"><small class="linenumber">3859</small>
mirage of the referent, which is no<span class="high1">thing</span> but the phantasm of what<br>
</div>

<div class="line t1"><small class="linenumber">3867</small>
elemental <span class="high1">object</span>ification that reverberates through the amplified<br>
</div>

<div class="line t1"><small class="linenumber">3897</small>
"concrete" <span class="high1">object</span> or the "concrete" product concerned in the matter<br>
</div>

<div class="line t1"><small class="linenumber">3908</small>
<span class="high1">object</span>s, the abolition of their abstract finality. Where it appears to<br>
</div>

<div class="line t1"><small class="linenumber">3910</small>
Consumption destroys <span class="high1">object</span>s as substance the better to perpetuate this<br>
</div>

<div class="line t1"><small class="linenumber">3915</small>
use), not the destruction of <span class="high1">object</span>s in themselves. Only this act can be<br>
</div>

<div class="line t1"><small class="linenumber">3949</small>
<span class="high1">material</span> production, inaugurated by Marx; and critical semiology, or<br>
</div>

<div class="line t1"><small class="linenumber">3956</small>
such, but not the abolition, toward some mystical no<span class="high1">thing</span>ness, of the<br>
</div>

<div class="line t1"><small class="linenumber">3957</small>
<span class="high1">material</span> and operation of meaning. The symbolic operation of meaning<br>
</div>

<div class="line t1"><small class="linenumber">3958</small>
is also exercised upon phonic, visual, gestural (and social) <span class="high1">material</span>, but<br>
</div>

<div class="line t1"><small class="linenumber">3970</small>
carried toward <span class="high1">thing</span>s (!) and not considered in its simple relation to<br>
</div>

<div class="line t1"><small class="linenumber">3973</small>
intermingled vestiges of idealism and <span class="high1">material</span>ism, deriving from all the<br>
</div>

<div class="line t1"><small class="linenumber">3981</small>
not reality (i.e. an <span class="high1">object</span> whose existence I can test, or control): we<br>
</div>

<div class="line t1"><small class="linenumber">3986</small>
tangible <span class="high1">object</span> immediately reemerges. Thus, the articulation of the sign<br>
</div>

<div class="line t1"><small class="linenumber">4032</small>
the <span class="high1">object</span> of a (given) science is only the effect of its discourse. In<br>
</div>

<div class="line t1"><small class="linenumber">4037</small>
posits its <span class="high1">object</span> as a simulation model, purely and simply. It is known,<br>
</div>

<div class="line t1"><small class="linenumber">4069</small>
to an <span class="high1">object</span>, but rather by 'reference back' to a symbolic function"<br>
</div>

<div class="line t1"><small class="linenumber">4104</small>
every<span class="high1">thing</span> hidden behind the concepts of production, mode of<br>
</div>

<div class="line t1"><small class="linenumber">4113</small>
"the production by men of their <span class="high1">material</span> life?" "The first historical<br>
</div>

<div class="line t1"><small class="linenumber">4115</small>
production of <span class="high1">material</span> life itself. And indeed this is an historical act,<br>
</div>

<div class="line t1"><small class="linenumber">4165</small>
articulation alone could help decipher <span class="high1">object</span>ively the process of<br>
</div>

<div class="line t1"><small class="linenumber">4193</small>
retains some<span class="high1">thing</span> of the apparent movement of political economy:<br>
</div>

<div class="line t1"><small class="linenumber">4233</small>
<span class="high1">material</span> to which it is applied." 6 Here we rediscover the moment<br>
</div>

<div class="line t1"><small class="linenumber">4236</small>
remains no<span class="high1">thing</span> more or less than a qualitative potentiality. It is<br>
</div>

<div class="line t1"><small class="linenumber">4237</small>
specified by its own end, by the <span class="high1">material</span> it works on, or simply<br>
</div>

<div class="line t1"><small class="linenumber">4294</small>
Regarded <span class="high1">material</span>ly, wealth consists only in the manifold variety of<br>
</div>

<div class="line t1"><small class="linenumber">4314</small>
theoretical <span class="high1">object</span>), this theoretical production, itself taken in the<br>
</div>

<div class="line t1"><small class="linenumber">4315</small>
abstraction of the representation, apparently only redoubles its <span class="high1">object</span><br>
</div>

<div class="line t1"><small class="linenumber">4317</small>
the theory and the <span class="high1">object</span> — and this is valid not only for Marxism<br>
</div>

<div class="line t1"><small class="linenumber">4366</small>
power <span class="high1">object</span>ified in the production process as abstract social labor<br>
</div>

<div class="line t1"><small class="linenumber">4383</small>
In concrete labor man gives a useful, <span class="high1">object</span>ive end to nature; in<br>
</div>

<div class="line t1"><small class="linenumber">4401</small>
changed no<span class="high1">thing</span> basic: no<span class="high1">thing</span> regarding the idea of man producing<br>
</div>

<div class="line t1"><small class="linenumber">4404</small>
Marx translated this concept into the logic of <span class="high1">material</span> production<br>
</div>

<div class="line t1"><small class="linenumber">4415</small>
never been and will never be any<span class="high1">thing</span> but the single mode of<br>
</div>

<div class="line t1"><small class="linenumber">4422</small>
This logic of <span class="high1">material</span> production, this dialectic of modes of<br>
</div>

<div class="line t1"><small class="linenumber">4425</small>
process of the <span class="high1">object</span>ification of nature. This position is heavy with<br>
</div>

<div class="line t1"><small class="linenumber">4441</small>
<span class="high1">object</span>ification [of man]." 15 And even in Capital:<br>
</div>

<div class="line t1"><small class="linenumber">4445</small>
without which there can be no <span class="high1">material</span> exchanges between man and<br>
</div>

<div class="line t1"><small class="linenumber">4450</small>
controls the <span class="high1">material</span> reactions between himself and nature. He opposes<br>
</div>

<div class="line t1"><small class="linenumber">4462</small>
and is raised to an absolute value. But is the "<span class="high1">material</span>ist" thesis of<br>
</div>

<div class="line t1"><small class="linenumber">4480</small>
alone founds the world as <span class="high1">object</span>ive and man as historical. In short,<br>
</div>

<div class="line t1"><small class="linenumber">4484</small>
expresses no<span class="high1">thing</span> other than a negativity rooted in the very essence<br>
</div>

<div class="line t1"><small class="linenumber">4496</small>
No<span class="high1">thing</span> was more corrupting for the German workers' movement<br>
</div>

<div class="line t1"><small class="linenumber">4504</small>
Marx, even worse, <span class="high1">object</span>ed that man possesses only his labor power,<br>
</div>

<div class="line t1"><small class="linenumber">4524</small>
Confronted by the absolute idealism of labor, dialectical <span class="high1">material</span>-<br>
</div>

<div class="line t1"><small class="linenumber">4540</small>
and the free <span class="high1">object</span>ification of man's own powers.<br>
</div>

<div class="line t1"><small class="linenumber">4543</small>
in the very nature of <span class="high1">thing</span>s it lies beyond the sphere of actual <span class="high1">material</span><br>
</div>

<div class="line t1"><small class="linenumber">4583</small>
of man's activity of incessant <span class="high1">object</span>ification of nature and control<br>
</div>

<div class="line t1"><small class="linenumber">4638</small>
that labor is not the only source of <span class="high1">material</span> wealth, of use-valuesThe Mirror of Production<br>
</div>

<div class="line t1"><small class="linenumber">4642</small>
its special form, viz., the useful character of the labor, is no<span class="high1">thing</span> but<br>
</div>

<div class="line t1"><small class="linenumber">4651</small>
If there was one <span class="high1">thing</span> Marx did not think about, it was discharge,<br>
</div>

<div class="line t1"><small class="linenumber">4653</small>
about production (not a bad <span class="high1">thing</span>), and he thought of it in terms<br>
</div>

<div class="line t1"><small class="linenumber">4658</small>
produced is <span class="high1">material</span>; it has no<span class="high1">thing</span> to do with symbolic wealth<br>
</div>

<div class="line t1"><small class="linenumber">4667</small>
to any other analytical field. Above all, it cannot become the <span class="high1">object</span><br>
</div>

<div class="line t1"><small class="linenumber">4726</small>
occasion of its <span class="high1">object</span>ification as a productive force under the sign<br>
</div>

<div class="line t1"><small class="linenumber">4732</small>
carries all the values of repression, sublimation, <span class="high1">object</span>ive finality,<br>
</div>

<div class="line t1"><small class="linenumber">4764</small>
Historical <span class="high1">material</span>ism, dialectics, modes of production, labor power<br>
</div>

<div class="line t1"><small class="linenumber">4797</small>
expressing an "<span class="high1">object</span>ive reality." They become signs: signifiers of a<br>
</div>

<div class="line t1"><small class="linenumber">4805</small>
is dialectical; the dialectic is the process of (<span class="high1">material</span>) production;<br>
</div>

<div class="line t1"><small class="linenumber">4811</small>
to see if societies "without history" are some<span class="high1">thing</span> other than "pre"-<br>
</div>

<div class="line t1"><small class="linenumber">4813</small>
of production is not yet well developed, but no<span class="high1">thing</span> is lost by<br>
</div>

<div class="line t1"><small class="linenumber">4848</small>
falters under his own <span class="high1">object</span>ion to Feuerbach of making a radical<br>
</div>

<div class="line t1"><small class="linenumber">4858</small>
inversion of the idealist dialectic into a <span class="high1">material</span>ist dialectic was only<br>
</div>

<div class="line t1"><small class="linenumber">4863</small>
the duplication of its <span class="high1">object</span> — haunts all rational discursiveness.<br>
</div>

<div class="line t1"><small class="linenumber">4865</small>
desire bound up with the construction of its <span class="high1">object</span>, this negativity<br>
</div>

<div class="line t1"><small class="linenumber">4876</small>
completed. The <span class="high1">material</span>ist dialectic has exhausted its content in<br>
</div>

<div class="line t1"><small class="linenumber">4911</small>
<span class="high1">object</span> when we deal with the relations between Marxist theory and the<br>
</div>

<div class="line t1"><small class="linenumber">4917</small>
"<span class="high1">object</span>ive" reality, by the code of political economy.<br>
</div>

<div class="line t1"><small class="linenumber">4950</small>
of our own social products; for to stamp an <span class="high1">object</span> of utility as a value,<br>
</div>

<div class="line t1"><small class="linenumber">4955</small>
taken as a "useful <span class="high1">object</span>." Utility (including labor's) is already a<br>
</div>

<div class="line t1"><small class="linenumber">4979</small>
of production (whether <span class="high1">material</span> or desiring) on the scene of value,<br>
</div>

<div class="line t1"><small class="linenumber">4984</small>
which has no<span class="high1">thing</span> to do with the revolution or the laws of history,<br>
</div>

<div class="line t1"><small class="linenumber">5033</small>
engendered by models. There is no longer such a <span class="high1">thing</span> as ideology;<br>
</div>

<div class="line t1"><small class="linenumber">5093</small>
a determinist and <span class="high1">object</span>ivist science, a dialectical vision of history<br>
</div>

<div class="line t1"><small class="linenumber">5097</small>
to resurrect the dialectic, "<span class="high1">object</span>ive" contradictions and the like,<br>
</div>

<div class="line t1"><small class="linenumber">5105</small>
system, which is of a higher order. Every<span class="high1">thing</span> that gets inserted into<br>
</div>

<div class="line t1"><small class="linenumber">5150</small>
where every<span class="high1">thing</span> is naturally inverted and collapses. At the peak of<br>
</div>

<div class="line t1"><small class="linenumber">5198</small>
In truth, there is no<span class="high1">thing</span> left to ground ourselves on. All that is<br>
</div>

<div class="line t1"><small class="linenumber">5214</small>
as each monetary unit has some<span class="high1">thing</span> against which it can be<br>
</div>

<div class="line t1"><small class="linenumber">5223</small>
with the mechanism of value in <span class="high1">material</span> production as Marx<br>
</div>

<div class="line t1"><small class="linenumber">5252</small>
some<span class="high1">thing</span>, the sign is at last free for a structural or combinatory<br>
</div>

<div class="line t1"><small class="linenumber">5296</small>
it has long since been a question of some<span class="high1">thing</span> other than economics.<br>
</div>

<div class="line t1"><small class="linenumber">5299</small>
of value affects signification along with every<span class="high1">thing</span> else, it takes the<br>
</div>

<div class="line t1"><small class="linenumber">5303</small>
kind of structural determination, at a given moment, by <span class="high1">material</span><br>
</div>

<div class="line t1"><small class="linenumber">5357</small>
useful and the useless at the level of <span class="high1">object</span>s; and of nature and<br>
</div>

<div class="line t1"><small class="linenumber">5360</small>
judgement, vanish in our system of images and signs. Every<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">5378</small>
the reign of political economy. Before that no<span class="high1">thing</span> was produced,<br>
</div>

<div class="line t1"><small class="linenumber">5379</small>
strictly speaking: every<span class="high1">thing</span> was deduced, from grace (of God), or<br>
</div>

<div class="line t1"><small class="linenumber">5402</small>
Today every<span class="high1">thing</span> has changed again. Production, the commodity<br>
</div>

<div class="line t1"><small class="linenumber">5404</small>
quantitative, <span class="high1">material</span> and measurable configuration which is now<br>
</div>

<div class="line t1"><small class="linenumber">5448</small>
any<span class="high1">thing</span> but a set of described [signalétique] operations. It enters<br>
</div>

<div class="line t1"><small class="linenumber">5459</small>
designate the reality of social production, of a social <span class="high1">object</span>ive that<br>
</div>

<div class="line t1"><small class="linenumber">5503</small>
exploitation, the violent sociality of labor, is familiar. No<span class="high1">thing</span> like<br>
</div>

<div class="line t1"><small class="linenumber">5512</small>
form it presently takes, in the light of a "<span class="high1">material</span>ist" history that<br>
</div>

<div class="line t1"><small class="linenumber">5525</small>
To analyze production as a code is to transcend the <span class="high1">material</span><br>
</div>

<div class="line t1"><small class="linenumber">5527</small>
and those that are more formal, yet just as "<span class="high1">object</span>ive," such as<br>
</div>

<div class="line t1"><small class="linenumber">5550</small>
or as blacks are by skin color - these are also signs, and no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">5566</small>
single parcel remain unproductive, of countersigning every<span class="high1">thing</span> by<br>
</div>

<div class="line t1"><small class="linenumber">5582</small>
social relation of death upon which capital thrives. Thus no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">5605</small>
system of socialization, indifferent to every <span class="high1">object</span>ive, and to labor<br>
</div>

<div class="line t1"><small class="linenumber">5607</small>
is to localize each individual in a social nexus where no<span class="high1">thing</span> ever<br>
</div>

<div class="line t1"><small class="linenumber">5631</small>
be left on your own. The important <span class="high1">thing</span> is that everyone be a<br>
</div>

<div class="line t1"><small class="linenumber">5650</small>
the only <span class="high1">thing</span> still connected to pleasure, whereas the psychic<br>
</div>

<div class="line t1"><small class="linenumber">5661</small>
still tends to reduce every<span class="high1">thing</span> to factors. The axiom of the code<br>
</div>

<div class="line t1"><small class="linenumber">5662</small>
reduces every<span class="high1">thing</span> to variables. The former leads to equations and<br>
</div>

<div class="line t1"><small class="linenumber">5691</small>
the crime of mingling signs as a breach of the order of <span class="high1">thing</span>s. If we<br>
</div>

<div class="line t1"><small class="linenumber">5714</small>
but through the extension of a <span class="high1">material</span> whose clarity depended on<br>
</div>

<div class="line t1"><small class="linenumber">5724</small>
among each other in an <span class="high1">object</span>ive world. Here, the sign undergoes<br>
</div>

<div class="line t1"><small class="linenumber">5743</small>
signs and <span class="high1">object</span>s. These were signs with no caste tradition, which<br>
</div>

<div class="line t1"><small class="linenumber">5750</small>
very possibility of two or of n identical <span class="high1">object</span>s. The relation between<br>
</div>

<div class="line t1"><small class="linenumber">5753</small>
In the series, <span class="high1">object</span>s are transformed indefinitely into simulacra of<br>
</div>

<div class="line t1"><small class="linenumber">5754</small>
one another and, with <span class="high1">object</span>s, so are the people who produce them.<br>
</div>

<div class="line t1"><small class="linenumber">5769</small>
<span class="high1">object</span>s) in indefinite series.<br>
</div>

<div class="line t1"><small class="linenumber">5794</small>
any <span class="high1">object</span> can be reproduced, as such, in an exemplary double, is<br>
</div>

<div class="line t1"><small class="linenumber">5797</small>
serial repetition of the same <span class="high1">object</span> (which is the same for individuals<br>
</div>

<div class="line t1"><small class="linenumber">5818</small>
generates meaning and makes sense (fait sens). No<span class="high1">thing</span> functions<br>
</div>

<div class="line t1"><small class="linenumber">5887</small>
nation; every<span class="high1">thing</span> is resolved in inscription and decoding.<br>
</div>

<div class="line t1"><small class="linenumber">5895</small>
in advance, inscribed in the code. In a way, <span class="high1">thing</span>s have not really<br>
</div>

<div class="line t1"><small class="linenumber">5905</small>
"<span class="high1">object</span>ive" seat - what better throne than the molecule and genetics?<br>
</div>

<div class="line t1"><small class="linenumber">5914</small>
binary Divinity. For the current program has no<span class="high1">thing</span> to do with<br>
</div>

<div class="line t1"><small class="linenumber">5936</small>
indeterminate, random machine that it is today - some<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">5967</small>
include "functional" <span class="high1">object</span>s as well as fashion features, televised<br>
</div>

<div class="line t1"><small class="linenumber">5993</small>
evolve a binary system of regulation. This changes no<span class="high1">thing</span> in the<br>
</div>

<div class="line t1"><small class="linenumber">6073</small>
fetishism of the lost <span class="high1">object</span>: no longer the <span class="high1">object</span> of representation,<br>
</div>

<div class="line t1"><small class="linenumber">6090</small>
and subjectivity in order to render a pristine <span class="high1">object</span>ivity. In fact, this<br>
</div>

<div class="line t1"><small class="linenumber">6091</small>
<span class="high1">object</span>ivity was only that of the pure gaze - an <span class="high1">object</span>ivity at last<br>
</div>

<div class="line t1"><small class="linenumber">6092</small>
liberated from the <span class="high1">object</span>, which is no more than the blind relay of<br>
</div>

<div class="line t1"><small class="linenumber">6099</small>
but an arraignment of the <span class="high1">object</span>, the eager examination of its<br>
</div>

<div class="line t1"><small class="linenumber">6101</small>
immanence beneath the police agency of the look. This <span class="high1">object</span>ive<br>
</div>

<div class="line t1"><small class="linenumber">6105</small>
depth linked to the perception of the <span class="high1">object</span> give way to an optics<br>
</div>

<div class="line t1"><small class="linenumber">6106</small>
functioning on the surface of <span class="high1">thing</span>s, as if the gaze had become the<br>
</div>

<div class="line t1"><small class="linenumber">6107</small>
molecular code of the <span class="high1">object</span>...<br>
</div>

<div class="line t1"><small class="linenumber">6118</small>
Hyperrealism is some<span class="high1">thing</span> like their mutual fulfillment and overflow-<br>
</div>

<div class="line t1"><small class="linenumber">6141</small>
There once existed a specific class of <span class="high1">object</span>s that were allegorical,<br>
</div>

<div class="line t1"><small class="linenumber">6145</small>
savoir faire. In these <span class="high1">object</span>s, pleasure consisted more in discovering<br>
</div>

<div class="line t1"><small class="linenumber">6146</small>
some<span class="high1">thing</span> "natural" in what was artificial and counterfeit. Today,<br>
</div>

<div class="line t1"><small class="linenumber">6157</small>
every<span class="high1">thing</span> - a tactical simulation - like an undecidable game toSymbolic Exchange and Death<br>
</div>

<div class="line t1"><small class="linenumber">6166</small>
reproduction; every<span class="high1">thing</span> that redoubles in itself, even ordinary,<br>
</div>

<div class="line t1"><small class="linenumber">6182</small>
signs repress no<span class="high1">thing</span> ... even the primary process is abolished. The<br>
</div>

<div class="line t1"><small class="linenumber">6192</small>
3 Theoretical production, like <span class="high1">material</span> production, is also losing its<br>
</div>

<div class="line t1"><small class="linenumber">6205</small>
also cracked. And this is in the order of <span class="high1">thing</span>s. What I mean to say is<br>
</div>

<div class="line t1"><small class="linenumber">6211</small>
investing in any<span class="high1">thing</span>, except perhaps in the mirror of their writing<br>
</div>

<div class="line t1"><small class="linenumber">6265</small>
and by having its <span class="high1">object</span>ives put into question, changing its truth<br>
</div>

<div class="line t1"><small class="linenumber">6280</small>
And if it must overcome some<span class="high1">thing</span>, it is not fantasies and<br>
</div>

<div class="line t1"><small class="linenumber">6286</small>
the unconscious and problematics of interpretation. But no<span class="high1">thing</span> can<br>
</div>

<div class="line t1"><small class="linenumber">6295</small>
<span class="high1">thing</span> for psychoanalysis, after all, is in fact that the unconscious<br>
</div>

<div class="line t1"><small class="linenumber">6315</small>
nects with the other pole, we should say that it remains some<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">6316</small>
of a lost <span class="high1">object</span> of psychoanalysis.<br>
</div>

<div class="line t1"><small class="linenumber">6351</small>
the energy of mourning and of the dead <span class="high1">object</span> will be transferred<br>
</div>

<div class="line t1"><small class="linenumber">6376</small>
of <span class="high1">object</span>ivity and coherence (if we disregard all of the internal<br>
</div>

<div class="line t1"><small class="linenumber">6384</small>
made). But every<span class="high1">thing</span> that was repressed in this admirable taking<br>
</div>

<div class="line t1"><small class="linenumber">6452</small>
the slight figuration of certain <span class="high1">object</span>s. They figure in the great works<br>
</div>

<div class="line t1"><small class="linenumber">6455</small>
no longer <span class="high1">object</span>s, no longer specific <span class="high1">object</span>s. They are the anti-<br>
</div>

<div class="line t1"><small class="linenumber">6460</small>
Even this is meaningful: these <span class="high1">object</span>s are not <span class="high1">object</span>s. They do not<br>
</div>

<div class="line t1"><small class="linenumber">6469</small>
haunted and metaphysical <span class="high1">object</span>s contrasts completely with the<br>
</div>

<div class="line t1"><small class="linenumber">6471</small>
Their insignificance is offensive. Only <span class="high1">object</span>s without referents,On Seduction<br>
</div>

<div class="line t1"><small class="linenumber">6475</small>
isolated <span class="high1">object</span>s, ghostly in their deinscription from all discourse,<br>
</div>

<div class="line t1"><small class="linenumber">6485</small>
either; neither psychology nor historicity. Every<span class="high1">thing</span> here is artefact.<br>
</div>

<div class="line t1"><small class="linenumber">6486</small>
A vertical backdrop creates, out of pure signs, <span class="high1">object</span>s isolated from<br>
</div>

<div class="line t1"><small class="linenumber">6493</small>
clock without hands that leaves us to guess the time: these are <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">6500</small>
boundaries of <span class="high1">object</span>s and the ambiguity of their use, it always<br>
</div>

<div class="line t1"><small class="linenumber">6501</small>
retains the gravity of real <span class="high1">thing</span>s. It is always underscored by the<br>
</div>

<div class="line t1"><small class="linenumber">6503</small>
figured against a vertical background, every<span class="high1">thing</span> here is in suspense,<br>
</div>

<div class="line t1"><small class="linenumber">6504</small>
<span class="high1">object</span>s as well as time, even light and perspective. While still life<br>
</div>

<div class="line t1"><small class="linenumber">6507</small>
the obsolescence of <span class="high1">object</span>s, they are the sign of a (s)light vertigo,<br>
</div>

<div class="line t1"><small class="linenumber">6514</small>
doesn't refract. Perhaps death illuminates <span class="high1">thing</span>s directly, and this is<br>
</div>

<div class="line t1"><small class="linenumber">6520</small>
result of the transparency of <span class="high1">object</span>s to a black sun.<br>
</div>

<div class="line t1"><small class="linenumber">6521</small>
We sense that these <span class="high1">object</span>s are approaching the black hole from<br>
</div>

<div class="line t1"><small class="linenumber">6523</small>
decentering effect, and the advancement of the reflection of <span class="high1">object</span>s<br>
</div>

<div class="line t1"><small class="linenumber">6525</small>
insignificant <span class="high1">object</span>s, of the double which creates the effect of<br>
</div>

<div class="line t1"><small class="linenumber">6531</small>
A weak physical desire to grasp <span class="high1">thing</span>s, but a desire which is itself<br>
</div>

<div class="line t1"><small class="linenumber">6532</small>
suspended and therefore metaphysical, the <span class="high1">object</span>s of the trompe-<br>
</div>

<div class="line t1"><small class="linenumber">6540</small>
familiarity of <span class="high1">object</span>s is the expression of this disappearance of the<br>
</div>

<div class="line t1"><small class="linenumber">6543</small>
merely a simulacrum - disintegrates, some<span class="high1">thing</span> else emerges; this<br>
</div>

<div class="line t1"><small class="linenumber">6545</small>
hyperpresence of <span class="high1">thing</span>s, "as if we could grasp them." But this tactile<br>
</div>

<div class="line t1"><small class="linenumber">6546</small>
fantasy has no<span class="high1">thing</span> to do with our sense of touch: it is a<br>
</div>

<div class="line t1"><small class="linenumber">6549</small>
world we call "real," revealing to us that "reality" is no<span class="high1">thing</span> but a<br>
</div>

<div class="line t1"><small class="linenumber">6550</small>
staged world, <span class="high1">object</span>ified according to rules of depth, that is to say,<br>
</div>

<div class="line t1"><small class="linenumber">6569</small>
eye (the privilege of the panoptic eye), <span class="high1">object</span>s here "fool" the eye<br>
</div>

<div class="line t1"><small class="linenumber">6573</small>
is merely the internal point of flight for the convergence of <span class="high1">object</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">6575</small>
the eye, with no<span class="high1">thing</span> behind it - no horizon, no horizontality. This<br>
</div>

<div class="line t1"><small class="linenumber">6576</small>
is specifically the realm of appearances where there is no<span class="high1">thing</span> to<br>
</div>

<div class="line t1"><small class="linenumber">6577</small>
see, where <span class="high1">thing</span>s see you. Things do not flee from you, they stand<br>
</div>

<div class="line t1"><small class="linenumber">6598</small>
Like stucco, its contemporary, it can do any<span class="high1">thing</span>, mimic any<span class="high1">thing</span>,<br>
</div>

<div class="line t1"><small class="linenumber">6599</small>
parody any<span class="high1">thing</span>. In the sixteenth century, it became the prototype<br>
</div>

<div class="line t1"><small class="linenumber">6629</small>
would perhaps be no<span class="high1">thing</span> more than a perspective effect. Such a<br>
</div>

<div class="line t1"><small class="linenumber">6658</small>
complicity has no<span class="high1">thing</span> to do with some hidden information. Besides,<br>
</div>

<div class="line t1"><small class="linenumber">6660</small>
there is no<span class="high1">thing</span> to say ... Every<span class="high1">thing</span> that can be revealed lies outside<br>
</div>

<div class="line t1"><small class="linenumber">6661</small>
the secret. For it is not a hidden signified, nor the key to some<span class="high1">thing</span>;<br>
</div>

<div class="line t1"><small class="linenumber">6662</small>
it circulates through and traverses every<span class="high1">thing</span> that can be said, just<br>
</div>

<div class="line t1"><small class="linenumber">6664</small>
of communication and yet shares some<span class="high1">thing</span> with it. Only at the cost<br>
</div>

<div class="line t1"><small class="linenumber">6678</small>
but in fact there isn't one. There is no<span class="high1">thing</span> in the place where<br>
</div>

<div class="line t1"><small class="linenumber">6680</small>
words designate, and where others think it to be. And this no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">6690</small>
fact not seductive. Every<span class="high1">thing</span> derived from expressive energy,<br>
</div>

<div class="line t1"><small class="linenumber">6691</small>
repression, or the unconscious; every<span class="high1">thing</span> that wishes to speak and<br>
</div>

<div class="line t1"><small class="linenumber">6702</small>
But perhaps some<span class="high1">thing</span> is taking revenge on all interpretations and<br>
</div>

<div class="line t1"><small class="linenumber">6703</small>
in a subtle way is able to disrupt its process? Some<span class="high1">thing</span> which<br>
</div>

<div class="line t1"><small class="linenumber">6720</small>
active or passive in seduction, no subject or <span class="high1">object</span>, or even interior<br>
</div>

<div class="line t1"><small class="linenumber">6741</small>
from an instinct. While indeterminate in relation to its <span class="high1">object</span>,<br>
</div>

<div class="line t1"><small class="linenumber">6804</small>
Every<span class="high1">thing</span> is seduction and no<span class="high1">thing</span> but seduction.<br>
</div>

<div class="line t1"><small class="linenumber">6805</small>
They wanted us to believe that every<span class="high1">thing</span> was production. The<br>
</div>

<div class="line t1"><small class="linenumber">6807</small>
to regulate the flow of <span class="high1">thing</span>s. Seduction is merely an immoral,<br>
</div>

<div class="line t1"><small class="linenumber">6810</small>
usufruct of useless bodies. What if every<span class="high1">thing</span>, contrary to appearances<br>
</div>

<div class="line t1"><small class="linenumber">6841</small>
to reach its limits. Every<span class="high1">thing</span> returns to the void, including our<br>
</div>

<div class="line t1"><small class="linenumber">6847</small>
some<span class="high1">thing</span> has had, before fulfilling itself, the time to be missed and<br>
</div>

<div class="line t1"><small class="linenumber">6848</small>
this is, if there is such a <span class="high1">thing</span>, the perfection of "desire."<br>
</div>

<div class="line t1"><small class="linenumber">6858</small>
art, body-art 8 - in which the <span class="high1">object</span>, the frame and the scene of<br>
</div>

<div class="line t1"><small class="linenumber">6871</small>
<span class="high1">object</span>, related to the ancestral form of the cult. Next it takes the<br>
</div>

<div class="line t1"><small class="linenumber">6874</small>
<span class="high1">object</span>, but transcendental and individualized. And the aesthetic form<br>
</div>

<div class="line t1"><small class="linenumber">6878</small>
there is little concern for the aesthetic originality of cult <span class="high1">object</span>s); it<br>
</div>

<div class="line t1"><small class="linenumber">6880</small>
multiplication of <span class="high1">object</span>s without an original. This is the form of<br>
</div>

<div class="line t1"><small class="linenumber">6895</small>
as the political form of the <span class="high1">object</span> is inseparable from the techniques<br>
</div>

<div class="line t1"><small class="linenumber">6896</small>
of serial reproduction.) As it was the case for the <span class="high1">object</span>, this<br>
</div>

<div class="line t1"><small class="linenumber">6909</small>
The world is naked, the king is naked, <span class="high1">thing</span>s are clear. All of<br>
</div>

<div class="line t1"><small class="linenumber">6910</small>
production, and truth itself, aim to uncover <span class="high1">thing</span>s, and the unbearable<br>
</div>

<div class="line t1"><small class="linenumber">6959</small>
<span class="high1">thing</span>), this fable would then have come full circle for us, and now<br>
</div>

<div class="line t1"><small class="linenumber">6960</small>
has no<span class="high1">thing</span> but the discrete charm of second-order simulacra. 1<br>
</div>

<div class="line t1"><small class="linenumber">6976</small>
maps or territory. Some<span class="high1">thing</span> has disappeared: the sovereign difference<br>
</div>

<div class="line t1"><small class="linenumber">6992</small>
negative instance. It is no<span class="high1">thing</span> more than operational. In fact, since<br>
</div>

<div class="line t1"><small class="linenumber">6999</small>
in systems of signs, which are a more ductile <span class="high1">material</span> than meaning,<br>
</div>

<div class="line t1"><small class="linenumber">7026</small>
or she ill or not? The simulator cannot be treated <span class="high1">object</span>ively either<br>
</div>

<div class="line t1"><small class="linenumber">7032</small>
how to treat "true" illnesses by their <span class="high1">object</span>ive causes. Psychosomatics<br>
</div>

<div class="line t1"><small class="linenumber">7045</small>
raised by simulation: namely that truth, reference and <span class="high1">object</span>ive caues<br>
</div>

<div class="line t1"><small class="linenumber">7046</small>
have ceased to exist. What can medicine do with some<span class="high1">thing</span> which<br>
</div>

<div class="line t1"><small class="linenumber">7085</small>
the idea that the images concealed no<span class="high1">thing</span> at all, and that in fact<br>
</div>

<div class="line t1"><small class="linenumber">7099</small>
any<span class="high1">thing</span>, and that they were purely a game, but that this was<br>
</div>

<div class="line t1"><small class="linenumber">7101</small>
unmask images, since they dissimulate the fact that there is no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">7117</small>
for meaning and that some<span class="high1">thing</span> could guarantee this exchange -<br>
</div>

<div class="line t1"><small class="linenumber">7120</small>
whole system becomes weightless; it is no longer any<span class="high1">thing</span> but a<br>
</div>

<div class="line t1"><small class="linenumber">7148</small>
The transition from signs which dissimulate some<span class="high1">thing</span> to signs<br>
</div>

<div class="line t1"><small class="linenumber">7149</small>
which dissimulate that there is no<span class="high1">thing</span>, marks the decisive turning<br>
</div>

<div class="line t1"><small class="linenumber">7155</small>
false, the real from its artificial resurrection, since every<span class="high1">thing</span> is<br>
</div>

<div class="line t1"><small class="linenumber">7159</small>
of reality; of second-hand truth, <span class="high1">object</span>ivity and authenticity. There<br>
</div>

<div class="line t1"><small class="linenumber">7161</small>
of the figurative where the <span class="high1">object</span> and substance have disappeared.<br>
</div>

<div class="line t1"><small class="linenumber">7163</small>
above and parallel to the panic of <span class="high1">material</span> production. This is how<br>
</div>

<div class="line t1"><small class="linenumber">7188</small>
The <span class="high1">object</span>ive profile of the United States, then, may be traced<br>
</div>

<div class="line t1"><small class="linenumber">7196</small>
To be sure. But this conceals some<span class="high1">thing</span> else, and that "ideological"<br>
</div>

<div class="line t1"><small class="linenumber">7219</small>
whose mystery is precisely that it is no<span class="high1">thing</span> more than a network<br>
</div>

<div class="line t1"><small class="linenumber">7222</small>
power stations, as much as film studios, this town, which is no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">7273</small>
monstrous unprincipled undertaking, no<span class="high1">thing</span> more. Rather, it is<br>
</div>

<div class="line t1"><small class="linenumber">7308</small>
of course, "<span class="high1">object</span>ive" analysis, struggle, etc.) But if the entire cycle<br>
</div>

<div class="line t1"><small class="linenumber">7320</small>
- indeed the <span class="high1">object</span>ivity of the fact - does not check this vertigo of<br>
</div>

<div class="line t1"><small class="linenumber">7321</small>
interpretation. We are in a logic of simulation which has no<span class="high1">thing</span> to<br>
</div>

<div class="line t1"><small class="linenumber">7349</small>
That there is no<span class="high1">thing</span> to fear, since the communists, if they come<br>
</div>

<div class="line t1"><small class="linenumber">7350</small>
to power, will change no<span class="high1">thing</span> in its fundamental capitalist<br>
</div>

<div class="line t1"><small class="linenumber">7414</small>
by the dispossession of its <span class="high1">object</span> (the Tasaday). Without counting:<br>
</div>

<div class="line t1"><small class="linenumber">7418</small>
Every<span class="high1">thing</span> is metamorphosed into its inverse in order to be<br>
</div>

<div class="line t1"><small class="linenumber">7427</small>
no<span class="high1">thing</span> other than mannequins of power. In olden days the king<br>
</div>

<div class="line t1"><small class="linenumber">7445</small>
<span class="high1">thing</span>s, the right of property, whereas a simulated hold up interferes<br>
</div>

<div class="line t1"><small class="linenumber">7449</small>
its <span class="high1">object</span>, that law and order themselves might really be no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">7455</small>
is a simulated theft? There is no "<span class="high1">object</span>ive" difference: the same<br>
</div>

<div class="line t1"><small class="linenumber">7471</small>
reduce every<span class="high1">thing</span> to some reality: that's exactly how the established<br>
</div>

<div class="line t1"><small class="linenumber">7479</small>
operation "for no<span class="high1">thing</span>") — but never as simulation, since it is<br>
</div>

<div class="line t1"><small class="linenumber">7486</small>
based. The established order can do no<span class="high1">thing</span> against it, for the law<br>
</div>

<div class="line t1"><small class="linenumber">7515</small>
dominate a determined world, but which can do no<span class="high1">thing</span> about that<br>
</div>

<div class="line t1"><small class="linenumber">7519</small>
of power (disconnected from its aims and <span class="high1">object</span>ives, and dedicated<br>
</div>

<div class="line t1"><small class="linenumber">7532</small>
of every <span class="high1">object</span>ive; they turn against power this deterrence which is<br>
</div>

<div class="line t1"><small class="linenumber">7563</small>
"<span class="high1">material</span>" production is itself hyperreal. It retains all the features,<br>
</div>

<div class="line t1"><small class="linenumber">7564</small>
the whole discourse of traditional production, but it is no<span class="high1">thing</span> more<br>
</div>

<div class="line t1"><small class="linenumber">7570</small>
Power, too, for some time now produces no<span class="high1">thing</span> but signs of its<br>
</div>

<div class="line t1"><small class="linenumber">7575</small>
And in the end the game of power comes down to no<span class="high1">thing</span> more<br>
</div>

<div class="line t1"><small class="linenumber">7599</small>
force, a stake - this is no<span class="high1">thing</span> but the <span class="high1">object</span> of a social demand,<br>
</div>

<div class="line t1"><small class="linenumber">7607</small>
but work has subtly become some<span class="high1">thing</span> else: a need (as Marx ideally<br>
</div>

<div class="line t1"><small class="linenumber">7608</small>
envisaged it, but not at all in the same sense), the <span class="high1">object</span> of a social<br>
</div>

<div class="line t1"><small class="linenumber">7623</small>
<span class="high1">object</span>s, like crises in production. Then there are no longer any<br>
</div>

<div class="line t1"><small class="linenumber">7624</small>
strikes or work, but both simultaneously, that is to say some<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">7631</small>
"<span class="high1">object</span>ive" process of exploitation — but of the scenario of work.<br>
</div>

<div class="line t1"><small class="linenumber">7636</small>
analysis to restore the <span class="high1">object</span>ive process; it is always a false problem<br>
</div>

<div class="line t1"><small class="linenumber">7659</small>
essence; it makes some<span class="high1">thing</span> fundamental vacillate. This has hardly<br>
</div>

<div class="line t1"><small class="linenumber">7662</small>
of control and of death, just like the imitative <span class="high1">object</span> (primitive statuette,<br>
</div>

<div class="line t1"><small class="linenumber">7663</small>
image of photo) always had as <span class="high1">object</span>ive an operation of black image.<br>
</div>

<div class="line t1"><small class="linenumber">7667</small>
"scientific" schemes of the second-order - <span class="high1">object</span>iveness, "scientific" ethic<br>
</div>

<div class="line t1"><small class="linenumber">7668</small>
of knowledge, science's principle of truth and transcendence. All <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">7676</small>
not supposed to represent any<span class="high1">thing</span>." TV as perpetual Rorshach test. And<br>
</div>

<div class="line t1"><small class="linenumber">7695</small>
or <span class="high1">material</span> spontaneous demand, but with an exigency that has<br>
</div>

<div class="line t1"><small class="linenumber">7710</small>
"demand," and it is obvious that unlike the "classical" <span class="high1">object</span>ive or<br>
</div>

<div class="line t1"><small class="linenumber">7745</small>
the process of analysis or the principle of transference. It is another <span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">7776</small>
principle of Evil. It is expressed in the cunning genius of the <span class="high1">object</span>,<br>
</div>

<div class="line t1"><small class="linenumber">7777</small>
in the ecstatic form of the pure <span class="high1">object</span>, and in its victorious strategy<br>
</div>

<div class="line t1"><small class="linenumber">7794</small>
We will seek some<span class="high1">thing</span> faster than communication: the challenge,<br>
</div>

<div class="line t1"><small class="linenumber">7797</small>
the medium of the media, the quickest. Every<span class="high1">thing</span> must occur<br>
</div>

<div class="line t1"><small class="linenumber">7823</small>
dedicated to the ecstatic destiny that wrenches <span class="high1">thing</span>s from their<br>
</div>

<div class="line t1"><small class="linenumber">7826</small>
them from their "<span class="high1">object</span>ive" causes, leaving them solely to the power<br>
</div>

<div class="line t1"><small class="linenumber">7838</small>
absorbed the energy of its opposite. Imagine some<span class="high1">thing</span> beautiful<br>
</div>

<div class="line t1"><small class="linenumber">7860</small>
and uninterrupted juxtapositions. Ecstatic: such is the <span class="high1">object</span> of<br>
</div>

<div class="line t1"><small class="linenumber">7875</small>
and stupefied. No<span class="high1">thing</span> has been more effective in stupefying the<br>
</div>

<div class="line t1"><small class="linenumber">7878</small>
The ecstasy of a prosaic <span class="high1">object</span> transfers the pictorial act into its<br>
</div>

<div class="line t1"><small class="linenumber">7879</small>
ecstatic form - which henceforth without an <span class="high1">object</span> will spiral in on<br>
</div>

<div class="line t1"><small class="linenumber">7884</small>
Imagine some<span class="high1">thing</span> good that would shine forth from all the power<br>
</div>

<div class="line t1"><small class="linenumber">7896</small>
The real does not concede any<span class="high1">thing</span> to the benefit of the imaginary:<br>
</div>

<div class="line t1"><small class="linenumber">7911</small>
More generally, visible <span class="high1">thing</span>s do not terminate in obscurity and<br>
</div>

<div class="line t1"><small class="linenumber">7914</small>
An example of this ex-centricity of <span class="high1">thing</span>s, of this drift into<br>
</div>

<div class="line t1"><small class="linenumber">7916</small>
relativity within our system. The reaction to this new state of <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">7922</small>
Some-<span class="high1">thing</span> redundant always settles in the place where there is no<br>
</div>

<div class="line t1"><small class="linenumber">7923</small>
longer any-<span class="high1">thing</span>.<br>
</div>

<div class="line t1"><small class="linenumber">7935</small>
indeterminacy. In a system where <span class="high1">thing</span>s are increasingly left to<br>
</div>

<div class="line t1"><small class="linenumber">7940</small>
a single direction), of the hyperspecialization of <span class="high1">object</span>s and people,<br>
</div>

<div class="line t1"><small class="linenumber">7956</small>
of explaining every<span class="high1">thing</span>, of ascribing every<span class="high1">thing</span>, of referencing<br>
</div>

<div class="line t1"><small class="linenumber">7957</small>
every<span class="high1">thing</span> ... All this becomes a fantastic burden - references living<br>
</div>

<div class="line t1"><small class="linenumber">7960</small>
its <span class="high1">object</span>ive. All of this is a consequence of a forward flight in the<br>
</div>

<div class="line t1"><small class="linenumber">7961</small>
face of the haemorrhaging of <span class="high1">object</span>ive causes.<br>
</div>

<div class="line t1"><small class="linenumber">7993</small>
real. Without noticing it, all mankind suddenly left reality: every<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">8028</small>
beyond which "<span class="high1">thing</span>s have ceased to be real," where history has<br>
</div>

<div class="line t1"><small class="linenumber">8042</small>
has left you: no<span class="high1">thing</span> could have changed in any case. The terrifying<br>
</div>

<div class="line t1"><small class="linenumber">8065</small>
(every<span class="high1">thing</span> becomes documentary): we sense that in our era which<br>
</div>

<div class="line t1"><small class="linenumber">8074</small>
the real, has been warded off, every<span class="high1">thing</span> again becomes real and<br>
</div>

<div class="line t1"><small class="linenumber">8082</small>
no<span class="high1">thing</span> is refracted, no<span class="high1">thing</span> is presaged.<br>
</div>

<div class="line t1"><small class="linenumber">8098</small>
the origin of a <span class="high1">thing</span> coincide with its end, and re-turns the end onto<br>
</div>

<div class="line t1"><small class="linenumber">8125</small>
source; thus <span class="high1">thing</span>s and events tend not to release their meaning,<br>
</div>

<div class="line t1"><small class="linenumber">8131</small>
The speed of light protects the reality of <span class="high1">thing</span>s by guaranteeing<br>
</div>

<div class="line t1"><small class="linenumber">8134</small>
change in this speed. All <span class="high1">thing</span>s would interfere in total disaster. This<br>
</div>

<div class="line t1"><small class="linenumber">8142</small>
this acceleration some<span class="high1">thing</span> is beginning to slow down absolutely.<br>
</div>

<div class="line t1"><small class="linenumber">8150</small>
years to reach us. If light was infinitely slower, a host of <span class="high1">thing</span>s,<br>
</div>

<div class="line t1"><small class="linenumber">8154</small>
image of a <span class="high1">thing</span> still appears, but is no longer there? An analogy<br>
</div>

<div class="line t1"><small class="linenumber">8155</small>
with mental <span class="high1">object</span>s, and the ether of the mind.<br>
</div>

<div class="line t1"><small class="linenumber">8200</small>
failure, of dehiscence and of fractal <span class="high1">object</span>s, where immense plates,<br>
</div>

<div class="line t1"><small class="linenumber">8225</small>
of the most tightly closed <span class="high1">thing</span>s; the shaking of <span class="high1">thing</span>s that tighten<br>
</div>

<div class="line t1"><small class="linenumber">8235</small>
dogs that have been run over, or of all <span class="high1">thing</span>s that collapse. (A new<br>
</div>

<div class="line t1"><small class="linenumber">8236</small>
hypothesis: if <span class="high1">thing</span>s have a greater tendency to disappear and to<br>
</div>

<div class="line t1"><small class="linenumber">8238</small>
accidents and catastrophes). One <span class="high1">thing</span> is certain, even if we are<br>
</div>

<div class="line t1"><small class="linenumber">8242</small>
an event, is incomparable to any <span class="high1">material</span> destruction.<br>
</div>

<div class="line t1"><small class="linenumber">8256</small>
<span class="high1">material</span>izes all of its consequences in the immediate present. Since<br>
</div>

<div class="line t1"><small class="linenumber">8278</small>
Pompeii. Every<span class="high1">thing</span> in this city is metaphysical, including its<br>
</div>

<div class="line t1"><small class="linenumber">8298</small>
to monuments, can intervene between these <span class="high1">thing</span>s and ourselves.<br>
</div>

<div class="line t1"><small class="linenumber">8299</small>
They are <span class="high1">material</span>ized here, at once, in the very heat where death<br>
</div>

<div class="line t1"><small class="linenumber">8302</small>
are the fatal intimacy of <span class="high1">thing</span>s and the fascination in their<br>
</div>

<div class="line t1"><small class="linenumber">8309</small>
effect of catastrophe: stopping <span class="high1">thing</span>s before they come to an end,<br>
</div>

<div class="line t1"><small class="linenumber">8314</small>
is that it secretly awaits for <span class="high1">thing</span>s, even ruins, to regain their beauty<br>
</div>

<div class="line t1"><small class="linenumber">8317</small>
since it fixates <span class="high1">thing</span>s in an alternate eternity. This fixation-paralysis,<br>
</div>

<div class="line t1"><small class="linenumber">8338</small>
about the <span class="high1">object</span>? Objectivity is the opposite of fatality. The <span class="high1">object</span><br>
</div>

<div class="line t1"><small class="linenumber">8349</small>
more clever than the <span class="high1">object</span>, while in the latter the <span class="high1">object</span> is always<br>
</div>

<div class="line t1"><small class="linenumber">8352</small>
and strategies of the <span class="high1">object</span> exceed the subject's understanding. The<br>
</div>

<div class="line t1"><small class="linenumber">8353</small>
<span class="high1">object</span> is neither the subject's double nor his or her repression;<br>
</div>

<div class="line t1"><small class="linenumber">8358</small>
An <span class="high1">object</span>ive irony watches over us, it is the <span class="high1">object</span>'s fulfillment<br>
</div>

<div class="line t1"><small class="linenumber">8366</small>
<span class="high1">object</span> is characterized by what is fulfilled, and for that reason it is<br>
</div>

<div class="line t1"><small class="linenumber">8371</small>
ironic presence of the <span class="high1">object</span>, its indifference, and its indifferent<br>
</div>

<div class="line t1"><small class="linenumber">8375</small>
The <span class="high1">object</span> disobeys our metaphysics, which has always attempted<br>
</div>

<div class="line t1"><small class="linenumber">8376</small>
to distill the Good and filter Evil. The <span class="high1">object</span> is translucent to Evil.<br>
</div>

<div class="line t1"><small class="linenumber">8380</small>
refer to the <span class="high1">object</span>, and to its fundamental duplicity, I am referring<br>
</div>

<div class="line t1"><small class="linenumber">8390</small>
order. It is in this way that the <span class="high1">object</span> is translucent to the principle<br>
</div>

<div class="line t1"><small class="linenumber">8393</small>
<span class="high1">object</span>ivity, sovereign and irreconcilable, immanent and enigmatic.<br>
</div>

<div class="line t1"><small class="linenumber">8396</small>
the subject's misfortune, in his or her mirror, but the <span class="high1">object</span> desires<br>
</div>

<div class="line t1"><small class="linenumber">8398</small>
negativity, which means, if all <span class="high1">thing</span>s eventually violate the symbolic<br>
</div>

<div class="line t1"><small class="linenumber">8399</small>
order, that every<span class="high1">thing</span> will have been diverted at its origin.<br>
</div>

<div class="line t1"><small class="linenumber">8403</small>
it. Negativity, whether historical or subjective, is no<span class="high1">thing</span>: the original<br>
</div>

<div class="line t1"><small class="linenumber">8409</small>
can only live and hide in the inhuman, in <span class="high1">object</span>s and beasts, in the<br>
</div>

<div class="line t1"><small class="linenumber">8410</small>
realm of silence and <span class="high1">object</span>ive stupefaction, and not in the human<br>
</div>

<div class="line t1"><small class="linenumber">8413</small>
inhuman, who abandons the bestial metaphor and the <span class="high1">object</span>ive<br>
</div>

<div class="line t1"><small class="linenumber">8422</small>
- what a grand idea. No<span class="high1">thing</span> could be more opposed to our modern<br>
</div>

<div class="line t1"><small class="linenumber">8428</small>
Good. Here the <span class="high1">object</span> is always the fetish, the false, the feticho, the<br>
</div>

<div class="line t1"><small class="linenumber">8430</small>
of a <span class="high1">thing</span> and its magical and artificial double, and which no religion<br>
</div>

<div class="line t1"><small class="linenumber">8433</small>
When I speak of the <span class="high1">object</span> and of its fatal strategies I am speaking<br>
</div>

<div class="line t1"><small class="linenumber">8445</small>
If we do not understand this, we will understand no<span class="high1">thing</span> of this<br>
</div>

<div class="line t1"><small class="linenumber">8448</small>
seek a fatal diversion. Not matter how boring, the important <span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">8451</small>
It can be the ecstatic amplification of just about any<span class="high1">thing</span>. It may<br>
</div>

<div class="line t1"><small class="linenumber">8457</small>
tend to advertise a miraculous freedom are no<span class="high1">thing</span> but revolutionary<br>
</div>

<div class="line t1"><small class="linenumber">8463</small>
of events. In the raw event, in <span class="high1">object</span>ive information, and in the most<br>
</div>

<div class="line t1"><small class="linenumber">8464</small>
secret acts and thoughts, there is some<span class="high1">thing</span> like a drive to revert to<br>
</div>

<div class="line t1"><small class="linenumber">8476</small>
a diverting passion, where <span class="high1">thing</span>s are only meaningful when transfig-<br>
</div>

<div class="line t1"><small class="linenumber">8482</small>
because <span class="high1">thing</span>s here cynically divert from their origin and their end,<br>
</div>

<div class="line t1"><small class="linenumber">8485</small>
and from its disastrous consequences. The fact that <span class="high1">thing</span>s extinguish<br>
</div>

<div class="line t1"><small class="linenumber">8507</small>
If the morality of <span class="high1">thing</span>s is in their sacrosanct use value, then long<br>
</div>

<div class="line t1"><small class="linenumber">8510</small>
the secret rule of the game whereby all <span class="high1">thing</span>s disobey the symbolic<br>
</div>

<div class="line t1"><small class="linenumber">8526</small>
guidelines of life, where <span class="high1">thing</span>s thus no longer occur by chance. It is<br>
</div>

<div class="line t1"><small class="linenumber">8546</small>
life only that which is destined, but not predestined, every<span class="high1">thing</span> that<br>
</div>

<div class="line t1"><small class="linenumber">8554</small>
is a kind of will and energy, which no one knows any<span class="high1">thing</span> about,<br>
</div>

<div class="line t1"><small class="linenumber">8556</small>
in the full light of day that certain <span class="high1">thing</span>s come to their designated<br>
</div>

<div class="line t1"><small class="linenumber">8561</small>
Consequently, if the <span class="high1">object</span> is ingenious, if the <span class="high1">object</span> is fatal, what<br>
</div>

<div class="line t1"><small class="linenumber">8570</small>
No<span class="high1">thing</span> can insure us against fatality, much less provide us with<br>
</div>

<div class="line t1"><small class="linenumber">8575</small>
<span class="high1">object</span> whose fate would be a strategy - like the rule of some other<br>
</div>

<div class="line t1"><small class="linenumber">8576</small>
game. In fact, the <span class="high1">object</span> mocks the laws we decorate it with. It<br>
</div>

<div class="line t1"><small class="linenumber">8586</small>
emerges whereby the <span class="high1">object</span> plays the very game we want it to<br>
</div>

<div class="line t1"><small class="linenumber">8588</small>
constraints we have imposed on it, the <span class="high1">object</span> institutes a strategy<br>
</div>

<div class="line t1"><small class="linenumber">8591</small>
gression of his own <span class="high1">object</span>ives.<br>
</div>

<div class="line t1"><small class="linenumber">8592</small>
We are accomplice to the <span class="high1">object</span>'s excess of finality (it may be the<br>
</div>

<div class="line t1"><small class="linenumber">8596</small>
hope of seeing it unfold as a great ruse. From every <span class="high1">object</span> we seek<br>
</div>

<div class="line t1"><small class="linenumber">8599</small>
Seduction is fatal. It is the effect of a sovereign <span class="high1">object</span> which<br>
</div>

<div class="line t1"><small class="linenumber">8609</small>
become pure <span class="high1">object</span>, irony (in Freud's Jokes and their Relation to<br>
</div>

<div class="line t1"><small class="linenumber">8610</small>
the Unconscious) is the <span class="high1">object</span>ive form of this denouement. As in<br>
</div>

<div class="line t1"><small class="linenumber">8613</small>
Every<span class="high1">thing</span> must unfold in the fatal and spiritual mode, just as<br>
</div>

<div class="line t1"><small class="linenumber">8614</small>
every<span class="high1">thing</span> was entangled in the beginning by an original diversion.<br>
</div>

<div class="line t1"><small class="linenumber">8617</small>
<span class="high1">object</span>ive process, since it is an ironic process? Of course it exists,<br>
</div>

<div class="line t1"><small class="linenumber">8618</small>
but in contrast to every<span class="high1">thing</span> scientific; it exists as the irony of risk,<br>
</div>

<div class="line t1"><small class="linenumber">8624</small>
on the side of the <span class="high1">object</span>, to take the side of the <span class="high1">object</span>. One must<br>
</div>

<div class="line t1"><small class="linenumber">8625</small>
look for another rule, another axiomatic: there is no<span class="high1">thing</span> mysticalFatal Strategies<br>
</div>

<div class="line t1"><small class="linenumber">8629</small>
to unfold these other strategies, to leave the field open for <span class="high1">object</span>ive<br>
</div>

<div class="line t1"><small class="linenumber">8639</small>
retreated. What is left then but to pass over to the side of the <span class="high1">object</span>,<br>
</div>

<div class="line t1"><small class="linenumber">8646</small>
return <span class="high1">thing</span>s to their enigmatic ground zero? The enigma has been<br>
</div>

<div class="line t1"><small class="linenumber">8651</small>
fatal, of the world's indifference to our endeavors and to <span class="high1">object</span>ive<br>
</div>

<div class="line t1"><small class="linenumber">8652</small>
laws. The <span class="high1">object</span> (the Sphinx) is more subtle and does not answer.<br>
</div>

<div class="line t1"><small class="linenumber">8656</small>
Every<span class="high1">thing</span> finally boils down to this: let us for one time hypothesize<br>
</div>

<div class="line t1"><small class="linenumber">8657</small>
that there is a fatal and enigmatic bias in the order of <span class="high1">thing</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">8658</small>
In any case there is some<span class="high1">thing</span> stupid about our present situation.<br>
</div>

<div class="line t1"><small class="linenumber">8659</small>
There is some<span class="high1">thing</span> stupid in the raw event, to which destiny, if it<br>
</div>

<div class="line t1"><small class="linenumber">8660</small>
exists, cannot help but be sensitive. There is some<span class="high1">thing</span> stupid in the<br>
</div>

<div class="line t1"><small class="linenumber">8661</small>
current forms of truth and <span class="high1">object</span>ivity, from which a superior irony<br>
</div>

<div class="line t1"><small class="linenumber">8662</small>
must give us leave. Every<span class="high1">thing</span> is expiated in one way or another.<br>
</div>

<div class="line t1"><small class="linenumber">8663</small>
Every<span class="high1">thing</span> proceeds in one way or another. Truth only complicates<br>
</div>

<div class="line t1"><small class="linenumber">8664</small>
<span class="high1">thing</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">8694</small>
of the <span class="high1">object</span>, its mode of diversion, and not of being diverted. This is<br>
</div>

<div class="line t1"><small class="linenumber">8726</small>
In other words, if one defines it as any<span class="high1">thing</span> other than the<br>
</div>

<div class="line t1"><small class="linenumber">8733</small>
changes no<span class="high1">thing</span> in the unilaterality of communication). That is their<br>
</div>

<div class="line t1"><small class="linenumber">8761</small>
vision of <span class="high1">thing</span>s which is no longer optimistic or pessimistic, but<br>
</div>

<div class="line t1"><small class="linenumber">8769</small>
serious if there were an <span class="high1">object</span>ive truth of needs, an <span class="high1">object</span>ive truth<br>
</div>

<div class="line t1"><small class="linenumber">8810</small>
more <span class="high1">object</span>ive one would have to say: a radical uncertainty as to<br>
</div>

<div class="line t1"><small class="linenumber">8842</small>
transparency of computers, which is some<span class="high1">thing</span> worse than alienation.<br>
</div>

<div class="line t1"><small class="linenumber">8859</small>
Overinformed, it develops ingrowing obesity. For every<span class="high1">thing</span> whichThe Masses<br>
</div>

<div class="line t1"><small class="linenumber">8879</small>
But there is another way of taking <span class="high1">thing</span>s. It does not shed much<br>
</div>

<div class="line t1"><small class="linenumber">8890</small>
Statistics, as an <span class="high1">object</span>ive computation of probabilities, obviously<br>
</div>

<div class="line t1"><small class="linenumber">8900</small>
their <span class="high1">object</span>ivity but in their involuntary humor.<br>
</div>

<div class="line t1"><small class="linenumber">8942</small>
out of gear and prevents it from achieving the <span class="high1">object</span>ives which it<br>
</div>

<div class="line t1"><small class="linenumber">8947</small>
taken by an occult duel between the pollsters and the <span class="high1">object</span> polled,The Masses<br>
</div>

<div class="line t1"><small class="linenumber">8952</small>
agreed that the <span class="high1">object</span> can always be persuaded of its truth; it is<br>
</div>

<div class="line t1"><small class="linenumber">8953</small>
inconceivable that the <span class="high1">object</span> of the investigation, the <span class="high1">object</span> of the<br>
</div>

<div class="line t1"><small class="linenumber">8956</small>
(for instance, the <span class="high1">object</span> does not understand the question; it's not<br>
</div>

<div class="line t1"><small class="linenumber">8963</small>
<span class="high1">object</span>; that, all in all, there exists somewhere an original, positive,<br>
</div>

<div class="line t1"><small class="linenumber">8964</small>
possibly victorious strategy of the <span class="high1">object</span> opposed to the strategy of<br>
</div>

<div class="line t1"><small class="linenumber">8967</small>
This is what one could call the evil genius of the <span class="high1">object</span>, the evil<br>
</div>

<div class="line t1"><small class="linenumber">8983</small>
disappearance. But disappearance is a very complex mode: the <span class="high1">object</span>,<br>
</div>

<div class="line t1"><small class="linenumber">8996</small>
probabilistic analysis of their behavior. In fact, behind this "<span class="high1">object</span>ive"<br>
</div>

<div class="line t1"><small class="linenumber">9001</small>
the parodic enactment by the <span class="high1">object</span> itself of its mode of disappearance.<br>
</div>

<div class="line t1"><small class="linenumber">9011</small>
respect the media and even technics and science teach us no<span class="high1">thing</span> at<br>
</div>

<div class="line t1"><small class="linenumber">9015</small>
But this idea of alienation has probably never been any<span class="high1">thing</span> but<br>
</div>

<div class="line t1"><small class="linenumber">9017</small>
It has probably never expressed any<span class="high1">thing</span> but the alienation of the<br>
</div>

<div class="line t1"><small class="linenumber">9029</small>
substituted some<span class="high1">thing</span> absolutely foreign and other; and, at the same<br>
</div>

<div class="line t1"><small class="linenumber">9030</small>
time, the Enlightenment says that this foreign <span class="high1">thing</span> is a being of<br>
</div>

<div class="line t1"><small class="linenumber">9051</small>
the refusal of will, of an in-voluntary challenge to every<span class="high1">thing</span> which<br>
</div>

<div class="line t1"><small class="linenumber">9059</small>
the duty of taking care of all of these <span class="high1">thing</span>s. A massive de-volition,<br>
</div>

<div class="line t1"><small class="linenumber">9088</small>
no<span class="high1">thing</span> is more flattering to consciousness than to know what it<br>
</div>

<div class="line t1"><small class="linenumber">9089</small>
wants, on the contrary no<span class="high1">thing</span> is more seductive to the other<br>
</div>

<div class="line t1"><small class="linenumber">9093</small>
<span class="high1">object</span>ive will. It is much better to rely on some insignificant or<br>
</div>

<div class="line t1"><small class="linenumber">9103</small>
not to want any<span class="high1">thing</span> and to rely finally on the apparatus of publicity<br>
</div>

<div class="line t1"><small class="linenumber">9105</small>
them (or to rely on the political class to order <span class="high1">thing</span>s) - just as ,<br>
</div>

<div class="line t1"><small class="linenumber">9108</small>
no<span class="high1">thing</span>, and it does not want to know. The mass knows that it can<br>
</div>

<div class="line t1"><small class="linenumber">9109</small>
do no<span class="high1">thing</span>, and it does not want to achieve any<span class="high1">thing</span>. It is violently<br>
</div>

<div class="line t1"><small class="linenumber">9141</small>
to conceive the mass, the <span class="high1">object</span>-mass, as the repository of a finally<br>
</div>

<div class="line t1"><small class="linenumber">9149</small>
reality. Now the media are no<span class="high1">thing</span> else than a marvellous instrument<br>
</div>

<div class="line t1"><small class="linenumber">9189</small>
constitute themselves as submissive <span class="high1">object</span>s, inert, obedient, and<br>
</div>

<div class="line t1"><small class="linenumber">9192</small>
child to be <span class="high1">object</span>, he or she opposes all the practices of disobedience,<br>
</div>

<div class="line t1"><small class="linenumber">9195</small>
and successfully a resistance as <span class="high1">object</span>; that is to say, exactly the<br>
</div>

<div class="line t1"><small class="linenumber">9197</small>
idiocy. Neither of the two strategies has more <span class="high1">object</span>ive value than<br>
</div>

<div class="line t1"><small class="linenumber">9203</small>
superior impact of all the practices of the <span class="high1">object</span>, the renunciation<br>
</div>

<div class="line t1"><small class="linenumber">9208</small>
ourselves as pure <span class="high1">object</span>s; but they do not correspond at all to the<br>
</div><div class="source"><small>2013-TARIC-nomenclature_index.txt</small><br>

<div class="line t5"><small class="linenumber">653</small>
				Cuts of meat from haunches of bovine animals aged at least 18 months, with no visible intramuscular fat (3 to 7 %) and a pH of the fresh meat between 5.4 and 6.0; salted, seasoned, pressed, dried only in fresh dry air and developing noble mould (bloom of microscopic fungi); the weight of the finished product is between 41|% and 53|% of the raw <span class="high1">material</span> before salting<br>
</div>

<div class="line t7"><small class="linenumber">2033</small>
						Butter, at least six weeks old, of a fat content by weight of not less than 80% but less than 85%, manufactured directly from milk or cream without the use of stored <span class="high1">material</span>s, in a single, self-contained and uninterrupted process<br>
</div>

<div class="line t7"><small class="linenumber">2036</small>
						Butter, at least six weeks old, of a fat content by weight of not less than 80% but less than 85%, manufactured directly from milk or cream without the use of stored <span class="high1">material</span>s, in a single, self-contained and uninterrupted process<br>
</div>

<div class="line t6"><small class="linenumber">2039</small>
					Butter, at least six weeks old, of a fat content by weight of not less than 80% but less than 85%, manufactured directly from milk or cream without the use of stored <span class="high1">material</span>s, in a single, self-contained and uninterrupted process which may involve the cream passing through a stage where the butterfat is concentrated and/or fractionated (the processes referred to as "Ammix" and "Spreadable")<br>
</div>

<div class="line t2"><small class="linenumber">2195</small>
	Coral and similar <span class="high1">material</span>s, unworked or simply prepared but not otherwise worked; shells of molluscs, crustaceans or echinoderms and cuttle-bone, unworked or simply prepared but not cut to shape, powder and waste thereof<br>
</div>

<div class="line t3"><small class="linenumber">2196</small>
		Empty shells for food use and use as raw <span class="high1">material</span> for glucosamine<br>
</div>

<div class="line t2"><small class="linenumber">3431</small>
	Vegetable <span class="high1">material</span>s of a kind used primarily for plaiting (for example, bamboos, rattans, reeds, rushes, osier, raffia, cleaned, bleached or dyed cereal straw, and lime bark)<br>
</div>

<div class="line t4"><small class="linenumber">3610</small>
			For the production of aminoundecanoic acid for use in the manufacture of synthetic textile fibres or of artificial plastic <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">6413</small>
	Vegetable <span class="high1">material</span>s and vegetable waste, vegetable residues and by-products, whether or not in the form of pellets, of a kind used in animal feeding, not elsewhere specified or included<br>
</div>

<div class="line t2"><small class="linenumber">6609</small>
	Pebbles, gravel, broken or crushed stone, of a kind commonly used for concrete aggregates, for road metalling or for railway or other ballast, shingle and flint, whether or not heat-treated; macadam of slag, dross or similar industrial waste, whether or not incorporating the <span class="high1">material</span>s cited in the first part of the heading; tarred macadam; granules, chippings and powder, of stones of heading|2515|or 2516, whether or not heat-treated<br>
</div>

<div class="line t3"><small class="linenumber">6614</small>
		Macadam of slag, dross or similar industrial waste, whether or not incorporating the <span class="high1">material</span>s cited in subheading|2517|10<br>
</div>

<div class="line t5"><small class="linenumber">9361</small>
				Of textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">9366</small>
		Sterile surgical catgut, similar sterile suture <span class="high1">material</span>s (including sterile absorbable surgical or dental yarns) and sterile tissue adhesives for surgical wound closure; sterile laminaria and sterile laminaria tents; sterile absorbable surgical or dental haemostatics; sterile surgical or dental adhesion barriers, whether or not absorbable<br>
</div>

<div class="line t2"><small class="linenumber">9728</small>
	Mixtures of odoriferous substances and mixtures (including alcoholic solutions) with a basis of one or more of these substances, of a kind used as raw <span class="high1">material</span>s in industry; other preparations based on odoriferous substances, of a kind used for the manufacture of beverages<br>
</div>

<div class="line t2"><small class="linenumber">9806</small>
	Lubricating preparations (including cutting-oil preparations, bolt or nut release preparations, anti-rust or anti-corrosion preparations and mould-release preparations, based on lubricants) and preparations of a kind used for the oil or grease treatment of textile <span class="high1">material</span>s, leather, furskins or other <span class="high1">material</span>s, but excluding preparations containing, as basic constituents, 70|% or more by weight of petroleum oils or of oils obtained from bituminous minerals<br>
</div>

<div class="line t4"><small class="linenumber">9808</small>
			Preparations for the treatment of textile <span class="high1">material</span>s, leather, furskins or other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">9814</small>
			Preparations for the treatment of textile <span class="high1">material</span>s, leather, furskins or other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">9912</small>
	Ferro-cerium and other pyrophoric alloys in all forms; articles of combustible <span class="high1">material</span>s as specified in note|2|to this chapter<br>
</div>

<div class="line t2"><small class="linenumber">9918</small>
	Photographic plates and film in the flat, sensitised, unexposed, of any <span class="high1">material</span> other than paper, paperboard or textiles; instant print film in the flat, sensitised, unexposed, whether or not in packs<br>
</div>

<div class="line t2"><small class="linenumber">9930</small>
	Photographic film in rolls, sensitised, unexposed, of any <span class="high1">material</span> other than paper, paperboard or textiles; instant print film in rolls, sensitised, unexposed<br>
</div>

<div class="line t2"><small class="linenumber">10137</small>
	Pickling preparations for metal surfaces; fluxes and other auxiliary preparations for soldering, brazing or welding; soldering, brazing or welding powders and pastes consisting of metal and other <span class="high1">material</span>s; preparations of a kind used as cores or coatings for welding electrodes or rods<br>
</div>

<div class="line t3"><small class="linenumber">10138</small>
		Pickling preparations for metal surfaces; soldering, brazing or welding powders and pastes consisting of metal and other <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">10230</small>
				Stabiliser for plastic <span class="high1">material</span> containing:  						 -|2-ethylhexyl 10-ethyl-4,4-dimethyl-7-oxo-8-oxa-3,5-dithia-4-stannatetradecanoate (CAS|RN|57583-35-4),  						 -|2-ethylhexyl 10-ethyl-4-[[2-[(2-ethylhexyl)oxy]-2-oxoethyl]thio]-4-methyl-7-oxo-8-oxa-3,5-dithia-4-stannatetradecanoate (CAS|RN|57583-34-3), and  						 -|2-ethylhexyl mercaptoacetate (CAS RN 7659-86-1)<br>
</div>

<div class="line t5"><small class="linenumber">10281</small>
				Catalyst containing titanium trichloride, in the form of a suspension in hexane or heptane containing by weight, in the hexane- or heptane-free <span class="high1">material</span>, 9|% or more but not more than 30|% of titanium<br>
</div>

<div class="line t2"><small class="linenumber">10319</small>
	Diagnostic or laboratory reagents on a backing, prepared diagnostic or laboratory reagents whether or not on a backing, other than those of heading|3002|or 3006; certified reference <span class="high1">material</span>s<br>
</div>

<div class="line t8"><small class="linenumber">10488</small>
							Film containing oxides of barium or calcium combined with either oxides of titanium or zirconium, in an acrylic binding <span class="high1">material</span><br>
</div>

<div class="line t7"><small class="linenumber">10501</small>
						Mixed metals oxides, in the form of powder, containing by weight:   -|either 5|% or more of barium, neodymium or magnesium and 15|% or more of titanium,   -|or 30|% or more of lead and 5|% or more of niobium, for use in the manufacture of dielectric films or for use as dielectric <span class="high1">material</span>s in the manufacture of multilayer ceramic capacitors<br>
</div>

<div class="line t7"><small class="linenumber">10510</small>
						Film containing oxides of barium or calcium combined with either oxides of titanium or zirconium, in an acrylic binding <span class="high1">material</span><br>
</div>

<div class="line t5"><small class="linenumber">10629</small>
				White expandable polystyrene beads with a thermal conductivity of not more than 0,034|W/mK at a density of 14,0|kg/m$3|(±|1,5|kg/m$3), containing 50|% recycled <span class="high1">material</span><br>
</div>

<div class="line t5"><small class="linenumber">10632</small>
				Crystalline polystyrene with:   -|a melting point of 268|°C or more but not more than 272|°C   -|a setting point of 232|°C or more but not more than 247|°C,   -|whether or not containing additives and filling <span class="high1">material</span><br>
</div>

<div class="line t4"><small class="linenumber">10659</small>
			Poly(vinyl chloride) powder, not mixed with any other substances or containing any vinyl acetate monomers, with:   -|a degree of polymerisation of 1|000|(±|300) monomer units,   -|a coefficient of heat transmission (K-value) of 60|or more, but not more than 70,   -|a volatile <span class="high1">material</span> content of less than 2,00|% by weight,   -|a sieve non-passing fraction at a mesh width of 120|µm of not more than 1|% by weight,| for use in the manufacture of battery separators<br>
</div>

<div class="line t3"><small class="linenumber">10986</small>
		Artificial guts (sausage casings) of hardened protein or of cellulosic <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">10988</small>
			Of cellulosic <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">11026</small>
			Other, not reinforced or otherwise combined with other <span class="high1">material</span>s, without fittings<br>
</div>

<div class="line t4"><small class="linenumber">11031</small>
			Other, not reinforced or otherwise combined with other <span class="high1">material</span>s, with fittings<br>
</div>

<div class="line t5"><small class="linenumber">11094</small>
				Reflecting laminated sheet:   -|consisting of an epoxy acrylate layer embossed on one side in a regular shaped pattern,   -|covered on both sides with one or more layers of plastic <span class="high1">material</span> and   -|covered on one side with an adhesive layer and a release sheet<br>
</div>

<div class="line t2"><small class="linenumber">11135</small>
	Other plates, sheets, film, foil and strip, of plastics, non-cellular and not reinforced, laminated, supported or similarly combined with other <span class="high1">material</span>s<br>
</div>

<div class="line t7"><small class="linenumber">11160</small>
						Co-extruded seven to nine layered film predominately of copolymers of ethylene or functionalized polymers of ethylene, consisting of:   -|a tri-layer barrier with a core layer predominantly of ethylene vinyl alcohol covered on either side with a layer predominantly of cyclic olefin polymers,   -|covered on either side with two or more layers of polymeric <span class="high1">material</span>, and having an overall total thickness of not more than 110|µm<br>
</div>

<div class="line t7"><small class="linenumber">11185</small>
						Co-extruded seven to nine layered film predominately of copolymers of propylene, consisting of:   -|a tri-layer barrier with a core layer predominantly of ethylene vinyl alcohol covered on either side with a layer predominantly of cyclic olefin polymers,   -|covered on either side with two or more layers of polymeric <span class="high1">material</span>, and having an overall total thickness of not more than 110|µm<br>
</div>

<div class="line t6"><small class="linenumber">11194</small>
					Co-extruded seven to nine layered film predominately of copolymers of propylene, consisting of:   -|a tri-layer barrier with a core layer predominantly of ethylene vinyl alcohol covered on either side with a layer predominantly of cyclic olefin polymers,   -|covered on either side with two or more layers of polymeric <span class="high1">material</span>, and having an overall total thickness of not more than 110|µm<br>
</div>

<div class="line t6"><small class="linenumber">11195</small>
					Polypropylene sheet, put up in rolls, with:   -|flame retardant level of UL 94|V-0|for <span class="high1">material</span> thicknesses of 0,25|mm or more and level UL 94|VTM-0|for <span class="high1">material</span> thicknesses of 0,05|mm or more but not more than 0,25|mm (as determined by Flammability Standard UL-94)   -|dielectric breakdown of 13,1|kV or more but not more than 60,0|kV(as determined by ASTM D149)   -|tensile yield in a machine direction of 30|MPa or more but not more than 33|MPa (as determined by ASTM D882)   -|tensile yield in a transverse direction of 22|MPa or more but not more than 25|MPa (as determined by ASTM D882)   -|density range of 0,988|g/cm$3|or more but not more than 1,035|g/cm$3|(as determined by ASTM D792)   -|moisture absorption of 0,01|% or more but not more than 0,06|% (as determined by ASTM D570) for use in the manufacture of insulators used in the electronics and electrical industries<br>
</div>

<div class="line t7"><small class="linenumber">11246</small>
						Film of poly(ethylene terephthalate) only, of a total thickness of not more than 120|µm, consisting of one or two layers each containing a colouring and/or UV-absorbing <span class="high1">material</span> throughout the mass, uncoated with an adhesive or any other <span class="high1">material</span><br>
</div>

<div class="line t7"><small class="linenumber">11247</small>
						Laminated film of poly(ethylene terephthalate) only, of a total thickness of not more than 120|µm, consisting of one layer which is metallised only and one or two layers each containing a colouring and/or UV-absorbing <span class="high1">material</span> throughout the mass, uncoated with an adhesive or any other <span class="high1">material</span><br>
</div>

<div class="line t7"><small class="linenumber">11248</small>
						Reflecting polyester sheeting embossed in a pyramidal pattern, for the manufacture of safety stickers and badges, safety clo<span class="high1">thing</span> and accessories thereof, or of school satchels, bags or similar containers<br>
</div>

<div class="line t6"><small class="linenumber">11281</small>
					Film of poly(ethylene terephthalate), whether or not metallised on one or both sides, or laminated film of poly(ethylene terephthalate) films, metallised on the external sides only, and having the following characteristics:   -|a visible light transmission of 50|% or more,   -|coated on one or both sides with a layer of poly(vinyl butyral) but not coated with an adhesive or any other <span class="high1">material</span> except poly(vinyl butyral),   -|a total thickness of not more than 0,2|mm without taking the presence of poly(vinyl butyral) into account and a thickness of poly(vinyl butyral) of more than 0,2|mm<br>
</div>

<div class="line t6"><small class="linenumber">11307</small>
					Ion-exchange membranes of fluorinated plastic <span class="high1">material</span>, for use in chlor-alkali electrolytic cells<br>
</div>

<div class="line t8"><small class="linenumber">11313</small>
							Ion-exchange membranes of fluorinated plastic <span class="high1">material</span><br>
</div>

<div class="line t6"><small class="linenumber">11330</small>
					Rolls of open-cell polyurethane foam:   -|with a thickness of 2,29|mm (±|0,25|mm),   -|surface-treated with a foraminous adhesion promoter, and   -|laminated to a polyester film and|a layer of textile <span class="high1">material</span><br>
</div>

<div class="line t6"><small class="linenumber">11352</small>
					Multilayer film consisting of:   -|a poly(ethylene terephthalate) film with a thickness of more than 100|µm but not more than 150|µm,   -|a primer of phenolic <span class="high1">material</span> with a thickness of more than 8|µm but not more than 15|µm,   -|an adhesive layer of a synthetic rubber with a thickness of more than 20|µm but not more than 30|µm,   -|and a transparent poly(ethylene terephthalate) liner with a thickness of more than 35|µm but not more than 40|µm<br>
</div>

<div class="line t4"><small class="linenumber">11383</small>
			Photomask or wafer compacts:   -|consisting of antistatic <span class="high1">material</span>s or blended thermoplastics proving special electrostatic discharge (ESD) and outgassing properties,   -|having non porous, abrasion resistant or impact resistant surface properties,   -|fitted with a specially designed retainer system that protects the photomask or wafers from surface or cosmetic damage and   -|with or without a gasket seal, of a kind used in the photolithography or other semiconductor production to house photomasks or wafers<br>
</div>

<div class="line t2"><small class="linenumber">11421</small>
	Other articles of plastics and articles of other <span class="high1">material</span>s of headings|3901|to 3914<br>
</div>

<div class="line t3"><small class="linenumber">11423</small>
		Articles of apparel and clo<span class="high1">thing</span> accessories (including gloves, mittens and mitts)<br>
</div>

<div class="line t7"><small class="linenumber">11434</small>
						Reflecting sheeting or tape, consisting of a facing-strip of poly(vinyl chloride) embossed in a regular pyramidal pattern, heat-sealed in parallel lines or in a grid-pattern to a backing-strip of plastic <span class="high1">material</span>, or of knitted or woven fabric covered on one side with plastic <span class="high1">material</span><br>
</div>

<div class="line t3"><small class="linenumber">11510</small>
		Not reinforced or otherwise combined with other <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">11520</small>
		Reinforced or otherwise combined only with textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">11525</small>
		Reinforced or otherwise combined with other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">11534</small>
			Reinforced only with textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">11586</small>
	Articles of apparel and clo<span class="high1">thing</span> accessories (including gloves, mittens and mitts), for all purposes, of vulcanised rubber other than hard rubber<br>
</div>

<div class="line t5"><small class="linenumber">11600</small>
				Gasket made of vulcanised rubber (ethylene-propylene-diene monomers), with permissible outflow of the <span class="high1">material</span> in the place of mold split of not more than 0,25|mm, in the shape of a rectangle:   -|with a length of 72|mm or more but not more than 825|mm;   -|with a width of 18|mm or more but not more than 155|mm<br>
</div>

<div class="line t8"><small class="linenumber">11668</small>
							Crust leather of zebu species or zebu-hybrid species with a unit surface area of more than|2,6|m$2|and containing a hump hole|of 450|cm$2|or more but not more than 2850|cm$2, for use in the manufacture of raw <span class="high1">material</span> for seat covers of motor vehicles<br>
</div>

<div class="line t2"><small class="linenumber">11745</small>
	Saddlery and harness for any animal (including traces, leads, knee pads, muzzles, saddle-cloths, saddlebags, dog coats and the like), of any <span class="high1">material</span><br>
</div>

<div class="line t2"><small class="linenumber">11748</small>
	Trunks, suitcases, vanity cases, executive-cases, briefcases, school satchels, spectacle cases, binocular cases, camera cases, musical instrument cases, gun cases, holsters and similar containers; travelling-bags, insulated food or beverages bags, toilet bags, rucksacks, handbags, shopping-bags, wallets, purses, map-cases, cigarette-cases, tobacco-pouches, tool bags, sports bags, bottle-cases, jewellery boxes, powder boxes, cutlery cases and similar containers, of leather or of composition leather, of sheeting of plastics, of textile <span class="high1">material</span>s, of vulcanised fibre or of paperboard, or wholly or mainly covered with such <span class="high1">material</span>s or with paper<br>
</div>

<div class="line t4"><small class="linenumber">11757</small>
			With outer surface of plastics or of textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">11761</small>
				Of moulded plastic <span class="high1">material</span><br>
</div>

<div class="line t5"><small class="linenumber">11762</small>
				Of other <span class="high1">material</span>s, including vulcanised fibre<br>
</div>

<div class="line t5"><small class="linenumber">11771</small>
				Of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">11778</small>
			With outer surface of plastic sheeting or of textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">11780</small>
				Of textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">11788</small>
			With outer surface of plastic sheeting or of textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">11790</small>
				Of textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">11804</small>
			With outer surface of plastic sheeting or of textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">11809</small>
				Of textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">11819</small>
	Articles of apparel and clo<span class="high1">thing</span> accessories, of leather or of composition leather<br>
</div>

<div class="line t3"><small class="linenumber">11829</small>
		Other clo<span class="high1">thing</span> accessories<br>
</div>

<div class="line t2"><small class="linenumber">11845</small>
	Tanned or dressed furskins (including heads, tails, paws and other pieces or cuttings), unassembled, or assembled (without the addition of other <span class="high1">material</span>s) other than those of heading|4303<br>
</div>

<div class="line t2"><small class="linenumber">11867</small>
	Articles of apparel, clo<span class="high1">thing</span> accessories and other articles of furskin<br>
</div>

<div class="line t3"><small class="linenumber">11868</small>
		Articles of apparel and clo<span class="high1">thing</span> accessories<br>
</div>

<div class="line t4"><small class="linenumber">12075</small>
			Mouldings for frames for paintings, photographs, mirrors or similar <span class="high1">object</span>s<br>
</div>

<div class="line t5"><small class="linenumber">12080</small>
				Mouldings for frames for paintings, photographs, mirrors or similar <span class="high1">object</span>s<br>
</div>

<div class="line t2"><small class="linenumber">12084</small>
	Particle board, oriented strand board (OSB) and similar board (for example, waferboard) of wood or other ligneous <span class="high1">material</span>s, whether or not agglomerated with resins or other organic binding substances<br>
</div>

<div class="line t2"><small class="linenumber">12096</small>
	Fibreboard of wood or other ligneous <span class="high1">material</span>s, whether or not bonded with resins or other organic substances<br>
</div>

<div class="line t6"><small class="linenumber">12122</small>
					With at least one outer ply of okoumé not coated by a permanent film of other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">12145</small>
	Wooden frames for paintings, photographs, mirrors or similar <span class="high1">object</span>s<br>
</div>

<div class="line t2"><small class="linenumber">12233</small>
	Plaits and similar products of plaiting <span class="high1">material</span>s, whether or not assembled into strips; plaiting <span class="high1">material</span>s, plaits and similar products of plaiting <span class="high1">material</span>s, bound together in parallel strands or woven, in sheet form, whether or not being finished articles (for example, mats, matting, screens)<br>
</div>

<div class="line t3"><small class="linenumber">12234</small>
		Mats, matting and screens of vegetable <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">12236</small>
				Of plaits or similar products of plaiting <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">12239</small>
				Of plaits or similar products of plaiting <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">12242</small>
				Of plaits or similar products of plaiting <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">12246</small>
				Plaits and similar products of plaiting <span class="high1">material</span>s, whether or not assembled into strips<br>
</div>

<div class="line t6"><small class="linenumber">12248</small>
					Of plaits or similar products of plaiting <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">12251</small>
				Plaits and similar products of plaiting <span class="high1">material</span>s, whether or not assembled into strips<br>
</div>

<div class="line t6"><small class="linenumber">12253</small>
					Of plaits or similar products of plaiting <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">12255</small>
			Of other vegetable <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">12256</small>
				Plaits and similar products of plaiting <span class="high1">material</span>s, whether or not assembled into strips<br>
</div>

<div class="line t6"><small class="linenumber">12258</small>
					Of plaits or similar products of plaiting <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">12261</small>
				Plaits and similar products of plaiting <span class="high1">material</span>s, whether or not assembled into strips<br>
</div>

<div class="line t6"><small class="linenumber">12263</small>
					Of plaits or similar products of plaiting <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">12265</small>
	Basketwork, wickerwork and other articles, made directly to shape from plaiting <span class="high1">material</span>s or made up from goods of heading|4601; articles of loofah<br>
</div>

<div class="line t3"><small class="linenumber">12266</small>
		Of vegetable <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">12268</small>
				From plaiting <span class="high1">material</span>s, hand-made<br>
</div>

<div class="line t5"><small class="linenumber">12271</small>
				From plaiting <span class="high1">material</span>s, hand-made<br>
</div>

<div class="line t2"><small class="linenumber">12299</small>
	Pulps of fibres derived from recovered (waste and scrap) paper or paperboard or of other fibrous cellulosic <span class="high1">material</span><br>
</div>

<div class="line t4"><small class="linenumber">12311</small>
			Old and unsold newspapers and magazines, telephone directories, brochures and printed advertising <span class="high1">material</span><br>
</div>

<div class="line t2"><small class="linenumber">12508</small>
	Toilet paper and similar paper, cellulose wadding or webs of cellulose fibres, of a kind used for household or sanitary purposes, in rolls of a width not exceeding 36|cm, or cut to size or shape; handkerchiefs, cleansing tissues, towels, tablecloths, serviettes, bedsheets and similar household, sanitary or hospital articles, articles of apparel and clo<span class="high1">thing</span> accessories, of paper pulp, paper, cellulose wadding or webs of cellulose fibres<br>
</div>

<div class="line t3"><small class="linenumber">12518</small>
		Articles of apparel and clo<span class="high1">thing</span> accessories<br>
</div>

<div class="line t2"><small class="linenumber">12573</small>
	Newspapers, journals and periodicals, whether or not illustrated or containing advertising <span class="high1">material</span><br>
</div>

<div class="line t3"><small class="linenumber">12594</small>
		Trade advertising <span class="high1">material</span>, commercial catalogues and the like<br>
</div>

<div class="line t5"><small class="linenumber">12599</small>
				Sheets (not being trade advertising <span class="high1">material</span>), not folded, merely with illustrations or pictures not bearing a text or caption, for editions of books or periodicals which are published in different countries in one or more languages<br>
</div>

<div class="line t4"><small class="linenumber">12635</small>
			Pongee, habutai, honan, shantung, corah and similar far eastern fabrics, wholly of silk (not mixed with noil or other silk waste or with other textile <span class="high1">material</span>s)<br>
</div>

<div class="line t4"><small class="linenumber">12760</small>
			Containing a total of more than 10|% by weight of textile <span class="high1">material</span>s of Chapter|50<br>
</div>

<div class="line t4"><small class="linenumber">12773</small>
			Containing a total of more than 10|% by weight of textile <span class="high1">material</span>s of Chapter|50<br>
</div>

<div class="line t2"><small class="linenumber">13283</small>
	Synthetic monofilament of 67|decitex or more and of which no cross-sectional dimension exceeds 1|mm; strip and the like (for example, artificial straw), of synthetic textile <span class="high1">material</span>s, of an apparent width not exceeding 5|mm<br>
</div>

<div class="line t2"><small class="linenumber">13296</small>
	Artificial monofilament of 67|decitex or more and of which no cross-sectional dimension exceeds 1|mm; strip and the like (for example, artificial straw), of artificial textile <span class="high1">material</span>s, of an apparent width not exceeding 5|mm<br>
</div>

<div class="line t2"><small class="linenumber">13298</small>
	Woven fabrics of synthetic filament yarn, including woven fabrics obtained from <span class="high1">material</span>s of heading|5404<br>
</div>

<div class="line t2"><small class="linenumber">13344</small>
	Woven fabrics of artificial filament yarn, including woven fabrics obtained from <span class="high1">material</span>s of heading|5405<br>
</div>

<div class="line t2"><small class="linenumber">13583</small>
	Wadding of textile <span class="high1">material</span>s and articles thereof; textile fibres, not exceeding 5|mm in length (flock), textile dust and mill neps<br>
</div>

<div class="line t3"><small class="linenumber">13584</small>
		Wadding of textile <span class="high1">material</span>s and articles thereof<br>
</div>

<div class="line t6"><small class="linenumber">13601</small>
					Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">13604</small>
					Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13610</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">13612</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">13632</small>
					Non-woven:  - weighing 30g/m2 or more, but not more than 60g/m2,  - containing fibres of polypropylene or of polypropylene and polyethylene,  - whether or not printed, with:  - on one side, 65% of the total surface area having circular bobbles of 4mm in diameter, consisting of anchored, elevated un-bonded curly fibres, suitable for the engagement of extruded hook <span class="high1">material</span>s, and the remaining 35% of the surface area being bonded,  - and on other side a smooth untextured surface,  for use in the manufacture of napkins and napkin liners for babies and similar sanitary articles<br>
</div>

<div class="line t6"><small class="linenumber">13638</small>
					Electrically nonconductive nonwovens, consisting of a central film of poly(ethylene terephthalate) laminated on each side with unidirectionally aligned fibres of poly(ethylene terephthalate), coated on both sides with high grade temperature resistant electrical nonconductive resin, weighing 147|g/m$2|or more but not more than 265|g/m$2, with non-isotropic tensile strength on both directions, to be used as electrical insulation <span class="high1">material</span><br>
</div>

<div class="line t6"><small class="linenumber">13648</small>
					Electrically nonconductive nonwovens, consisting of a central film of poly(ethylene terephthalate) laminated on each side with unidirectionally aligned fibres of poly(ethylene terephthalate), coated on both sides with high grade temperature resistant electrical nonconductive resin, weighing 147|g/m$2|or more but not more than 265|g/m$2, with non-isotropic tensile strength on both directions, to be used as electrical insulation <span class="high1">material</span><br>
</div>

<div class="line t5"><small class="linenumber">13699</small>
				Monofil, strip (artificial straw and the like) and imitation catgut, of synthetic textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">13747</small>
	Knotted netting of twine, cordage or rope; made-up fishing nets and other made-up nets, of textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">13748</small>
		Of man-made textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">13770</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13771</small>
			Of silk, of waste silk other than noil, of synthetic fibres, of yarn of heading|5605|or of textile <span class="high1">material</span>s containing metal threads<br>
</div>

<div class="line t4"><small class="linenumber">13774</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13784</small>
			Of man-made textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13787</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13796</small>
			Of man-made textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13799</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13805</small>
			Of man-made textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13808</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13814</small>
			Of man-made textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13817</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">13830</small>
		Of other man-made textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">13837</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">13850</small>
		Of man-made textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">13853</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">13885</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">13895</small>
		Terry towelling and similar woven terry fabrics, of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13918</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13926</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">13933</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">13939</small>
	Labels, badges and similar articles of textile <span class="high1">material</span>s, in the piece, in strips or cut to shape or size, not embroidered<br>
</div>

<div class="line t4"><small class="linenumber">13975</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">13982</small>
	Quilted textile products in the piece, composed of one or more layers of textile <span class="high1">material</span>s assembled with padding by stitching or otherwise, other than embroidery of heading|5810<br>
</div>

<div class="line t5"><small class="linenumber">14007</small>
				Knitted or woven fabrics, coated or covered on one side with artificial plastic <span class="high1">material</span> in which are embedded microspheres<br>
</div>

<div class="line t5"><small class="linenumber">14012</small>
				Knitted or woven fabrics, coated or covered on one side with artificial plastic <span class="high1">material</span> in which are embedded microspheres<br>
</div>

<div class="line t6"><small class="linenumber">14020</small>
					Knitted or woven fabrics, coated or covered on one side with artificial plastic <span class="high1">material</span> in which are embedded microspheres<br>
</div>

<div class="line t3"><small class="linenumber">14026</small>
		Consisting of parallel yarns, fixed on a backing of any <span class="high1">material</span><br>
</div>

<div class="line t2"><small class="linenumber">14054</small>
	Textile hosepiping and similar textile tubing, with or without lining, armour or accessories of other <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14056</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">14057</small>
	Transmission or conveyor belts or belting, of textile <span class="high1">material</span>, whether or not impregnated, coated, covered or laminated with plastics, or reinforced with metal or other <span class="high1">material</span><br>
</div>

<div class="line t3"><small class="linenumber">14059</small>
		Textile fabrics, felt and felt-lined woven fabrics, coated, covered or laminated with rubber, leather or other <span class="high1">material</span>, of a kind used for card clo<span class="high1">thing</span>, and similar fabrics of a kind used for other technical purposes, including narrow fabrics made of velvet impregnated with rubber, for covering weaving spindles (weaving beams)<br>
</div>

<div class="line t4"><small class="linenumber">14064</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14070</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14075</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14080</small>
				Parts of equipment for the purification of water by reverse osmosis, consisting essentially of plastic-based membranes, supported internally by woven or non-woven textile <span class="high1">material</span>s which are wound round a perforated tube, and enclosed in a cylindrical plastic casing of a wall-thickness of not more than 4|mm, whether or not housed in a cylinder of a wall-thickness of 5|mm or more<br>
</div>

<div class="line t4"><small class="linenumber">14093</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14099</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14189</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14210</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14216</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14220</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14225</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14232</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14240</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14242</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14249</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14251</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14258</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14266</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14271</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14276</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14286</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14288</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14292</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14296</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14301</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14305</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14308</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14315</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14319</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14323</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14327</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14334</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14336</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14368</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14370</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">14373</small>
	Babies' garments and clo<span class="high1">thing</span> accessories, knitted or crocheted<br>
</div>

<div class="line t3"><small class="linenumber">14380</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14384</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14393</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14399</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14406</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14415</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14425</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14430</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14439</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14448</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">14449</small>
	Other made-up clo<span class="high1">thing</span> accessories, knitted or crocheted; knitted or crocheted parts of garments or of clo<span class="high1">thing</span> accessories<br>
</div>

<div class="line t4"><small class="linenumber">14475</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14482</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14505</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14512</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14519</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14522</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14530</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14535</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14544</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14548</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14573</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14582</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14590</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14592</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14603</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14607</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14620</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14624</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14636</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14638</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14653</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14657</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14699</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14714</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14722</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14726</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14736</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14740</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14744</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14748</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14755</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14757</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14763</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14767</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14777</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">14780</small>
	Babies' garments and clo<span class="high1">thing</span> accessories<br>
</div>

<div class="line t3"><small class="linenumber">14789</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14794</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14817</small>
				Industrial and occupational clo<span class="high1">thing</span><br>
</div>

<div class="line t5"><small class="linenumber">14825</small>
				Industrial and occupational clo<span class="high1">thing</span><br>
</div>

<div class="line t4"><small class="linenumber">14832</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14837</small>
				Aprons, overalls, smock-overalls and other industrial and occupational clo<span class="high1">thing</span> (whether or not also suitable for domestic use)<br>
</div>

<div class="line t5"><small class="linenumber">14845</small>
				Aprons, overalls, smock-overalls and other industrial and occupational clo<span class="high1">thing</span> (whether or not also suitable for domestic use)<br>
</div>

<div class="line t4"><small class="linenumber">14852</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14864</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14880</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">14894</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">14898</small>
	Other made-up clo<span class="high1">thing</span> accessories; parts of garments or of clo<span class="high1">thing</span> accessories, other than those of heading|6212<br>
</div>

<div class="line t4"><small class="linenumber">14952</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14954</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14966</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">14968</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14977</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">14992</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">15000</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">15012</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">15030</small>
				Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">15043</small>
			Not knitted or crocheted, of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">15057</small>
		Of man-made textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">15075</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">15085</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">15088</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">15095</small>
			Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">15121</small>
	Worn clo<span class="high1">thing</span> and other worn articles<br>
</div>

<div class="line t2"><small class="linenumber">15122</small>
	Used or new rags, scrap twine, cordage, rope and cables and worn-out articles of twine, cordage, rope or cables, of textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">15244</small>
	Footwear with outer soles of rubber, plastics, leather or composition leather and uppers of textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">15255</small>
		With uppers of textile <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">15257</small>
			With outer soles of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">15262</small>
			With outer soles of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">15268</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">15295</small>
	Hat-shapes, plaited or made by assembling strips of any <span class="high1">material</span>, neither blocked to shape, nor with made brims, nor lined, nor trimmed<br>
</div>

<div class="line t2"><small class="linenumber">15296</small>
	Hats and other headgear, plaited or made by assembling strips of any <span class="high1">material</span>, whether or not lined or trimmed<br>
</div>

<div class="line t2"><small class="linenumber">15297</small>
	Hats and other headgear, knitted or crocheted, or made up from lace, felt or other textile fabric, in the piece (but not in strips), whether or not lined or trimmed; hairnets of any <span class="high1">material</span>, whether or not lined or trimmed<br>
</div>

<div class="line t4"><small class="linenumber">15307</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">15310</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">15320</small>
				With a cover of woven textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">15334</small>
		Of other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">15335</small>
	Human hair, dressed, thinned, bleached or otherwise worked; wool or other animal hair or other textile <span class="high1">material</span>s, prepared for use in making wigs or the like<br>
</div>

<div class="line t2"><small class="linenumber">15336</small>
	Wigs, false beards, eyebrows and eyelashes, switches and the like, of human or animal hair or of textile <span class="high1">material</span>s; articles of human hair not elsewhere specified or included<br>
</div>

<div class="line t3"><small class="linenumber">15337</small>
		Of synthetic textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">15341</small>
		Of other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">15370</small>
	Millstones, grindstones, grinding wheels and the like, without frameworks, for grinding, sharpening, polishing, trueing or cutting, hand sharpening or polishing stones, and parts thereof, of natural stone, of agglomerated natural or artificial abrasives, or of ceramics, with or without parts of other <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">15382</small>
					Of other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">15386</small>
	Natural or artificial abrasive powder or grain, on a base of textile <span class="high1">material</span>, of paper, of paperboard or of other <span class="high1">material</span>s, whether or not cut to shape or sewn or otherwise made up<br>
</div>

<div class="line t3"><small class="linenumber">15389</small>
		On a base of other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">15390</small>
	Slag-wool, rock-wool and similar mineral wools; exfoliated vermiculite, expanded clays, foamed slag and similar expanded mineral <span class="high1">material</span>s; mixtures and articles of heat-insulating, sound-insulating or sound-absorbing mineral <span class="high1">material</span>s, other than those of heading|6811|or 6812|or of Chapter|69<br>
</div>

<div class="line t3"><small class="linenumber">15392</small>
		Exfoliated vermiculite, expanded clays, foamed slag and similar expanded mineral <span class="high1">material</span>s (including intermixtures thereof)<br>
</div>

<div class="line t2"><small class="linenumber">15396</small>
	Articles of asphalt or of similar <span class="high1">material</span> (for example, petroleum bitumen or coal tar pitch)<br>
</div>

<div class="line t2"><small class="linenumber">15420</small>
	Fabricated asbestos fibres; mixtures with a basis of asbestos or with a basis of asbestos and magnesium carbonate; articles of such mixtures or of asbestos (for example, thread, woven fabric, clo<span class="high1">thing</span>, headgear, footwear, gaskets), whether or not reinforced, other than goods of heading|6811|or 6813<br>
</div>

<div class="line t4"><small class="linenumber">15429</small>
			Clo<span class="high1">thing</span>, clo<span class="high1">thing</span> accessories, footwear and headgear<br>
</div>

<div class="line t2"><small class="linenumber">15439</small>
	Friction <span class="high1">material</span> and articles thereof (for example, sheets, rolls, strips, segments, discs, washers, pads), not mounted, for brakes, for clutches or the like, with a basis of asbestos, of other mineral substances or of cellulose, whether or not combined with textile or other <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">15450</small>
					Friction <span class="high1">material</span>, of a thickness of less than 20|mm, not mounted, for use in the manufacture of friction components<br>
</div>

<div class="line t2"><small class="linenumber">15452</small>
	Worked mica and articles of mica, including agglomerated or reconstituted mica, whether or not on a support of paper, paperboard or other <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">15486</small>
				Silicon carbide reactor tubes and holders, of a kind used for insertion into diffusion and oxidation furnaces for production of semiconductor <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">15643</small>
	Glass of heading|7003, 7004|or 7005, bent, edge-worked, engraved, drilled, enamelled or otherwise worked, but not framed or fitted with other <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">15805</small>
					Rovings, measuring 650|tex or more but not more than 2|500|tex, coated with a layer of polyurethane whether or not mixed with other <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">15811</small>
					Rovings, measuring 650|tex or more but not more than 2|500|tex, coated with a layer of polyurethane whether or not mixed with other <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">15879</small>
		Quartz reactor tubes and holders designed for insertion into diffusion and oxidation furnaces for production of semiconductor <span class="high1">material</span>s<br>
</div>

<div class="line t7"><small class="linenumber">16340</small>
						Of non-alloy steel, painted, varnished or coated with plastics on at least one side, excluding so-called 'sandwich panels' of a kind used for building applications and consisting of two outer metal sheets with a stabilising core of insulation <span class="high1">material</span> sandwiched between them, and excluding those products with a final coating of zinc-dust (a zinc-rich paint, containing by weight 70% or more of zinc) and excluding products with a substrate with a metallic coating of chromium or tin<br>
</div>

<div class="line t6"><small class="linenumber">16343</small>
					Of non-alloy steel, painted, varnished or coated with plastics on at least one side, excluding so-called 'sandwich panels' of a kind used for building applications and consisting of two outer metal sheets with a stabilising core of insulation <span class="high1">material</span> sandwiched between them, and excluding those products with a final coating of zinc-dust (a zinc-rich paint, containing by weight 70% or more of zinc)<br>
</div>

<div class="line t6"><small class="linenumber">16686</small>
					Painted, varnished or coated with plastics on at least one side, excluding so-called "sandwich panels" of a kind used for building applications and consisting of two outer metal sheets with a stabilising core of insulation <span class="high1">material</span> sandwiched between them, excluding those products with a final coating of zinc-dust (a zinc-rich paint, containing by weight 70% or more of zinc) and excluding products with a substrate with a metallic coating of chromium or tin<br>
</div>

<div class="line t7"><small class="linenumber">16730</small>
						Painted, varnished or coated with plastics on at least one side, excluding so-called "sandwich panels" of a kind used for building applications and consisting of two outer metal sheets with a stabilising core of insulation <span class="high1">material</span> sandwiched between them, excluding those products with a final coating of zinc-dust (a zinc-rich paint, containing by weight 70% or more of zinc) and excluding products with a substrate with a metallic coating of chromium or tin<br>
</div>

<div class="line t2"><small class="linenumber">16812</small>
	Railway or tramway track construction <span class="high1">material</span> of iron or steel, the following: rails, check-rails and rack rails, switch blades, crossing frogs, point rods and other crossing pieces, sleepers (cross-ties), fish-plates, chairs, chair wedges, sole plates (base plates), rail clips, bedplates, ties and other <span class="high1">material</span> specialised for jointing or fixing rails<br>
</div>

<div class="line t2"><small class="linenumber">17166</small>
	Reservoirs, tanks, vats and similar containers for any <span class="high1">material</span> (other than compressed or liquefied gas), of iron or steel, of a capacity exceeding 300|l, whether or not lined or heat-insulated, but not fitted with mechanical or thermal equipment<br>
</div>

<div class="line t2"><small class="linenumber">17174</small>
	Tanks, casks, drums, cans, boxes and similar containers, for any <span class="high1">material</span> (other than compressed or liquefied gas), of iron or steel, of a capacity not exceeding 300|l, whether or not lined or heat-insulated, but not fitted with mechanical or thermal equipment<br>
</div>

<div class="line t10"><small class="linenumber">17229</small>
									With not more than 18 wires, of non-alloy steel, containing by weight 0,6% or more of carbon, excluding galvanised (but not with any further coating <span class="high1">material</span>) seven wire strands in which the diameter of the central wire is identical or less than 3% greater than the diameter of any of the 6 other wires<br>
</div>

<div class="line t10"><small class="linenumber">17232</small>
									With not more than 18 wires, of non-alloy steel, containing by weight 0,6% or more of carbon, excluding galvanised (but not with any further coating <span class="high1">material</span>) seven wire strands in which the diameter of the central wire is identical or less than 3% greater than the diameter of any of the 6 other wires<br>
</div>

<div class="line t2"><small class="linenumber">17347</small>
	Nails, tacks, drawing pins, corrugated nails, staples (other than those of heading|8305) and similar articles, of iron or steel, whether or not with heads of other <span class="high1">material</span>, but excluding such articles with heads of copper<br>
</div>

<div class="line t6"><small class="linenumber">17397</small>
					For fixing railway track construction <span class="high1">material</span><br>
</div>

<div class="line t6"><small class="linenumber">17691</small>
					Iron and steel weights   -|whether or not with parts of other <span class="high1">material</span>   -|whether or not with parts of other metals   -|whether or not surface treated   -|whether or not printed of a kind used for the production of remote controls<br>
</div>

<div class="line t2"><small class="linenumber">17746</small>
	Copper foil (whether or not printed or backed with paper, paperboard, plastics or similar backing <span class="high1">material</span>s) of a thickness (excluding any backing) not exceeding 0,15|mm<br>
</div>

<div class="line t7"><small class="linenumber">17811</small>
						Disc (target) with deposition <span class="high1">material</span>, consisting of molybdenum silicide:   -|containing 1mg/kg or less of sodium and   -|mounted on a copper or aluminium support<br>
</div>

<div class="line t6"><small class="linenumber">17874</small>
					Bars and rods of aluminium alloys containing by weight :   -|0,25|%|or more but not more than 7|% of zinc, and   -|1|% or more but not more than 3|% of magnesium, and   -|1|% or more but not more than 5|% of copper, and   -|not more than 1|% of manganese consistent with the <span class="high1">material</span> specifications AMS QQ-A-225, of a kind used in aerospace industry (inter alia conforming NADCAP and AS9100) and obtained by rolling mill process<br>
</div>

<div class="line t5"><small class="linenumber">17890</small>
				Wire of aluminium alloys containing by weight:   -|0,10|% or more but not more than 5|% of copper, and   -|0,2|% or more but not more than 6|% of magnesium, and   -|0,10|% or more but not more than 7|% of zinc, and   -|not more than 1|% of manganese consistent with the <span class="high1">material</span> specifications AMS QQ-A-430, of a kind used in aerospace industry (inter alia conforming|NADCAP|and AS9100) | and obtained by rolling mill process<br>
</div>

<div class="line t2"><small class="linenumber">17930</small>
	Aluminium foil (whether or not printed or backed with paper, paperboard, plastics or similar backing <span class="high1">material</span>s) of a thickness (excluding any backing) not exceeding 0,2|mm<br>
</div>

<div class="line t2"><small class="linenumber">17991</small>
	Aluminium reservoirs, tanks, vats and similar containers, for any <span class="high1">material</span> (other than compressed or liquefied gas), of a capacity exceeding 300|litres, whether or not lined or heat-insulated, but not fitted with mechanical or thermal equipment<br>
</div>

<div class="line t2"><small class="linenumber">17992</small>
	Aluminium casks, drums, cans, boxes and similar containers (including rigid or collapsible tubular containers), for any <span class="high1">material</span> (other than compressed or liquefied gas), of a capacity not exceeding 300|litres, whether or not lined or heat-insulated, but not fitted with mechanical or thermal equipment<br>
</div>

<div class="line t7"><small class="linenumber">18041</small>
						Disc (target) with deposition <span class="high1">material</span>, consisting of molybdenum silicide:   -|containing 1mg/kg or less of sodium and   -|mounted on a copper or aluminium support<br>
</div>

<div class="line t3"><small class="linenumber">18065</small>
		Containers with an anti-radiation lead covering, for the transport or storage of radioactive <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">18149</small>
			Bars or wires made of cobalt alloy containing, by weight :   -|35|% (± 2|%) cobalt,   -|25|% (± 1|%)|nickel,   -|19|% (± 1|%) chromium and   -|7|% (± 2|%) iron conforming to the <span class="high1">material</span> specifications AMS 5842, of a kind used in the aerospace industry<br>
</div>

<div class="line t5"><small class="linenumber">18276</small>
				For working other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">18313</small>
			With working part of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">18326</small>
			With working part of other <span class="high1">material</span>s<br>
</div>

<div class="line t7"><small class="linenumber">18332</small>
						Of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">18336</small>
			With working part of other <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">18346</small>
				Of other <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">18353</small>
				Of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">18357</small>
			With working part of other <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">18364</small>
					Of other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">18487</small>
	Clasps, frames with clasps, buckles, buckle-clasps, hooks, eyes, eyelets and the like, of base metal, of a kind used for clo<span class="high1">thing</span>, footwear, awnings, handbags, travel goods or other made-up articles, tubular or bifurcated rivets, of base metal; beads and spangles of base metal<br>
</div>

<div class="line t2"><small class="linenumber">18503</small>
	Wire, rods, tubes, plates, electrodes and similar products, of base metal or of metal carbides, coated or cored with flux <span class="high1">material</span>, of a kind used for soldering, brazing, welding or deposition of metal or of metal carbides; wire and rods, of agglomerated base metal powder, used for metal spraying<br>
</div>

<div class="line t7"><small class="linenumber">18975</small>
						Cross-flow fan, with;  						 -|a height of 575|mm (± 1,0|mm) or more, but not more than 850|mm (±|1,0|mm),  						 -|a diameter of 95mm (± 0,6|mm) or 102|mm (± 0,6|mm),  						 -|an anti-static, anti-bacterial and heat-resistant, 30|% glass fibre reinforced plastic raw <span class="high1">material</span> that has a minimum temperature resistance of 70°C (±5°C),for use in the manufacture of indoor units of split-type air conditioning machines<br>
</div>

<div class="line t4"><small class="linenumber">19023</small>
			Cross-flow fan, with;  						 -|a height of 575|mm (± 1,0|mm) or more, but not more than 850|mm (±|1,0|mm),  						 -|a diameter of 95mm (± 0,6|mm) or 102|mm (± 0,6|mm),  						 -|an anti-static, anti-bacterial and heat-resistant, 30|% glass fibre reinforced plastic raw <span class="high1">material</span> that has a minimum temperature resistance of 70°C (±5°C),for use in the manufacture of indoor units of split-type air conditioning machines<br>
</div>

<div class="line t2"><small class="linenumber">19124</small>
	Machinery, plant or laboratory equipment, whether or not electrically heated (excluding furnaces, ovens and other equipment of heading|8514), for the treatment of <span class="high1">material</span>s by a process involving a change of temperature such as heating, cooking, roasting, distilling, rectifying, sterilising, pasteurising, steaming, drying, evaporating, vaporising, condensing or cooling, other than machinery or plant of a kind used for domestic purposes; instantaneous or storage water heaters, non-electric<br>
</div>

<div class="line t6"><small class="linenumber">19215</small>
					Parts of equipment, for the purification of water by reverse osmosis, consisting of a bundle of hollow fibres of artificial plastic <span class="high1">material</span> with permeable walls, embedded in a block of artificial plastic <span class="high1">material</span> at one end and passing through a block of artificial plastic <span class="high1">material</span> at the other end, whether or not housed in a cylinder<br>
</div>

<div class="line t6"><small class="linenumber">19216</small>
					Parts of equipment for the purification of water by reverse osmosis, consisting essentially of plastic-based membranes, supported internally by woven or non-woven textile <span class="high1">material</span>s which are wound round a perforated tube, and enclosed in a cylindrical plastic casing of a wall-thickness of not more than 4|mm, whether or not housed in a cylinder of a wall-thickness of 5|mm or more<br>
</div>

<div class="line t3"><small class="linenumber">19240</small>
		Constant weight scales and scales for discharging a predetermined weight of <span class="high1">material</span> into a bag or container, including hopper scales<br>
</div>

<div class="line t4"><small class="linenumber">19362</small>
			For bulk <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">19366</small>
		Other continuous-action elevators and conveyors, for goods or <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">19539</small>
	Machinery for making pulp of fibrous cellulosic <span class="high1">material</span> or for making or finishing paper or paperboard<br>
</div>

<div class="line t3"><small class="linenumber">19540</small>
		Machinery for making pulp of fibrous cellulosic <span class="high1">material</span><br>
</div>

<div class="line t4"><small class="linenumber">19544</small>
			Of machinery for making pulp of fibrous cellulosic <span class="high1">material</span><br>
</div>

<div class="line t5"><small class="linenumber">19596</small>
				For printing textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">19627</small>
	Machines for extruding, drawing, texturing or cutting man-made textile <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">19654</small>
	Auxiliary machinery for use with machines of heading|8444, 8445, 8446|or 8447|(for example, dobbies, jacquards, automatic stop motions, shuttle changing mechanisms); parts and accessories suitable for use solely or principally with the machines of this heading or of heading|8444, 8445, 8446|or 8447|(for example, spindles and spindle flyers, card clo<span class="high1">thing</span>, combs, extruding nipples, shuttles, healds and heald-frames, hosiery needles)<br>
</div>

<div class="line t4"><small class="linenumber">19660</small>
			Card clo<span class="high1">thing</span><br>
</div>

<div class="line t4"><small class="linenumber">19661</small>
			Of machines for preparing textile fibres, other than card clo<span class="high1">thing</span><br>
</div>

<div class="line t2"><small class="linenumber">19732</small>
	Machine tools for working any <span class="high1">material</span> by removal of <span class="high1">material</span>, by laser or other light or photon beam, ultrasonic, electrodischarge, electrochemical, electron beam, ionic-beam or plasma arc processes; water-jet cutting machines<br>
</div>

<div class="line t2"><small class="linenumber">19870</small>
	Other machine tools for working metal or cermets, without removing <span class="high1">material</span><br>
</div>

<div class="line t2"><small class="linenumber">19877</small>
	Machine tools for working stone, ceramics, concrete, asbestos-cement or like mineral <span class="high1">material</span>s or for cold working glass<br>
</div>

<div class="line t2"><small class="linenumber">19885</small>
	Machine tools (including machines for nailing, stapling, glueing or otherwise assembling) for working wood, cork, bone, hard rubber, hard plastics or similar hard <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">20056</small>
	Machinery for sorting, screening, separating, washing, crushing, grinding, mixing or kneading earth, stone, ores or other mineral substances, in solid (including powder or paste) form; machinery for agglomerating, shaping or moulding solid mineral fuels, ceramic paste, unhardened cements, plastering <span class="high1">material</span>s or other mineral products in powder or paste form; machines for forming foundry moulds of sand<br>
</div>

<div class="line t2"><small class="linenumber">20092</small>
	Machinery for working rubber or plastics or for the manufacture of products from these <span class="high1">material</span>s, not specified or included elsewhere in this chapter<br>
</div>

<div class="line t3"><small class="linenumber">20122</small>
		Presses for the manufacture of particle board or fibre building board of wood or other ligneous <span class="high1">material</span>s and other machinery for treating wood or cork<br>
</div>

<div class="line t2"><small class="linenumber">20162</small>
	Moulding boxes for metal foundry; mould bases; moulding patterns; moulds for metal (other than ingot moulds), metal carbides, glass, mineral <span class="high1">material</span>s, rubber or plastics<br>
</div>

<div class="line t3"><small class="linenumber">20172</small>
		Moulds for mineral <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">20385</small>
	Gaskets and similar joints of metal sheeting combined with other <span class="high1">material</span> or of two or more layers of metal; sets or assortments of gaskets and similar joints, dissimilar in composition, put up in pouches, envelopes or similar packings; mechanical seals<br>
</div>

<div class="line t3"><small class="linenumber">20386</small>
		Gaskets and similar joints of metal sheeting combined with other <span class="high1">material</span> or of two or more layers of metal<br>
</div>

<div class="line t2"><small class="linenumber">21003</small>
	Industrial or laboratory electric furnaces and ovens (including those functioning by induction or dielectric loss); other industrial or laboratory equipment for the heat treatment of <span class="high1">material</span>s by induction or dielectric loss<br>
</div>

<div class="line t3"><small class="linenumber">21017</small>
		Other equipment for the heat treatment of <span class="high1">material</span>s by induction or dielectric loss<br>
</div>

<div class="line t2"><small class="linenumber">21045</small>
	Electric instantaneous or storage water heaters and immersion heaters; electric space-heating apparatus and soil-heating apparatus; electrothermic hairdressing apparatus (for example, hairdryers, hair curlers, curling tong heaters) and hand dryers; electric smoo<span class="high1">thing</span> irons; other electrothermic appliances of a kind used for domestic purposes; electric heating resistors, other than those of heading|8545<br>
</div>

<div class="line t3"><small class="linenumber">21061</small>
		Electric smoo<span class="high1">thing</span> irons<br>
</div>

<div class="line t6"><small class="linenumber">21352</small>
					Assembly for television cameras of dimensions of not more than 10|mm|!x!|15|mm|!x!|18|mm, comprising an image sensor, an <span class="high1">object</span>ive and a color processor, having an image resolution of not more than 1024|!x!|1280|pixels, whether or not fitted with cable and/or housing, for the manufacture of goods of subheading 8517|12|00<br>
</div>

<div class="line t6"><small class="linenumber">21354</small>
					Assembly for cameras used in computer notebooks of dimensions not exceeding 15|x|25|x|25|mm, comprising an image sensor, an <span class="high1">object</span>ive and a color processor, having an image resolution not exceeding 1600|x|1200|pixel, whether or not fitted with cable and/or housing, whether or not mounted on a base and containing a LED chip<br>
</div>

<div class="line t6"><small class="linenumber">21359</small>
					Cameras using MIPI electrical interface with:   -|an image sensor,   -|an <span class="high1">object</span>ive (lens),   -|a colour processor,   -|a flexible printed circuit board or a printed circuit board,   -|whether or not capable of receiving audio signals,   -|a module dimension of not more than 15mm x 15mm x 15mm ,   -|a resolution of 2|mega pixel or more (1616*1232|pixels and higher),   -|whether or not wired, and   -|a housing for use in the manufacture of products falling within subheading 8517|12|00|or 8471|30|00<br>
</div>

<div class="line t6"><small class="linenumber">21511</small>
					Of other <span class="high1">material</span>s<br>
</div>

<div class="line t7"><small class="linenumber">21546</small>
						OLED modules, consisting of one or more TFT glass or plastic cells, containing organic <span class="high1">material</span>, not combined with touch screen facilities|and one or more printed circuit boards with control electronics for pixel addressing, of a kind used in the manufacture of TV sets and monitors<br>
</div>

<div class="line t5"><small class="linenumber">21647</small>
				Printed circuit board in the form of plates consisting of isolating <span class="high1">material</span> with electrical connections and solder points, for use in the manufacture of back light units for LCD modules<br>
</div>

<div class="line t2"><small class="linenumber">22095</small>
	Electrical insulators of any <span class="high1">material</span><br>
</div>

<div class="line t2"><small class="linenumber">22101</small>
	Insulating fittings for electrical machines, appliances or equipment, being fittings wholly of insulating <span class="high1">material</span> apart from any minor components of metal (for example, threaded sockets) incorporated during moulding solely for purposes of assembly, other than insulators of heading|8546; electrical conduit tubing and joints therefor, of base metal lined with insulating <span class="high1">material</span><br>
</div>

<div class="line t5"><small class="linenumber">22151</small>
				Specially designed for the transport of highly radioactive <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">22177</small>
		Containers with an anti-radiation lead covering, for the transport of radioactive <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">22256</small>
				Specially designed for the transport of highly radioactive <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">22265</small>
				Specially designed for the transport of highly radioactive <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">22270</small>
				Specially designed for the transport of highly radioactive <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">22278</small>
				Specially designed for the transport of highly radioactive <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">22287</small>
				Specially designed for the transport of highly radioactive <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">22338</small>
					Non-asbestos organic brake pads with friction <span class="high1">material</span> mounted to the band steel back plate for use in the manufacture of goods of Chapter 87<br>
</div>

<div class="line t5"><small class="linenumber">22444</small>
				Specially designed for the transport of highly radioactive <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">22447</small>
				Specially designed for the transport of highly radioactive <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">22576</small>
				Specially designed for the transport of highly radioactive <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">22717</small>
	Optical fibres and optical fibre bundles; optical fibre cables other than those of heading|8544; sheets and plates of polarising <span class="high1">material</span>; lenses (including contact lenses), prisms, mirrors and other optical elements, of any <span class="high1">material</span>, unmounted, other than such elements of glass not optically worked<br>
</div>

<div class="line t3"><small class="linenumber">22724</small>
		Sheets and plates of polarising <span class="high1">material</span><br>
</div>

<div class="line t4"><small class="linenumber">22725</small>
			Material consisting of a polarising film, whether or not on rolls, supported on one or both sides by transparent <span class="high1">material</span>, whether or not with an adhesive layer, covered on one side or on both sides with a release film<br>
</div>

<div class="line t3"><small class="linenumber">22737</small>
		Spectacle lenses of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">22752</small>
			Unmounted optical elements made from moulded infrared transmitting chalcogenide glass, or a combination of infrared transmitting chalcogenide glass and another lens <span class="high1">material</span><br>
</div>

<div class="line t4"><small class="linenumber">22754</small>
			Rod of neodymium-doped yttrium-aluminium garnet (YAG) <span class="high1">material</span>, polished at both ends<br>
</div>

<div class="line t2"><small class="linenumber">22763</small>
	Lenses, prisms, mirrors and other optical elements, of any <span class="high1">material</span>, mounted, being parts of or fittings for instruments or apparatus, other than such elements of glass not optically worked<br>
</div>

<div class="line t4"><small class="linenumber">22785</small>
			Mounted lenses made from infrared transmitting chalcogenide glass, or a combination of infrared transmitting chalcogenide glass and another lens <span class="high1">material</span><br>
</div>

<div class="line t4"><small class="linenumber">22792</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">22796</small>
				Of other <span class="high1">material</span>s<br>
</div>

<div class="line t5"><small class="linenumber">22886</small>
				Electronic semiconductor micro-mirror in a housing suitable for the automatic printing of conductor boards, mainly consisting of a combination of:   -|one or more monolithic application-specific integrated circuits (ASIC),   -|one or more microelectromechanical sensor elements (MEMS) manufactured with semiconductor technology, with mechanical components arranged in three-dimensional structures on the semiconductor <span class="high1">material</span> of a kind used for incorporation into products of Chapters 84-90|and 95<br>
</div>

<div class="line t5"><small class="linenumber">22897</small>
				Electronic compass, as a geomagnetic sensor, in a housing (e.g. CSWLP, LGA, SOIC) suitable for fully automated printed circuit board (PCB) assembly,|with the following main components:   -|a combination of one or more application-specific integrated circuits (ASIC) and   -|one or more micro‑electromechanical sensors (MEMS) manufactured with semiconductor technology, with mechanical components arranged in three-dimensional structures on the semiconductor <span class="high1">material</span>, of a kind used in the manufacture of products falling in chapters 84-90|and 94<br>
</div>

<div class="line t2"><small class="linenumber">22999</small>
	Other brea<span class="high1">thing</span> appliances and gas masks, excluding protective masks having neither mechanical parts nor replaceable filters<br>
</div>

<div class="line t3"><small class="linenumber">23000</small>
		Brea<span class="high1">thing</span> appliances and gas masks (excluding parts thereof), for use in civil aircraft<br>
</div>

<div class="line t5"><small class="linenumber">23011</small>
				Of other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">23040</small>
	Machines and appliances for testing the hardness, strength, compressibility, elasticity or other mechanical properties of <span class="high1">material</span>s (for example, metals, wood, textiles, paper, plastics)<br>
</div>

<div class="line t7"><small class="linenumber">23073</small>
						Electronic barometric semiconductor pressure sensor in a housing, mainly consisting of   -|a combination of one or more monolithic application-specific integrated circuits (ASIC) and   -|at least one or more microelectromechanical sensor elements (MEMS) manufactured with semiconductor technology, with mechanical components arranged in three-dimensional structures on the semiconductor <span class="high1">material</span><br>
</div>

<div class="line t7"><small class="linenumber">23074</small>
						Electronic semiconductor sensor for measuring at least two of the following quantities:   -|Atmospheric pressure, temperature, (also for temperature compensation), humidity, or volatile organic compounds,   -|in a housing suitable for the automatic printing of conductor boards or Bare Die technology, containing :   -|one or more monolithic application-specific integrated circuits (ASIC),   -|one or more microelectromechanical sensor elements (MEMS) manufactured with semiconductor technology, with mechanical components arranged in three-dimensional structures on the semiconductor <span class="high1">material</span>, of a kind used for incorporation into products of Chapters 84-90|and 95<br>
</div>

<div class="line t6"><small class="linenumber">23133</small>
					Apparatus for performing measurements of the physical properties of semiconductor <span class="high1">material</span>s or of LCD substrates or associated insulating and conducting layers during the semiconductor wafer production process or the LCD production process<br>
</div>

<div class="line t6"><small class="linenumber">23254</small>
					Electronic semiconductor accelerometer in a housing, mainly consisting of   -|a combination of one or more monolithic application-specific integrated circuits (ASIC) and   -|one or more microelectromechanical sensor elements (MEMS) manufactured with semiconductor technology, with mechanical components arranged in three-dimensional structures on the semiconductor <span class="high1">material</span> of a kind used for incorporation|into products under chapter 84|- 90|and 95<br>
</div>

<div class="line t6"><small class="linenumber">23255</small>
					Electronic semiconductor sensor for measuring acceleration and/or angular rate:   -|whether or not in combination with a magnetic field sensor;   -|in a housing suitable for the automatic printing of conductor boards or Bare Die technology, |containing:   -|one or more monolithic application-specific integrated circuits (ASIC),   -|one or more microelectromechanical sensor elements (MEMS) manufactured with semiconductor technology, with mechanical components arranged in three-dimensional structures on the semiconductor <span class="high1">material</span>,   -|whether or not with an integrated microcontroller of a kind used for incorporation into products of Chapters 84-90|and 95<br>
</div>

<div class="line t6"><small class="linenumber">23256</small>
					Combined electronic acceleration- and geomagnetic sensor, in a housing suitable for the automatic printing of conductor boards, mainly consisting of a combination of:   -|one or more monolithic application-specific integrated circuits (ASIC) and   -|one or more microelectromechanical sensor elements (MEMS) manufactured with semiconductor technology, with mechanical components arranged in three-dimensional structures on the semiconductor <span class="high1">material</span>, of a kind used for incorporation into products under chapter 84-90|and 95<br>
</div>

<div class="line t4"><small class="linenumber">23396</small>
			Of textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">23504</small>
		Seats of cane, osier, bamboo or similar <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">23568</small>
		Furniture of other <span class="high1">material</span>s, including cane, osier, bamboo or similar <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">23582</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">23585</small>
	Mattress supports; articles of bedding and similar furnishing (for example, mattresses, quilts, eiderdowns, cushions, pouffes and pillows) fitted with springs or stuffed or internally fitted with any <span class="high1">material</span> or of cellular rubber or plastics, whether or not covered<br>
</div>

<div class="line t4"><small class="linenumber">23591</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">23600</small>
			Of plastics or of ceramic <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">23608</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">23618</small>
			Of plastics or of ceramic <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">23622</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t7"><small class="linenumber">23634</small>
						Electric light assembly of synthetic <span class="high1">material</span> containing 3|fluorescent tubes (RBG) of a diameter of 3,0|mm (±0,2|mm), of a length of 420|mm (±1|mm) or more but not more than 600|mm (±1|mm), for the manufacture of goods of heading 8528<br>
</div>

<div class="line t5"><small class="linenumber">23641</small>
				Of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">23654</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">23676</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">23688</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">23709</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t4"><small class="linenumber">23737</small>
			Of other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">23794</small>
	Worked ivory, bone, tortoiseshell, horn, antlers, coral, mother-of-pearl and other animal carving <span class="high1">material</span>, and articles of these <span class="high1">material</span>s (including articles obtained by moulding)<br>
</div>

<div class="line t2"><small class="linenumber">23799</small>
	Worked vegetable or mineral carving <span class="high1">material</span> and articles of these <span class="high1">material</span>s; moulded or carved articles of wax, of stearin, of natural gums or natural resins or of modelling pastes, and other moulded or carved articles, not elsewhere specified or included; worked, unhardened gelatin (except gelatin of heading|3503) and articles of unhardened gelatin<br>
</div>

<div class="line t3"><small class="linenumber">23803</small>
		Brooms and brushes, consisting of twigs or other vegetable <span class="high1">material</span>s bound together, with or without handles<br>
</div>

<div class="line t4"><small class="linenumber">23826</small>
			Of plastics, not covered with textile <span class="high1">material</span><br>
</div>

<div class="line t4"><small class="linenumber">23827</small>
			Of base metal, not covered with textile <span class="high1">material</span><br>
</div>

<div class="line t2"><small class="linenumber">23896</small>
	Sanitary towels (pads) and tampons, napkins and napkin liners for babies, and similar articles, of any <span class="high1">material</span><br>
</div>

<div class="line t3"><small class="linenumber">23897</small>
		Of wadding of textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">23900</small>
		Of other textile <span class="high1">material</span>s<br>
</div>

<div class="line t3"><small class="linenumber">23907</small>
		Of other <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">23911</small>
					Of other <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">23914</small>
					Of other <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">23917</small>
					Of other <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">23921</small>
					Of other <span class="high1">material</span>s<br>
</div>

<div class="line t6"><small class="linenumber">23924</small>
					Of other <span class="high1">material</span>s<br>
</div>

<div class="line t2"><small class="linenumber">23932</small>
	Original sculptures and statuary, in any <span class="high1">material</span><br>
</div>

<div class="line t3"><small class="linenumber">24041</small>
		The following goods, other than those mentioned above: - Trousseaux and household effects belonging to a person transferring his or her normal place of residence on the occasion of his or her marriage; personal property acquired by inheritance; - School outfits, educational <span class="high1">material</span>s and related household effects; - Coffins containing bodies, funerary urns containing the ashes of deceased persons and ornamental funerary articles; - Goods for charitable or philanthropic organisations and goods for the benefit of disaster victims.<br>
</div><div class="source"><small>1240-bartholomeusbook-16_full-text.txt</small><br>

<div class="line t1"><small class="linenumber">18</small>
beautie & ornament therof in special. Of <span class="high1">thing</span>s, y t beautifie y e earth, some be<br>
</div>

<div class="line t1"><small class="linenumber">19</small>
clene without soule & without feeling, as all <span class="high1">thing</span> that groweth vnder the<br>
</div>

<div class="line t1"><small class="linenumber">24</small>
A.B.C. the <span class="high1">thing</span>s that be gendered in the earth, & in the veines thereof.<br>
</div>

<div class="line t1"><small class="linenumber">40</small>
it breaketh not, but sennye <span class="high1">thing</span>s is washed away & wasted, & grauell & sand<br>
</div>

<div class="line t1"><small class="linenumber">53</small>
a Smithes stone, which is good for all the foresayde <span class="high1">thing</span>s, as Constantine<br>
</div>

<div class="line t1"><small class="linenumber">82</small>
stone, by burning & hardning of heate: for an vnctuous <span class="high1">thing</span> is meane<br>
</div>

<div class="line t1"><small class="linenumber">83</small>
betwéene a gleymie, and vapo∣ratiue <span class="high1">thing</span> that passeth out of <span class="high1">thing</span>s, in<br>
</div>

<div class="line t1"><small class="linenumber">84</small>
brea<span class="high1">thing</span> or smoking. And the <span class="high1">thing</span> that is vnctuous hath moisture in it selfe,<br>
</div>

<div class="line t1"><small class="linenumber">101</small>
of mettall blase the more, if they be shined with other light. Therfore <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">113</small>
mettall, no<span class="high1">thing</span> is more sad in substaunce, or more better compact than golde:<br>
</div>

<div class="line t1"><small class="linenumber">122</small>
and cou∣lour of other mettall. Also among met∣tall is no<span class="high1">thing</span> so effectuall in<br>
</div>

<div class="line t1"><small class="linenumber">150</small>
of thrée <span class="high1">thing</span>s, * of powder, of winde, and of moy∣sture: for if any héreof comebetweene golde and siluer, they may not be ioyned together, the one with the<br>
</div>

<div class="line t1"><small class="linenumber">212</small>
<span class="high1">thing</span>s, and maye not be dissolued, & that is for great drines of earth, that<br>
</div>

<div class="line t1"><small class="linenumber">213</small>
melteth not on a plaine <span class="high1">thing</span>, & therfore it clea∣ueth not to the <span class="high1">thing</span> y t it<br>
</div>

<div class="line t1"><small class="linenumber">214</small>
toucheth, as doth y e <span class="high1">thing</span> y t is watry. The substance therof is white, & that is<br>
</div>

<div class="line t1"><small class="linenumber">216</small>
Also it hath whitenes of medling of aire with y e foresaid <span class="high1">thing</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">235</small>
may to no<span class="high1">thing</span> be meddeled, but it be first quenched, and it is quenched with<br>
</div>

<div class="line t1"><small class="linenumber">238</small>
therewith: and quicke siluer passeth out by euaporation is sée<span class="high1">thing</span> & in<br>
</div>

<div class="line t1"><small class="linenumber">276</small>
as Christall, but it passeth neuer the quantitie of a walnut. No<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">324</small>
<span class="high1">thing</span>s are, that ought to be more set by: but farre fet, & déere bought, is<br>
</div>

<div class="line t1"><small class="linenumber">445</small>
the liuer, and against figh<span class="high1">thing</span>s and sobbings, and a∣gainst bolkinges, and<br>
</div>

<div class="line t1"><small class="linenumber">471</small>
hath this propertie, that it serueth ano∣ther <span class="high1">thing</span> in whet•ing, and wasteth<br>
</div>

<div class="line t1"><small class="linenumber">583</small>
worketh none other <span class="high1">thing</span>, but what cold <span class="high1">thing</span> may do. Huc vsque Isi. li. 16.<br>
</div>

<div class="line t1"><small class="linenumber">591</small>
<span class="high1">thing</span>s that be put therin, be séene cléerly inough. That chri∣stall <span class="high1">material</span>ly is<br>
</div>

<div class="line t1"><small class="linenumber">595</small>
héerof Arist. telleth y e cause in li. Meth. Ther he saith, y e stony <span class="high1">thing</span>s of<br>
</div>

<div class="line t1"><small class="linenumber">597</small>
water, but for it hath more of drines of earth then <span class="high1">thing</span>s that melt, therefore<br>
</div>

<div class="line t1"><small class="linenumber">643</small>
y e stone that hateth and is squeimous of the <span class="high1">thing</span> that is ouercome with death,<br>
</div>

<div class="line t1"><small class="linenumber">649</small>
vadeth, changeth times of <span class="high1">thing</span>s. Isidore sayth these wordes libro. 16. Brasse<br>
</div>

<div class="line t1"><small class="linenumber">757</small>
mens sight in those <span class="high1">thing</span>es that they worke, as the foresayde stone doth: and<br>
</div>

<div class="line t1"><small class="linenumber">760</small>
ma∣keth a man that heareth it not bée séene. In many other <span class="high1">thing</span>s thie stone is<br>
</div>

<div class="line t1"><small class="linenumber">770</small>
lesse, or mel∣teth awaye? And if a <span class="high1">thing</span> entereth into the stone, why is it that<br>
</div>

<div class="line t1"><small class="linenumber">771</small>
that <span class="high1">thing</span> that entereth, putteth not againe that <span class="high1">thing</span> y t goeth out, but as<br>
</div>

<div class="line t1"><small class="linenumber">785</small>
Sunne, firie beames some out there∣of. And if thou doest this stone in see<span class="high1">thing</span>water, the see<span class="high1">thing</span> thereof ceaseth, & the water cooleth soone, as Isidore sayth,<br>
</div>

<div class="line t1"><small class="linenumber">813</small>
no<span class="high1">thing</span> so soone as of mans bloud, if it be ••ointeb therewith. Yron hath<br>
</div>

<div class="line t1"><small class="linenumber">826</small>
more néedfull to men in many <span class="high1">thing</span>s then vse of golde: though couetous men<br>
</div>

<div class="line t1"><small class="linenumber">836</small>
made thinne and sharpe and couenable to cut all <span class="high1">thing</span> the more easily. Sinder<br>
</div>

<div class="line t1"><small class="linenumber">842</small>
<span class="high1">thing</span> that leapeth away from y e fire with heating, and hath vertue to make dry<br>
</div>

<div class="line t1"><small class="linenumber">868</small>
of <span class="high1">thing</span>s be gendred and come of clots, as Gregory saith, su ∣ per illum locum.<br>
</div>

<div class="line t1"><small class="linenumber">987</small>
name is like therto in colour; and equall ther∣to in manie <span class="high1">thing</span>s, though it be<br>
</div>

<div class="line t1"><small class="linenumber">1008</small>
many <span class="high1">thing</span>s that shall befall, as Isidore say∣eth.<br>
</div>

<div class="line t1"><small class="linenumber">1021</small>
griefes, and from noyous <span class="high1">thing</span>s and ve∣nemous, and cureth and healeth<br>
</div>

<div class="line t1"><small class="linenumber">1149</small>
called Numidicum, & breedeth in Numidia, and maketh a <span class="high1">thing</span> that is froted<br>
</div>

<div class="line t1"><small class="linenumber">1156</small>
oyntments. Ouer all <span class="high1">thing</span>s we maye wonder, that Marble stones be not hew∣edneither clouen with yron neither with steele, with hammer nor with sawe, as<br>
</div>

<div class="line t1"><small class="linenumber">1383</small>
whirle winde as Beda sayth. Powder beaten, sheweth the kinde of the <span class="high1">thing</span> that<br>
</div>

<div class="line t1"><small class="linenumber">1517</small>
that all gréene <span class="high1">thing</span>s is bitter. In no hearbes nor in precious stone is more<br>
</div>

<div class="line t1"><small class="linenumber">1520</small>
gréene coulour a∣bateth not in the Sunne in any manner wise. No<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">1540</small>
images and shapes of <span class="high1">thing</span>s that be nigh thereto, and hath of gifte of kinde &<br>
</div>

<div class="line t1"><small class="linenumber">1570</small>
as vermilion is highest. This stone only taketh no<span class="high1">thing</span> of the substaunce of the<br>
</div>

<div class="line t1"><small class="linenumber">1615</small>
of veines of brim∣stone. And no<span class="high1">thing</span> is so soone set a fire as Brimstone, and<br>
</div>

<div class="line t1"><small class="linenumber">1669</small>
it hath this name Salt of the Sun: for no∣<span class="high1">thing</span> is more profitable then the Sunne<br>
</div>

<div class="line t1"><small class="linenumber">1672</small>
hardneth and drieth <span class="high1">thing</span>s, and kéepeth and saueth dead bodies from rotting:<br>
</div>

<div class="line t1"><small class="linenumber">1692</small>
certain <span class="high1">thing</span>s, as Aucien sayth. Salt hath these ver∣tues and many moe, that<br>
</div>

<div class="line t1"><small class="linenumber">1712</small>
And in treasurye of kings, no<span class="high1">thing</span> is more cleere nor more precious then this<br>
</div><div class="source"><small>1240-bartholomeusbook-10_full-text.txt</small><br>

<div class="line t1"><small class="linenumber">17</small>
Nowe wée shall treate of the neather and <span class="high1">material</span>l creatures, of the propertyes of<br>
</div>

<div class="line t1"><small class="linenumber">18</small>
Elementes, and of those <span class="high1">thing</span>s that bée compounded there∣of.<br>
</div>

<div class="line t1"><small class="linenumber">19</small>
¶Matter and fourme bée princi∣palles of all bodilye <span class="high1">thing</span>s, as it is sayde in libro<br>
</div>

<div class="line t1"><small class="linenumber">21</small>
but destruction of all <span class="high1">thing</span>: and matter contrarye to vnitye and vnlyke thereto, as<br>
</div>

<div class="line t1"><small class="linenumber">28</small>
beginning of distinc∣tion, and of diuersitie, and of mul∣typlyeng, and of <span class="high1">thing</span>es<br>
</div>

<div class="line t1"><small class="linenumber">31</small>
gendered: as it is said in Septimo Meta ∣ phisice. For <span class="high1">thing</span> that gendereth, and<br>
</div>

<div class="line t1"><small class="linenumber">32</small>
<span class="high1">thing</span> y t is gendered be not diuerse but touching matter. And therefore where a<br>
</div>

<div class="line t1"><small class="linenumber">33</small>
<span class="high1">thing</span> is gendered without matter, the <span class="high1">thing</span> that gendereth, and the <span class="high1">thing</span> that is<br>
</div>

<div class="line t1"><small class="linenumber">36</small>
<span class="high1">thing</span>s, as Aristotle sayth 4. Me ∣ taphisice: the departing and dealing of speciall in<br>
</div>

<div class="line t1"><small class="linenumber">37</small>
singular <span class="high1">thing</span>s is by matter, and not by forme, as it is sayde. 10. Me ∣ taphisice:<br>
</div>

<div class="line t1"><small class="linenumber">40</small>
Also matter of naturall <span class="high1">thing</span>s, is matter that maye bée endlesse béeing, because<br>
</div>

<div class="line t1"><small class="linenumber">56</small>
formes of <span class="high1">thing</span>s, that be corruptible and genderable, may suf∣ficiently and at full<br>
</div>

<div class="line t1"><small class="linenumber">60</small>
<span class="high1">thing</span> that wor∣keth and commeth into the matter, and corrupteth and destroyeth<br>
</div>

<div class="line t1"><small class="linenumber">68</small>
as it wer light giuing to al <span class="high1">thing</span>s fayrenesse, being, and signe and token. And<br>
</div>

<div class="line t1"><small class="linenumber">71</small>
<span class="high1">thing</span> is diuerse from another, as hée sayth. And some forme is essentiall and<br>
</div>

<div class="line t1"><small class="linenumber">73</small>
it perfect: and accordeth therewith to the perfection of some <span class="high1">thing</span>. And when<br>
</div>

<div class="line t1"><small class="linenumber">74</small>
Forma is bad, then the <span class="high1">thing</span> hath his béeing. And when Forma is destroied,<br>
</div>

<div class="line t1"><small class="linenumber">75</small>
no∣<span class="high1">thing</span> of the substaunce of the <span class="high1">thing</span> is found: Therfore in Philosophie it is<br>
</div>

<div class="line t1"><small class="linenumber">77</small>
accidentalis is not the perfection of <span class="high1">thing</span>s, nor giueth, them being, as it is said,<br>
</div>

<div class="line t1"><small class="linenumber">90</small>
no<span class="high1">thing</span>: and silence is knowen, if no sound be heard, as Calcidi ∣ us saith super<br>
</div>

<div class="line t1"><small class="linenumber">92</small>
that we sée <span class="high1">thing</span>s that be made. And so no<span class="high1">thing</span> is more common and generall<br>
</div>

<div class="line t1"><small class="linenumber">93</small>
then matter: and neuerthelesse no<span class="high1">thing</span> is more vnknowne then is mat∣ter: for<br>
</div>

<div class="line t1"><small class="linenumber">112</small>
In <span class="high1">thing</span>es that haue matter, is not intellect. Neuerthe∣lesse I affirme not, that<br>
</div>

<div class="line t1"><small class="linenumber">115</small>
certeine, that the substance of them in comparison to bodi∣ly <span class="high1">thing</span>s, is most<br>
</div>

<div class="line t1"><small class="linenumber">121</small>
whether it bée Angel or mans soule, pas∣seth without comparison all <span class="high1">material</span>l<br>
</div>

<div class="line t1"><small class="linenumber">164</small>
sad∣der, & dimmer, than the other twaine, & more <span class="high1">material</span>l, & haue more of<br>
</div>

<div class="line t1"><small class="linenumber">181</small>
bodely <span class="high1">thing</span>s, and is next the spirituall kinde: and thereby it is shewed, that it<br>
</div>

<div class="line t1"><small class="linenumber">182</small>
is most vnlike to other <span class="high1">thing</span>s. And fire is in all <span class="high1">thing</span>s, & custometh to giue it<br>
</div>

<div class="line t1"><small class="linenumber">183</small>
self into al <span class="high1">thing</span>s, & is not remoued out of all <span class="high1">thing</span>es. But yet it is priuy & hid,<br>
</div>

<div class="line t1"><small class="linenumber">185</small>
wor∣king, moueable, giuing it selfe some deale to all <span class="high1">thing</span> that commeth him<br>
</div>

<div class="line t1"><small class="linenumber">186</small>
nigh, and moueth all <span class="high1">thing</span>s that be partners with him, and reneweth all <span class="high1">thing</span>,<br>
</div>

<div class="line t1"><small class="linenumber">203</small>
betwéene séene <span class="high1">thing</span>s and vnséene. In∣asmuch as he nigheth to nether <span class="high1">thing</span>es,<br>
</div>

<div class="line t1"><small class="linenumber">214</small>
called mouable and mightie of all <span class="high1">thing</span>s: for in fire is the head & ver∣tue of<br>
</div>

<div class="line t1"><small class="linenumber">215</small>
mouing, for he moueth himselfe and other, and is not moued by <span class="high1">thing</span>es that be<br>
</div>

<div class="line t1"><small class="linenumber">216</small>
lower than he. Also he hath kind more cléere than other neather <span class="high1">thing</span>s:<br>
</div>

<div class="line t1"><small class="linenumber">217</small>
therefore it is sayd, that he brightneth, for he brighteneth all <span class="high1">thing</span>s with his<br>
</div>

<div class="line t1"><small class="linenumber">223</small>
mouing of his owne vertue, he entreth and thirleth all <span class="high1">thing</span>s without<br>
</div>

<div class="line t1"><small class="linenumber">224</small>
resistaunce and let: and so fire hath vertue to make himselfe and other <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">226</small>
himselfe, he sheweth other <span class="high1">thing</span>s that be present, and presenteth co∣lours,<br>
</div>

<div class="line t1"><small class="linenumber">228</small>
openly discréete and distinguished. Also fire hath vertue to drawe nether <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">232</small>
of re∣newing: for all <span class="high1">thing</span>s were aged, and olde, and fayle, if they be not kept<br>
</div>

<div class="line t1"><small class="linenumber">234</small>
fayleth. And he is called renewer of all <span class="high1">thing</span>s, & war∣den of kinde: For without<br>
</div>

<div class="line t1"><small class="linenumber">236</small>
vertue of chaunging: For hée ouercommeth all <span class="high1">thing</span>s, that he worketh in, and<br>
</div>

<div class="line t1"><small class="linenumber">241</small>
for when that <span class="high1">thing</span> is which he work∣eth is spent and wasted, he withdraw∣eth,<br>
</div>

<div class="line t1"><small class="linenumber">255</small>
all meddeled bodies, for in all <span class="high1">thing</span>s, hée is closed and vnséene, though he<br>
</div>

<div class="line t1"><small class="linenumber">256</small>
cannot bée séene indéede closed in all <span class="high1">thing</span>s: & this is knowen, for of froting<br>
</div>

<div class="line t1"><small class="linenumber">263</small>
di∣stance of the other, is perceiued no<span class="high1">thing</span> at all. Therefore Philosophers define<br>
</div>

<div class="line t1"><small class="linenumber">276</small>
the <span class="high1">thing</span> that is kindered, and commeth by by 〈◊〉 into a sharpe shape, as it<br>
</div>

<div class="line t1"><small class="linenumber">284</small>
giueth bright beames all about. Flame: lighteneth darke <span class="high1">thing</span>s, and sheweth<br>
</div>

<div class="line t1"><small class="linenumber">285</small>
<span class="high1">thing</span>s that he hid, and ma∣keth them knowen, & sheweth the way to wayfaring<br>
</div>

<div class="line t1"><small class="linenumber">292</small>
Therefore be mooueth round about, and kindeleth <span class="high1">thing</span>s that he toucheth, do<br>
</div>

<div class="line t1"><small class="linenumber">358</small>
one part is soone broken from ano∣ther: For in his substaunce is no<span class="high1">thing</span> founde<br>
</div>

<div class="line t1"><small class="linenumber">362</small>
quēched, or sooner, so that therin is no<span class="high1">thing</span> found nor séene of fire, and that is<br>
</div>

<div class="line t1"><small class="linenumber">364</small>
and berayeth all <span class="high1">thing</span> that he toucheth. Also fire of a cole hath most sharpe<br>
</div>

<div class="line t1"><small class="linenumber">383</small>
no<span class="high1">thing</span> of them but ashes. By temperate blast of wind, spar∣kles he kindled,<br>
</div>

<div class="line t1"><small class="linenumber">400</small>
vpward, by y e force of other <span class="high1">thing</span>s.¶Of ashes called Cinis. Cap. 10.<br>
</div>

<div class="line t1"><small class="linenumber">416</small>
more barren, and more vile and vnséemely in all <span class="high1">thing</span>s.<br>
</div><div class="source"><small>1240-bartholomeus-anglicus_index.txt</small><br><div class="source"><small>1728-Cyclopaedia-Tree_of_Knowledge_extract-index.txt</small><br><div class="source"><small>350-gaius-julius_polyhistor_translation-preface.txt</small><br>

<div class="line t1"><small class="linenumber">10</small>
with many meruailous <span class="high1">thing</span>s and strange antiquities, seruing for the benefitt and recreation of all sorts of<br>
</div>

<div class="line t1"><small class="linenumber">18</small>
description of Countries, the maners of the people: with many meruailous <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">31</small>
Iulius Solinus florish∣ed. which <span class="high1">thing</span> I beleeue to haue happened because the<br>
</div>

<div class="line t1"><small class="linenumber">33</small>
as the barbarous na¦tions made hauock of all <span class="high1">thing</span>s. I maruel that the cōpiler of<br>
</div>

<div class="line t1"><small class="linenumber">40</small>
neuerthelesse in wryting these <span class="high1">thing</span>s, hee desireth hys freendePage  [unnumbered]<br>
</div>

<div class="line t1"><small class="linenumber">47</small>
notwithstanding it is apparant, that Plinie borowed many <span class="high1">thing</span>es out of him into<br>
</div>

<div class="line t1"><small class="linenumber">50</small>
name of Plinie, haue filched so manie <span class="high1">thing</span>es out of him. They that haue written<br>
</div>

<div class="line t1"><small class="linenumber">52</small>
other <span class="high1">thing</span>s of thē, report that in al the nūbers of Volumes which eche of thē<br>
</div>

<div class="line t1"><small class="linenumber">65</small>
word for word attributed all <span class="high1">thing</span>s to themselues? No mā doubteth but that Aulus<br>
</div>

<div class="line t1"><small class="linenumber">79</small>
pro¦ceedeth out of most allowable Authors, & hecha∣lengeth no<span class="high1">thing</span> for his<br>
</div>

<div class="line t1"><small class="linenumber">81</small>
that no<span class="high1">thing</span> hath continued vntouched to<br>
</div>

<div class="line t1"><small class="linenumber">84</small>
trueth of <span class="high1">thing</span>es, to such Authors as hee hath followed in this worke. Neither is itto be vpbraided to Solinus as a shame, that hee hath euery where followed Plinie,<br>
</div>

<div class="line t1"><small class="linenumber">106</small>
men consi∣der not, that such are wont to be called Apes, as ey∣ther repeate <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">123</small>
copies, the <span class="high1">thing</span>s that are disalowed, as though they had beene well allowed:<br>
</div>

<div class="line t1"><small class="linenumber">124</small>
slightlie ouerpassing such <span class="high1">thing</span>s as by further aduise haue beene ad∣ded for the<br>
</div>

<div class="line t1"><small class="linenumber">131</small>
purposed vppon at the be∣ginning, (that is to say, A collection of <span class="high1">thing</span>s woorthy<br>
</div>

<div class="line t1"><small class="linenumber">132</small>
remembrance) should be abolished vvith the rest of those <span class="high1">thing</span>es that I haue<br>
</div>

<div class="line t1"><small class="linenumber">154</small>
further of frō <span class="high1">thing</span>es knowne, and to make longer tariance in <span class="high1">thing</span>s more strange.<br>
</div>

<div class="line t1"><small class="linenumber">160</small>
Also I haue interlaced many <span class="high1">thing</span>es some what differing (but not disagreeing)<br>
</div>

<div class="line t1"><small class="linenumber">161</small>
from the matter, to the intent that (if no<span class="high1">thing</span> els, yet at leastwyse) the varietie it<br>
</div>

<div class="line t1"><small class="linenumber">163</small>
natures of men and other lyuing <span class="high1">thing</span>s. And not a few <span class="high1">thing</span>s are added<br>
</div>

<div class="line t1"><small class="linenumber">166</small>
are diuers <span class="high1">thing</span>es worthy to be in∣treated of, which to passe ouer, I thought had<br>
</div>

<div class="line t1"><small class="linenumber">168</small>
most allowed wryters, which <span class="high1">thing</span> inespecially I would your wysedome shoulde<br>
</div>

<div class="line t1"><small class="linenumber">218</small>
questi∣ons, inasmuch as certayne <span class="high1">thing</span>s were builded there long before the time<br>
</div>

<div class="line t1"><small class="linenumber">227</small>
béeing not content, as he attempted the conquest of those <span class="high1">thing</span>es that were come<br>
</div>

<div class="line t1"><small class="linenumber">375</small>
preferred in all <span class="high1">thing</span>es.<br>
</div>

<div class="line t1"><small class="linenumber">393</small>
Whyle <span class="high1">thing</span>es stoode in this case, and that the manner of adding was sometime<br>
</div>

<div class="line t1"><small class="linenumber">415</small>
<span class="high1">thing</span>es, we may thinke our selues beholding to the raigne of Au ∣ gustus, * who was<br>
</div>

<div class="line t1"><small class="linenumber">437</small>
<span class="high1">thing</span>es of the same sort.<br>
</div>

<div class="line t1"><small class="linenumber">439</small>
hanging ouer mens heades, were shewed before by tokens no<span class="high1">thing</span> doubt∣full. For<br>
</div>

<div class="line t1"><small class="linenumber">444</small>
burthen in Aegypt: * which <span class="high1">thing</span> in that Country is not so great a wonder,<br>
</div>

<div class="line t1"><small class="linenumber">456</small>
Or inasmuch as we are minded to make a note of <span class="high1">thing</span>es woorthy to be<br>
</div>

<div class="line t1"><small class="linenumber">529</small>
laughed, was surna∣med * Agelastos. Among other great <span class="high1">thing</span>es y • were in<br>
</div>

<div class="line t1"><small class="linenumber">553</small>
Croton is reported to haue doone all <span class="high1">thing</span>es aboue the reache of Mans power. Of<br>
</div>

<div class="line t1"><small class="linenumber">575</small>
bastarde of an Aethiopian, al∣though there were no<span class="high1">thing</span> in her resembling her<br>
</div>

<div class="line t1"><small class="linenumber">577</small>
his Grandfather. But this is the lesse wonder, if wee consider those <span class="high1">thing</span>es that<br>
</div>

<div class="line t1"><small class="linenumber">593</small>
A Fysherman of Sicill was likened to the Pro∣consull Sura (besides other <span class="high1">thing</span>s,)<br>
</div>

<div class="line t1"><small class="linenumber">607</small>
indéed. Thoranius plea¦santlie auouched, that that <span class="high1">thing</span> was chiefely to be<br>
</div>

<div class="line t1"><small class="linenumber">613</small>
<span class="high1">thing</span> of all hys possessi∣ons, that he did sette more store by.<br>
</div>

<div class="line t1"><small class="linenumber">631</small>
<span class="high1">thing</span>es doone in auncient time, which auouch the assurednesse of the trueth,<br>
</div>

<div class="line t1"><small class="linenumber">723</small>
by his name. The same <span class="high1">thing</span> did Lucius Scipio * amōg the people of Rome. But<br>
</div>

<div class="line t1"><small class="linenumber">734</small>
it hath béene often séene, * that no<span class="high1">thing</span> may easiler be perished by feare, by<br>
</div>

<div class="line t1"><small class="linenumber">761</small>
successinelie one after another. * Surely thys was counted a great <span class="high1">thing</span> in thosedayes, when eloquence was had in chiefe estimation both of God and manne. For<br>
</div>

<div class="line t1"><small class="linenumber">797</small>
was founde to séede him with the milke of her breasts: which <span class="high1">thing</span> consecrated<br>
</div>

<div class="line t1"><small class="linenumber">813</small>
Of Italy and the prayse therof: and of many peculiar <span class="high1">thing</span>es that are founde<br>
</div>

<div class="line t1"><small class="linenumber">821</small>
found that <span class="high1">thing</span> which the diligence of former Authors hath not preuented, for the<br>
</div>

<div class="line t1"><small class="linenumber">838</small>
<span class="high1">thing</span>es that haue béene least beaten, and slightly to trauell through those <span class="high1">thing</span>es<br>
</div>

<div class="line t1"><small class="linenumber">919</small>
know¦ledge: who among other great <span class="high1">thing</span>es, warned the Lesbians that they<br>
</div>

<div class="line t1"><small class="linenumber">920</small>
should loose the dominion of y • Sea, many yéeres before the <span class="high1">thing</span> came to passe.<br>
</div>

<div class="line t1"><small class="linenumber">936</small>
There (to the intent we may note <span class="high1">thing</span>es heere and there by the way) are the<br>
</div>

<div class="line t1"><small class="linenumber">943</small>
there is Formy inhabited somtime by the Lestrigones, and many other <span class="high1">thing</span>es<br>
</div>

<div class="line t1"><small class="linenumber">964</small>
Among other <span class="high1">thing</span>es woorthy of remembraunce, * this is famous and notably<br>
</div>

<div class="line t1"><small class="linenumber">975</small>
their auncestors, they vnder∣stand that venemous <span class="high1">thing</span>es ought to stande in awe<br>
</div>

<div class="line t1"><small class="linenumber">1002</small>
he no vse of voice to doo it withall. I passe ouer manie <span class="high1">thing</span>es willingly<br>
</div>

<div class="line t1"><small class="linenumber">1010</small>
cast theyr eye vpon anie <span class="high1">thing</span> by chaunce, they forget what they are in dooing,<br>
</div>

<div class="line t1"><small class="linenumber">1014</small>
congeale into the hardnesse of a precious stone. Which <span class="high1">thing</span> that the Linxes<br>
</div>

<div class="line t1"><small class="linenumber">1021</small>
it draweth vnto it <span class="high1">thing</span>es that bee néere at hande, it qualifieth the gréefe of the<br>
</div>

<div class="line t1"><small class="linenumber">1034</small>
are such as we sée on Trées, for the most part halfe a foote long, but seldome tobee found of a foote long. Of them are carued many prety <span class="high1">thing</span>s to were about<br>
</div>

<div class="line t1"><small class="linenumber">1036</small>
and there∣fore whatsoeuer is made thereof, is counted among those <span class="high1">thing</span>es that<br>
</div>

<div class="line t1"><small class="linenumber">1049</small>
but there. And that <span class="high1">thing</span> alone might séeme woorthy to bée recorded, though<br>
</div>

<div class="line t1"><small class="linenumber">1050</small>
there were not other <span class="high1">thing</span>es beside not méete to bee omitted. They are in fashion<br>
</div>

<div class="line t1"><small class="linenumber">1114</small>
But how farre should I steppe aside, if delaying the chiefe <span class="high1">thing</span>es, I should of a<br>
</div>

<div class="line t1"><small class="linenumber">1121</small>
of Corsica in wryting, haue moste exquisitlie comprised it to the full, and no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">1125</small>
Country of Corsi ∣ ca, (which is a peculiar <span class="high1">thing</span> to that land) doth onely bring<br>
</div>

<div class="line t1"><small class="linenumber">1129</small>
fastening it selfe vnto se∣uerall substances, that it cleaueth to the <span class="high1">thing</span>es that it is<br>
</div>

<div class="line t1"><small class="linenumber">1186</small>
beareth the name of the Sardine Sea. Sicill therefore. * (which <span class="high1">thing</span> is firste and<br>
</div>

<div class="line t1"><small class="linenumber">1199</small>
fishing, is numbred among the notable <span class="high1">thing</span>es. * The third is prooued to bee holie<br>
</div>

<div class="line t1"><small class="linenumber">1236</small>
the d•uice of Man, it is next those <span class="high1">thing</span>es that are iudged to be the best: sa∣uing<br>
</div>

<div class="line t1"><small class="linenumber">1264</small>
Ryuer Herbesus sée<span class="high1">thing</span> vp suddainlye in the mids of the streame, becommeth<br>
</div>

<div class="line t1"><small class="linenumber">1302</small>
any man whom it toucheth. but sheweth it selfe to be none other <span class="high1">thing</span> then the<br>
</div>

<div class="line t1"><small class="linenumber">1310</small>
many <span class="high1">thing</span>es. For which con∣sideration the Ring of King Pyrrhus * that made war<br>
</div>

<div class="line t1"><small class="linenumber">1344</small>
<span class="high1">thing</span>es worthy to be re∣counted in them: and of the Nature of Partriches.<br>
</div>

<div class="line t1"><small class="linenumber">1371</small>
and as the <span class="high1">thing</span> was doone indéede. Moreouer, y • very time expressed there,<br>
</div>

<div class="line t1"><small class="linenumber">1373</small>
victor at the gaming in Sicill) a•oucheth the selfe same <span class="high1">thing</span> to haue béene doone.<br>
</div>

<div class="line t1"><small class="linenumber">1398</small>
it. In this part of the world we finde this <span class="high1">thing</span> not vnwor∣thy to be mentioned<br>
</div>

<div class="line t1"><small class="linenumber">1437</small>
Harpe, (for it cannot séeme likely that anie such <span class="high1">thing</span> should be doone) but for<br>
</div>

<div class="line t1"><small class="linenumber">1460</small>
no<span class="high1">thing</span> differing in wonderful∣nesse. If shéepe drinke of the one, theyr fléeces<br>
</div>

<div class="line t1"><small class="linenumber">1468</small>
Athens. * This is peculiar to the Partriches of Bae ∣ otia. For such <span class="high1">thing</span>s as are<br>
</div>

<div class="line t1"><small class="linenumber">1512</small>
mar¦uell howe it should be kept in huggermugger. For the <span class="high1">thing</span>es that are to bee<br>
</div>

<div class="line t1"><small class="linenumber">1570</small>
able to reache therunt•. Neither is there any <span class="high1">thing</span> in anie Land vnder Heauen, that<br>
</div>

<div class="line t1"><small class="linenumber">1572</small>
water neuer attained when y • flood ouerwhel∣med all <span class="high1">thing</span>es els with woozie<br>
</div>

<div class="line t1"><small class="linenumber">1576</small>
shelles of Fishes are left behinde, and many o∣ther <span class="high1">thing</span>s which are cast vppe by<br>
</div>

<div class="line t1"><small class="linenumber">1689</small>
out of Asia, the hundreth and one and thirty Olympiad, who abolishing the <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">1728</small>
because the wals thereof haue béene so often taken. For among other <span class="high1">thing</span>es: that<br>
</div>

<div class="line t1"><small class="linenumber">1756</small>
Of Creta, and of many other <span class="high1">thing</span>es pertay∣ning thereunto.<br>
</div>

<div class="line t1"><small class="linenumber">1762</small>
I canne, in buttelling it out, to the intent that no<span class="high1">thing</span> may hang in vncertain¦tie. It<br>
</div>

<div class="line t1"><small class="linenumber">1889</small>
Besides these, there be many moe of y e Circle Iles, but y • <span class="high1">thing</span>s that are chiefly<br>
</div>

<div class="line t1"><small class="linenumber">1901</small>
tooke hys name of the mis-fortune of the man. In Samos * no<span class="high1">thing</span> is more notable<br>
</div>

<div class="line t1"><small class="linenumber">1912</small>
Macedonie, * which <span class="high1">thing</span> (not without cause) men haue noted for a won∣der,<br>
</div>

<div class="line t1"><small class="linenumber">1937</small>
straunge <span class="high1">thing</span>s to be won¦dred at. First and formost, the Seas bréede not anie<br>
</div>

<div class="line t1"><small class="linenumber">1938</small>
<span class="high1">thing</span> swifter or nimbler then them: insomuch as oft∣times in their leaping vpp, *<br>
</div>

<div class="line t1"><small class="linenumber">1961</small>
men. I wold be l••he to vouch this <span class="high1">thing</span>, but y • it is registred in y e wrytings of<br>
</div>

<div class="line t1"><small class="linenumber">1965</small>
this <span class="high1">thing</span> was not doon by y e peoples hands only, for Flaui ∣ anus y e Proconsul of<br>
</div>

<div class="line t1"><small class="linenumber">1988</small>
left side: which <span class="high1">thing</span> they are thought to doo, because they sée better wyth the<br>
</div>

<div class="line t1"><small class="linenumber">2035</small>
wherein are Fyshes of excellent taste, without any bones, hauing no<span class="high1">thing</span> but very<br>
</div>

<div class="line t1"><small class="linenumber">2055</small>
differ no<span class="high1">thing</span> in cruelnesse from the most outragious of all. But the * Albanes<br>
</div>

<div class="line t1"><small class="linenumber">2076</small>
These <span class="high1">thing</span>s are peculiar to y • dogs of Albanie: * the rest are common to all<br>
</div>

<div class="line t1"><small class="linenumber">2148</small>
eye canne beholde no<span class="high1">thing</span> more pleasaunt, nor no<span class="high1">thing</span> more wholesome than<br>
</div>

<div class="line t1"><small class="linenumber">2156</small>
may sée throgh them, if béeing rounde they caste theyr colour vpon the <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">2187</small>
Vndrye <span class="high1">thing</span>es that haue béene reported of the Hyperboreans had béen but<br>
</div>

<div class="line t1"><small class="linenumber">2188</small>
a fable and a flying tale if y e <span class="high1">thing</span>es that haue come from thence vnto vs hadde<br>
</div>

<div class="line t1"><small class="linenumber">2195</small>
of the Antipodes, and our Easte, which <span class="high1">thing</span> reason reprooueth, considering what<br>
</div>

<div class="line t1"><small class="linenumber">2239</small>
no<span class="high1">thing</span> is so long but they passe it ouer in short time: no<span class="high1">thing</span> is gone so farre<br>
</div>

<div class="line t1"><small class="linenumber">2341</small>
stande vp, they heare verie lightly, and when they bée down, they heare no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">2411</small>
Of the Germaine Iles, the greatest is Scandinauia, but there is no<span class="high1">thing</span> in it great<br>
</div>

<div class="line t1"><small class="linenumber">2440</small>
the estimation and value of the Eme ∣ rawd, it is of colour a faint gréene. No<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">2451</small>
with Uines and Orchyardes, and blessed with store of all <span class="high1">thing</span>s for the behoofe of<br>
</div>

<div class="line t1"><small class="linenumber">2505</small>
and giue one <span class="high1">thing</span> for another, prouiding <span class="high1">thing</span>s necessary, rather by exchaunge<br>
</div>

<div class="line t1"><small class="linenumber">2521</small>
no<span class="high1">thing</span> of hys own, but taketh of euery mans. Hee is bounde to equitie by<br>
</div>

<div class="line t1"><small class="linenumber">2524</small>
he •earneth Iustice by pouertie, as who may haue no<span class="high1">thing</span> porper or peculiar to<br>
</div>

<div class="line t1"><small class="linenumber">2532</small>
no<span class="high1">thing</span> but sand and bare Rocks. From the Orcades vnto Thule is fyue dayes and<br>
</div>

<div class="line t1"><small class="linenumber">2546</small>
pow∣er, rubbe it till it be warme, and it holdeth such <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">2552</small>
doo those Nations cou•t any <span class="high1">thing</span> almost to be a greater token of patience, then y •<br>
</div>

<div class="line t1"><small class="linenumber">2562</small>
<span class="high1">thing</span>s, whatsoeuer is cost∣lie of price, or necessary to be occupyed. If yee séeke<br>
</div>

<div class="line t1"><small class="linenumber">2567</small>
became ours. No<span class="high1">thing</span> is in it idle, no<span class="high1">thing</span> barraine. Whatsoeuer grounde is not<br>
</div>

<div class="line t1"><small class="linenumber">2594</small>
there is no∣<span class="high1">thing</span> worth the noting saue the name onely. * Ebu ∣ sus, one of the Iles<br>
</div>

<div class="line t1"><small class="linenumber">2620</small>
called the Cretish sea. The same gull of waters wry<span class="high1">thing</span> hys side first into the<br>
</div>

<div class="line t1"><small class="linenumber">2645</small>
considering the s•perfluitie thereof: and it is euident y • many <span class="high1">thing</span>s haue béene<br>
</div>

<div class="line t1"><small class="linenumber">2686</small>
no<span class="high1">thing</span> in it to pro∣long the memoriall of antiquitie with, sauing a fewe Trées like<br>
</div>

<div class="line t1"><small class="linenumber">2719</small>
hundred, fourescore and sixtéene myles together, is no<span class="high1">thing</span> but woods full of<br>
</div>

<div class="line t1"><small class="linenumber">2779</small>
swallowe stones, and loue aboue all <span class="high1">thing</span>s to feede of Dates. Most of all <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">2780</small>
they shunne the sauour of a Mouse: and they wyl not eate of anie <span class="high1">thing</span> that Mise<br>
</div>

<div class="line t1"><small class="linenumber">2799</small>
They séeke no<span class="high1">thing</span> so much as the eyes of thē, which alonelie they know may be<br>
</div>

<div class="line t1"><small class="linenumber">2838</small>
The <span class="high1">thing</span>s that they bring forth are little lumps of flesh, of colour white, without<br>
</div>

<div class="line t1"><small class="linenumber">2839</small>
eyes. And (by reason of the hastie comming foorth before it be ripe) it is no∣<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">2852</small>
for the Combes, and they snatch at no<span class="high1">thing</span> more gréedilie then at hon∣nie. If they<br>
</div>

<div class="line t1"><small class="linenumber">2866</small>
stones, of monstrous kindes of creatures, and of other notable <span class="high1">thing</span>es of that<br>
</div>

<div class="line t1"><small class="linenumber">2950</small>
them. When they themselues pur•ue any <span class="high1">thing</span>, they further their pace with<br>
</div>

<div class="line t1"><small class="linenumber">2968</small>
wondrous <span class="high1">thing</span>s are reported of it. Firste that it haunteth shep∣heards cotages, and<br>
</div>

<div class="line t1"><small class="linenumber">2981</small>
prophesie of <span class="high1">thing</span>es to come. But what lyuing <span class="high1">thing</span> soeuer a Hyene compasseth<br>
</div>

<div class="line t1"><small class="linenumber">3031</small>
so as they are lighter of hearing, then of séeing any <span class="high1">thing</span>. As concerning the<br>
</div>

<div class="line t1"><small class="linenumber">3067</small>
Psylls haue left no<span class="high1">thing</span> whereby to be remembred, * sauing onely theyr bare<br>
</div>

<div class="line t1"><small class="linenumber">3130</small>
not expedient to omit any <span class="high1">thing</span>, wherein the pro∣uidence of nature is to be séene. *<br>
</div>

<div class="line t1"><small class="linenumber">3150</small>
hard matter, but so bring them out of the Country is a rare <span class="high1">thing</span>. For they liue not<br>
</div>

<div class="line t1"><small class="linenumber">3168</small>
•old a day times and hote a night times, one while sée∣<span class="high1">thing</span> like water on the fire,<br>
</div>

<div class="line t1"><small class="linenumber">3170</small>
y • selfe same veynes. It is a meruailous <span class="high1">thing</span> to be spoken of, y • in so short a<br>
</div>

<div class="line t1"><small class="linenumber">3173</small>
that felt it in the day, would beléeue it were none other <span class="high1">thing</span> then a winters<br>
</div>

<div class="line t1"><small class="linenumber">3180</small>
a∣boue the ground, and all <span class="high1">thing</span>s are chauffed with hys rayes, the water thereof is<br>
</div>

<div class="line t1"><small class="linenumber">3211</small>
of liuing <span class="high1">thing</span>es, it floweth ouer at y • same times, and returneth againe with his<br>
</div>

<div class="line t1"><small class="linenumber">3223</small>
Dogheades. The Syrbots * are lazie <span class="high1">thing</span>s of a 12. foote long. The Asaches * take<br>
</div>

<div class="line t1"><small class="linenumber">3232</small>
of al <span class="high1">thing</span>s that may be chewed, and all <span class="high1">thing</span>s that grow vnse•t. There be also<br>
</div>

<div class="line t1"><small class="linenumber">3273</small>
deuise to imprint or engraue any <span class="high1">thing</span> in it: and whatsoe∣uer is beautifull in it, is<br>
</div>

<div class="line t1"><small class="linenumber">3279</small>
apéede as they can, they cast them hearbes stée∣ped in <span class="high1">thing</span>es that haue as much<br>
</div>

<div class="line t1"><small class="linenumber">3306</small>
y • whē he hideth himself, he becōmeth like vnto the <span class="high1">thing</span> y • he is next vnto,<br>
</div>

<div class="line t1"><small class="linenumber">3307</small>
whither it be a quarrie of white stone, or a groue of gréene trées, or what <span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">3310</small>
The same <span class="high1">thing</span> also dooth the Fyshe Polypus in the Sea, * and the * Chameleons on<br>
</div>

<div class="line t1"><small class="linenumber">3312</small>
it is the easier for them to resem¦ble <span class="high1">thing</span>s next vnto them, because of theyr thin<br>
</div>

<div class="line t1"><small class="linenumber">3323</small>
bird hath no<span class="high1">thing</span> of a horse but his eares. So is also the Tragop, a byrde bigger<br>
</div>

<div class="line t1"><small class="linenumber">3327</small>
thicknes, is no<span class="high1">thing</span> sette by. But it is gathered by the priestes, who make sacrifice<br>
</div>

<div class="line t1"><small class="linenumber">3333</small>
Sunne, which if it bee rightlie deuided, taketh fire a∣lone. Among these <span class="high1">thing</span>s that<br>
</div>

<div class="line t1"><small class="linenumber">3342</small>
mouth, it becommeth col∣der. And for ingrauing it is no<span class="high1">thing</span> méete, because it<br>
</div>

<div class="line t1"><small class="linenumber">3350</small>
VVonderfull <span class="high1">thing</span>s of the nations of Lybia, and of the stone called Hexacontaly thos.<br>
</div>

<div class="line t1"><small class="linenumber">3362</small>
affirmed that they dreame not, and that they vtterlie abstaine from all <span class="high1">thing</span>es<br>
</div>

<div class="line t1"><small class="linenumber">3456</small>
<span class="high1">thing</span>es to come: grounding their argument héerevp∣pon, that at y • battell of<br>
</div>

<div class="line t1"><small class="linenumber">3459</small>
vntill it fal into the Sea, it keepeth the name of Nyle. Among all the <span class="high1">thing</span>es that<br>
</div>

<div class="line t1"><small class="linenumber">3472</small>
misticallie name bryde Chambers. Hee giueth mani∣fest foretokens of <span class="high1">thing</span>s to<br>
</div>

<div class="line t1"><small class="linenumber">3477</small>
mooued with some spirit, they tell of <span class="high1">thing</span>s to come. Once in a yéere a Cowe is<br>
</div>

<div class="line t1"><small class="linenumber">3500</small>
may stande betwéene his chappes. * Which <span class="high1">thing</span> the Enhydre (which is a kynd of<br>
</div>

<div class="line t1"><small class="linenumber">3532</small>
to her young ones in her nest: by meanes whereof the increase of hurtfull <span class="high1">thing</span>es<br>
</div>

<div class="line t1"><small class="linenumber">3551</small>
cleane contrary to the na¦ture of all other woods, moistnes maketh it dry. TheDate trée of Egypt, * is also a <span class="high1">thing</span> worthy to bee spo∣ken of, properly it is called<br>
</div>

<div class="line t1"><small class="linenumber">3587</small>
height of any <span class="high1">thing</span> that can be made by mans hand: and for asmuch as they passe<br>
</div>

<div class="line t1"><small class="linenumber">3614</small>
drink none other <span class="high1">thing</span> then the liquor thereof. That it was not vnworthelie<br>
</div>

<div class="line t1"><small class="linenumber">3621</small>
but (which is a strange <span class="high1">thing</span> among barbarous nations) they goe by right of<br>
</div>

<div class="line t1"><small class="linenumber">3709</small>
openly at Rome. The <span class="high1">thing</span> is regystred in Chronicles. The measure of thē also is<br>
</div>

<div class="line t1"><small class="linenumber">3723</small>
water. This Lake hath no lyuing <span class="high1">thing</span> in it, no<span class="high1">thing</span> can drowne in it. Buls and<br>
</div>

<div class="line t1"><small class="linenumber">3765</small>
Thus time without minde (a wonderfull <span class="high1">thing</span> to bée spoken) the nation<br>
</div>

<div class="line t1"><small class="linenumber">3768</small>
woods kéepe theyr reputa∣tion still, and the high groues of Date trées are no∣<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">3837</small>
thys stone by the eye, it is of the colour of Myrrhe, and hath no<span class="high1">thing</span> that may<br>
</div>

<div class="line t1"><small class="linenumber">3874</small>
differeth no<span class="high1">thing</span> from yron: but like a makebate, wheresoeuer it is brought in, it<br>
</div>

<div class="line t1"><small class="linenumber">3884</small>
in olde time, it is cleane contrarye from the state of <span class="high1">thing</span>es present. And<br>
</div>

<div class="line t1"><small class="linenumber">3962</small>
after the originall of his name. Among other <span class="high1">thing</span>es, there was also the noble<br>
</div>

<div class="line t1"><small class="linenumber">4013</small>
a Ualley wyth a Well in it not far from thence, which beareth marks of the <span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">4067</small>
wyth twinckling. Moreouer, he beholdeth <span class="high1">thing</span>es not wyth rolling the bals of his<br>
</div>

<div class="line t1"><small class="linenumber">4069</small>
to doo no kind of <span class="high1">thing</span> wyth all: for he neyther eateth meate, nor is nourished<br>
</div>

<div class="line t1"><small class="linenumber">4071</small>
sustenaunce. Hys colour is variable, and euerie moment chaungable: so that towhat <span class="high1">thing</span> so euer he leaneth himselfe, hee becommeth of the same colour. Two<br>
</div>

<div class="line t1"><small class="linenumber">4192</small>
the great Theatre beare witnes y • they haue a delight in pleasant <span class="high1">thing</span>es. For<br>
</div>

<div class="line t1"><small class="linenumber">4234</small>
of Oyntments, which <span class="high1">thing</span> afterward opened first the gappe of excesse vnto the<br>
</div>

<div class="line t1"><small class="linenumber">4266</small>
among other <span class="high1">thing</span>s, this al∣so is verie difficult: that y e stones on eache side which<br>
</div>

<div class="line t1"><small class="linenumber">4377</small>
they bid for the <span class="high1">thing</span>s laid downe, vtter theyr owne wares, but by not ours.<br>
</div>

<div class="line t1"><small class="linenumber">4404</small>
those <span class="high1">thing</span>s that himselfe hadde seene wyth hys eyes. Dennys also (who in<br>
</div>

<div class="line t1"><small class="linenumber">4405</small>
likewise was by king Phi ∣ ladelphus sent to sée whither those <span class="high1">thing</span>s were true or<br>
</div>

<div class="line t1"><small class="linenumber">4417</small>
neyther to kill anie lyuing <span class="high1">thing</span>, nor to eate anie flesh. Some eate only fish, & liue<br>
</div>

<div class="line t1"><small class="linenumber">4420</small>
wyth their flesh, which <span class="high1">thing</span> in that Countrey is not counted a wyckednesse, but a<br>
</div>

<div class="line t1"><small class="linenumber">4432</small>
secrete <span class="high1">thing</span>es, and standing all day long vppon the scalding sande, nowe on the<br>
</div>

<div class="line t1"><small class="linenumber">4463</small>
firme •ande to séeke fee∣ding. And the selfe same <span class="high1">thing</span> is a good argument to<br>
</div>

<div class="line t1"><small class="linenumber">4481</small>
beare hornes plyable to what purpose they liste, so hard hyded, that no<span class="high1">thing</span> is<br>
</div>

<div class="line t1"><small class="linenumber">4490</small>
forslowe hym, nor anie <span class="high1">thing</span> so broade that can let him of hys way. * There are<br>
</div>

<div class="line t1"><small class="linenumber">4516</small>
yeeres old, he learneth the <span class="high1">thing</span>s that are taught him more spéedilie, and beareth<br>
</div>

<div class="line t1"><small class="linenumber">4566</small>
of those <span class="high1">thing</span>es that haue respect to profit. Now will shewe howe many and what<br>
</div>

<div class="line t1"><small class="linenumber">4596</small>
holdeth part of the wax still, as it were some liuelie <span class="high1">thing</span> shold byte it. The<br>
</div>

<div class="line t1"><small class="linenumber">4644</small>
sun setting on their left. * Wherefore as there is no<span class="high1">thing</span> for men to obserue<br>
</div>

<div class="line t1"><small class="linenumber">4660</small>
he sent Ambassa∣dours to vs, * of whom the chiefe was Rachias, by whō all <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">4677</small>
depo∣sed. For aboue all <span class="high1">thing</span>es this is most straightly ob∣serued, that the<br>
</div>

<div class="line t1"><small class="linenumber">4688</small>
<span class="high1">thing</span>es: yea euen communication wyth any manne is denyed him after he is cast. *<br>
</div>

<div class="line t1"><small class="linenumber">4708</small>
to the qualitie of the <span class="high1">thing</span> they haue glutted in, such is the disposition of the<br>
</div>

<div class="line t1"><small class="linenumber">4734</small>
<span class="high1">thing</span> cōmonly knowne that Lollia Paulina, the wy•e of the Emperour Caius, had<br>
</div>

<div class="line t1"><small class="linenumber">4746</small>
from the Iland Tapro¦bane let vs returne back to Inde: for the <span class="high1">thing</span>es of In ∣ de are<br>
</div>

<div class="line t1"><small class="linenumber">4757</small>
not able to be come vnto by any liuing creature: for it killeth all lyuing <span class="high1">thing</span>s that<br>
</div>

<div class="line t1"><small class="linenumber">4778</small>
kind of men that liue by no<span class="high1">thing</span> els but by the flesh of Tortoyles, rugged and<br>
</div>

<div class="line t1"><small class="linenumber">4898</small>
casteth vppe monstrous beastes vppon the land, which lying styll there androtting, infect all <span class="high1">thing</span>es wyth an horrible stinche, and therefore the qualitie of<br>
</div><div class="source"><small>1751-diderot-et-d_alembert_extract-index.txt</small><br><div class="source"><small>2016-amazon_extract-index.txt</small><br><div class="source"><small>1728-1783_article-on-design-in-the-cyclopaedia.txt</small><br>

<div class="line t1"><small class="linenumber">6</small>
the terms, and accounts of the <span class="high1">thing</span>s signify’d thereby, in the several arts, both liberal and<br>
</div>

<div class="line t1"><small class="linenumber">8</small>
preparations, and uses, of <span class="high1">thing</span>s natural and artificial: the rise, progress, and state of <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">37</small>
Piece, in which the Figures are well disposed. The when he composes a part, he thinks of no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">40</small>
When he composes a Part, he thinks of no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">116</small>
say, the design afresh, has no<span class="high1">thing</span> to do, but to<br>
</div>

<div class="line t1"><small class="linenumber">126</small>
Design a-fresh, has no<span class="high1">thing</span> to do but raise the placed in certain of the little squares formed by the<br>
</div>

<div class="line t1"><small class="linenumber">140</small>
Dots, placed in certain of the little Squares, form’d or outlines, of the figures, or <span class="high1">thing</span>s intended to be<br>
</div>

<div class="line t1"><small class="linenumber">172</small>
Pencil, in Indian Ink, or some other Liquor: And <span class="high1">thing</span>, in which there must be a diversity; in as<br>
</div>

<div class="line t1"><small class="linenumber">173</small>
sometimes the Design is colour’d, that is, Colours much as every <span class="high1">thing</span> has its peculiar character to<br>
</div>

<div class="line t1"><small class="linenumber">175</small>
Grand Work. representation of an <span class="high1">object</span> according to its<br>
</div>

<div class="line t1"><small class="linenumber">215</small>
the distance of the eye from the model, or <span class="high1">object</span>;<br>
</div>

<div class="line t1"><small class="linenumber">229</small>
drawing; for Fear of stinting and confining their <span class="high1">thing</span> as designing with strict justness, but by<br>
</div>

<div class="line t1"><small class="linenumber">234</small>
adjust the Bigness of their Figures to the visual <span class="high1">object</span>s be seen at one view, whose rays meet in a<br>
</div>

<div class="line t1"><small class="linenumber">235</small>
Angle, and the Distance of the Eye, from the Model point; that the eye and <span class="high1">object</span> be always conceived<br>
</div>

<div class="line t1"><small class="linenumber">238</small>
their Contours in great Pieces, without taking the eye, <span class="high1">object</span>, and picture, be at a just distance,<br>
</div>

<div class="line t1"><small class="linenumber">262</small>
Drawing the Appearance of natural Objects, by drawing the appearance of natural <span class="high1">object</span>s, by<br>
</div>

<div class="line t1"><small class="linenumber">270</small>
mathematics, makes the <span class="high1">object</span> of perspective.<br>
</div>

<div class="line t1"><small class="linenumber">273</small>
Mechanical method of DESIGNING <span class="high1">object</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">277</small>
Frame, A B D C, (Tab. Perspective Fig. 9.) and towards the <span class="high1">object</span> or <span class="high1">object</span>s to be designed, so as<br>
</div>

<div class="line t1"><small class="linenumber">281</small>
design’d, so as that the Whole thereof may be seen pen and ink draw every <span class="high1">thing</span> on the glass, as you<br>
</div>

<div class="line t1"><small class="linenumber">282</small>
through a Dioptra, or Sight G H, fix’d thereto. see it appear thereon: or the outlines of the <span class="high1">object</span>s<br>
</div>

<div class="line t1"><small class="linenumber">294</small>
the <span class="high1">object</span> are traced out by a crayon, formed of<br>
</div>

<div class="line t1"><small class="linenumber">319</small>
of squares; and the <span class="high1">object</span>s, thus seen through the<br>
</div>

<div class="line t1"><small class="linenumber">363</small>
moved up and down on the outlines of any <span class="high1">object</span>.<br>
</div>

<div class="line t1"><small class="linenumber">380</small>
up and down, over the outlines of the <span class="high1">object</span>, and<br>
</div>

<div class="line t1"><small class="linenumber">382</small>
shape of the <span class="high1">object</span> so traced.<br>
</div>

<div class="line t1"><small class="linenumber">395</small>
designing <span class="high1">object</span>s,” referred to by Chambers as Fig. 9,<br>
</div>

<div class="line t1"><small class="linenumber">416</small>
1784, but was most likely adapted from <span class="high1">material</span> in<br>
</div><div class="source"><small>1964-marshall-mcluhan_understanding-media_full-text.txt</small><br>

<div class="line t1"><small class="linenumber">39</small>
Clo<span class="high1">thing</span>: Our Extended Skin<br>
</div>

<div class="line t1"><small class="linenumber">111</small>
here as a reminder that <span class="high1">thing</span>s seem to be changing.<br>
</div>

<div class="line t1"><small class="linenumber">123</small>
sought by advertisers for specific products, will be "a good <span class="high1">thing</span>" is a<br>
</div>

<div class="line t1"><small class="linenumber">132</small>
He noted in dismay that "seventy-five per cent of your <span class="high1">material</span> is<br>
</div>

<div class="line t1"><small class="linenumber">186</small>
every<span class="high1">thing</span>. The mark of our time is its revulsion against imposed<br>
</div>

<div class="line t1"><small class="linenumber">187</small>
patterns. We are suddenly eager to have <span class="high1">thing</span>s and people declare<br>
</div>

<div class="line t1"><small class="linenumber">205</small>
<span class="high1">thing</span>s as a means of control, it is sometimes a bit of a shock to be<br>
</div>

<div class="line t1"><small class="linenumber">283</small>
It speaks, and yet says no<span class="high1">thing</span>.In Othello, which, as much as King Lear, is concerned with the<br>
</div>

<div class="line t1"><small class="linenumber">290</small>
Of some such <span class="high1">thing</span>?<br>
</div>

<div class="line t1"><small class="linenumber">305</small>
No<span class="high1">thing</span> is that doesn't act,<br>
</div>

<div class="line t1"><small class="linenumber">314</small>
this or that impure, toxic <span class="high1">material</span>, he looked at me with<br>
</div>

<div class="line t1"><small class="linenumber">340</small>
no<span class="high1">thing</span> in the Sarnoff statement that will bear scrutiny, for it ignores<br>
</div>

<div class="line t1"><small class="linenumber">347</small>
General Sarnoffthat any technology could do any<span class="high1">thing</span> but add itself<br>
</div>

<div class="line t1"><small class="linenumber">358</small>
of causality in a mere sequence. That one <span class="high1">thing</span> follows another<br>
</div>

<div class="line t1"><small class="linenumber">359</small>
accounts for no<span class="high1">thing</span>. No<span class="high1">thing</span> follows from following, except change.<br>
</div>

<div class="line t1"><small class="linenumber">361</small>
sequence by making <span class="high1">thing</span>s instant. With instant speed the causes of<br>
</div>

<div class="line t1"><small class="linenumber">362</small>
<span class="high1">thing</span>s began to emerge to awareness again, as they had not done<br>
</div>

<div class="line t1"><small class="linenumber">363</small>
with <span class="high1">thing</span>s in sequence and in concatenation accordingly. Instead of<br>
</div>

<div class="line t1"><small class="linenumber">404</small>
The whole of society, so to speak isfounded upon a single fact; every<span class="high1">thing</span> springs from a simple<br>
</div>

<div class="line t1"><small class="linenumber">407</small>
has only to find the center and every<span class="high1">thing</span> is revealed at a glance.<br>
</div>

<div class="line t1"><small class="linenumber">435</small>
no<span class="high1">thing</span> to do with literacy or with the cultural forms of typography.<br>
</div>

<div class="line t1"><small class="linenumber">461</small>
Every<span class="high1">thing</span> seemed cut off at its root and therefore<br>
</div>

<div class="line t1"><small class="linenumber">493</small>
message of Hitler. But their failure was as no<span class="high1">thing</span> compared to our<br>
</div>

<div class="line t1"><small class="linenumber">562</small>
Consequently, he had no<span class="high1">thing</span> to report. Had his methods been<br>
</div>

<div class="line t1"><small class="linenumber">564</small>
the lives of children or adults, he could have found out no<span class="high1">thing</span> of the<br>
</div>

<div class="line t1"><small class="linenumber">571</small>
even though he could understand no<span class="high1">thing</span> of it. Just to be in the<br>
</div>

<div class="line t1"><small class="linenumber">581</small>
ishment is relishable, whereas other <span class="high1">thing</span>s that cannot be<br>
</div>

<div class="line t1"><small class="linenumber">597</small>
1953). Much of his <span class="high1">material</span> appeared in an article in Psychiatry<br>
</div>

<div class="line t1"><small class="linenumber">603</small>
concepts for which no<span class="high1">thing</span> has prepared them is the normal action<br>
</div>

<div class="line t1"><small class="linenumber">636</small>
cubism substitutes all facets of an <span class="high1">object</span> simultaneously for the<br>
</div>

<div class="line t1"><small class="linenumber">682</small>
message of Hitler. But their failure was as no<span class="high1">thing</span> compared to our<br>
</div>

<div class="line t1"><small class="linenumber">751</small>
Consequently, he had no<span class="high1">thing</span> to report. Had his methods been<br>
</div>

<div class="line t1"><small class="linenumber">753</small>
the lives of children or adults, he could have found out no<span class="high1">thing</span> of the<br>
</div>

<div class="line t1"><small class="linenumber">760</small>
even though he could understand no<span class="high1">thing</span> of it. Just to be in the<br>
</div>

<div class="line t1"><small class="linenumber">770</small>
ishment is relishable, whereas other <span class="high1">thing</span>s that cannot be<br>
</div>

<div class="line t1"><small class="linenumber">1025</small>
that we have begun to know some<span class="high1">thing</span> about maintaining<br>
</div>

<div class="line t1"><small class="linenumber">1202</small>
The principle that during the stages of their development all <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">1204</small>
ancient doctrine. Interest in the power of <span class="high1">thing</span>s to reverse<br>
</div>

<div class="line t1"><small class="linenumber">1212</small>
"Waal, you'll never catch me in one of those durn <span class="high1">thing</span>s."<br>
</div>

<div class="line t1"><small class="linenumber">1288</small>
kind of <span class="high1">material</span> will serve any kind of need or function, forcing the<br>
</div>

<div class="line t1"><small class="linenumber">1322</small>
hitching posts, and colonial kitchen-ware as cultural <span class="high1">object</span>s.) Just as<br>
</div>

<div class="line t1"><small class="linenumber">1371</small>
He who boasts of what he will do succeeds in no<span class="high1">thing</span>;<br>
</div>

<div class="line t1"><small class="linenumber">1372</small>
He who is proud of his work achieves no<span class="high1">thing</span> that endures.<br>
</div>

<div class="line t1"><small class="linenumber">1415</small>
fascinated by any extension of themselves in any <span class="high1">material</span> other than<br>
</div>

<div class="line t1"><small class="linenumber">1419</small>
convey any idea that Narcissus fell inlove with any<span class="high1">thing</span> he regarded as himself. Obviously he would have<br>
</div>

<div class="line t1"><small class="linenumber">1581</small>
That is why we must, to use them at all, serve these <span class="high1">object</span>s, these<br>
</div>

<div class="line t1"><small class="linenumber">1599</small>
our skins, as much as housing and clo<span class="high1">thing</span>. More even than the<br>
</div>

<div class="line t1"><small class="linenumber">1634</small>
rages in our society and our psyches alike. "To the blind all <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">1638</small>
notified that there is any<span class="high1">thing</span> to observe.<br>
</div>

<div class="line t1"><small class="linenumber">1650</small>
trouble to scrutinize their action. We can, if we choose, think <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">1665</small>
industrial technology as the basis of class liberation, no<span class="high1">thing</span> could<br>
</div>

<div class="line t1"><small class="linenumber">1784</small>
form of the <span class="high1">thing</span> or documentary novel. It is the poets and painters<br>
</div>

<div class="line t1"><small class="linenumber">1828</small>
1962) trills: There's No<span class="high1">thing</span> Like a Best Seller to Set Hollywood<br>
</div>

<div class="line t1"><small class="linenumber">1926</small>
it is also possible to store and to translate every<span class="high1">thing</span>; and, as for<br>
</div>

<div class="line t1"><small class="linenumber">1930</small>
possible to use any<span class="high1">thing</span> for fuel or fabric or building <span class="high1">material</span>, so with<br>
</div>

<div class="line t1"><small class="linenumber">1943</small>
means translated or carried across from one kind of <span class="high1">material</span> form<br>
</div>

<div class="line t1"><small class="linenumber">1951</small>
automation when all <span class="high1">thing</span>s are translatable into any<span class="high1">thing</span> else that is<br>
</div>

<div class="line t1"><small class="linenumber">1954</small>
Find tongues in trees, books in the running brooks,Sermons in stones, and good in every <span class="high1">thing</span>.<br>
</div>

<div class="line t1"><small class="linenumber">1962</small>
were one can play back the <span class="high1">material</span>s of the natural world in a variety<br>
</div>

<div class="line t1"><small class="linenumber">2005</small>
place. Some<span class="high1">thing</span> translate. Some<span class="high1">thing</span> print." (Boorstin, 141)<br>
</div>

<div class="line t1"><small class="linenumber">2007</small>
getting at one <span class="high1">thing</span> through another, of handling and sensing many<br>
</div>

<div class="line t1"><small class="linenumber">2040</small>
discovery. Namely, the technique of starting with the <span class="high1">thing</span> to be<br>
</div>

<div class="line t1"><small class="linenumber">2043</small>
desired <span class="high1">object</span>. In the arts this meant starting with the effect and then<br>
</div>

<div class="line t1"><small class="linenumber">2051</small>
This is a very different <span class="high1">thing</span> from the numbing or narcotic effect of<br>
</div>

<div class="line t1"><small class="linenumber">2085</small>
Uncertainty in the strivings of the soul is some<span class="high1">thing</span> which does<br>
</div>

<div class="line t1"><small class="linenumber">2087</small>
<span class="high1">thing</span>s; I am ashamed to use them."<br>
</div>

<div class="line t1"><small class="linenumber">2159</small>
position to do some<span class="high1">thing</span> about it? If there were even a remote<br>
</div>

<div class="line t1"><small class="linenumber">2188</small>
every<span class="high1">thing</span> as well as possible."<br>
</div>

<div class="line t1"><small class="linenumber">2222</small>
model of the real <span class="high1">thing</span>.<br>
</div>

<div class="line t1"><small class="linenumber">2231</small>
brea<span class="high1">thing</span>--a fact that makes sense of the urge to keep radio and TV<br>
</div>

<div class="line t1"><small class="linenumber">2244</small>
company as a monopoly. Some<span class="high1">thing</span> like this has already happened<br>
</div>

<div class="line t1"><small class="linenumber">2375</small>
massive work forces available for processing <span class="high1">material</span> were soldiers<br>
</div>

<div class="line t1"><small class="linenumber">2388</small>
insofar as the survival of many <span class="high1">material</span> <span class="high1">object</span>s of the past does not<br>
</div>

<div class="line t1"><small class="linenumber">2405</small>
tackling of all <span class="high1">thing</span>s and operations one-bit-at-a-time. This is the<br>
</div>

<div class="line t1"><small class="linenumber">2485</small>
intelligence would have remained totally involved in the <span class="high1">object</span>s of its<br>
</div>

<div class="line t1"><small class="linenumber">2487</small>
the feet and the body. It enables them to move from <span class="high1">thing</span> to <span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">2542</small>
to learn to do this wondrous <span class="high1">thing</span> myself.<br>
</div>

<div class="line t1"><small class="linenumber">2545</small>
touchy subject. It is true that there is more <span class="high1">material</span> written and<br>
</div>

<div class="line t1"><small class="linenumber">2586</small>
<span class="high1">material</span>s as brick and stone, insured for the scribal caste a<br>
</div>

<div class="line t1"><small class="linenumber">2618</small>
the tribal web. This fact has no<span class="high1">thing</span> to do with the content of the<br>
</div>

<div class="line t1"><small class="linenumber">2649</small>
disposed to <span class="high1">object</span> that we have purchased our structure of specialist<br>
</div>

<div class="line t1"><small class="linenumber">2656</small>
yet there is no<span class="high1">thing</span> lineal or sequential about the total field of<br>
</div>

<div class="line t1"><small class="linenumber">2664</small>
acceptable to say that some<span class="high1">thing</span> "follows" from some<span class="high1">thing</span>, as if<br>
</div>

<div class="line t1"><small class="linenumber">2718</small>
literate West have long been in the form of <span class="high1">thing</span>s in sequence and<br>
</div>

<div class="line t1"><small class="linenumber">2933</small>
for exchange and for the increasing movement of raw <span class="high1">material</span> and<br>
</div>

<div class="line t1"><small class="linenumber">3053</small>
raw <span class="high1">material</span> supply.<br>
</div>

<div class="line t1"><small class="linenumber">3090</small>
the same <span class="high1">thing</span>, new invention. So that even though the city was<br>
</div>

<div class="line t1"><small class="linenumber">3172</small>
living space. Before Roman literate bureaucracy, no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">3188</small>
<span class="high1">material</span> to speed commerce or even education. It was paper from<br>
</div>

<div class="line t1"><small class="linenumber">3228</small>
War is never any<span class="high1">thing</span> less than accelerated technological change. It<br>
</div>

<div class="line t1"><small class="linenumber">3361</small>
an extension and separation of our most neutral and <span class="high1">object</span>ive sense,<br>
</div>

<div class="line t1"><small class="linenumber">3382</small>
touch. Perhaps touch is not just skin contact with <span class="high1">thing</span>s, but the very<br>
</div>

<div class="line t1"><small class="linenumber">3383</small>
life of <span class="high1">thing</span>s in the mind? The Greeks had the notion of a consensus<br>
</div>

<div class="line t1"><small class="linenumber">3400</small>
of physical <span class="high1">thing</span>s, and with the necessary causes of <span class="high1">thing</span>s, much as<br>
</div>

<div class="line t1"><small class="linenumber">3401</small>
science has tended until recent times to reduce all <span class="high1">object</span>s to<br>
</div>

<div class="line t1"><small class="linenumber">3412</small>
no<span class="high1">thing</span> of Jung and Freud, the nonliterate and even antiliterate<br>
</div>

<div class="line t1"><small class="linenumber">3498</small>
responsible for the habit of seeing all <span class="high1">thing</span>s as continuous and<br>
</div>

<div class="line t1"><small class="linenumber">3508</small>
Functions and abstract relations. "The most valuable <span class="high1">thing</span> in<br>
</div>

<div class="line t1"><small class="linenumber">3510</small>
essence of all <span class="high1">thing</span>s perceptible to the senses. Defining number as<br>
</div>

<div class="line t1"><small class="linenumber">3513</small>
the measurement of some<span class="high1">thing</span> near and corporeal."<br>
</div>

<div class="line t1"><small class="linenumber">3515</small>
never occurred to him that the ratio among corporeal <span class="high1">thing</span>s could<br>
</div>

<div class="line t1"><small class="linenumber">3518</small>
components of experience, and is not some<span class="high1">thing</span> added to such<br>
</div>

<div class="line t1"><small class="linenumber">3555</small>
profiles of the statisticians there is the frankly expressed <span class="high1">object</span> of<br>
</div>

<div class="line t1"><small class="linenumber">3721</small>
more than one in Western attire. Clo<span class="high1">thing</span> as an extension of our skin<br>
</div>

<div class="line t1"><small class="linenumber">3723</small>
less food, he may also demand more sex. Yet neither clo<span class="high1">thing</span> nor<br>
</div>

<div class="line t1"><small class="linenumber">3729</small>
Clo<span class="high1">thing</span>, as an extension of the skin, can be seen both as a<br>
</div>

<div class="line t1"><small class="linenumber">3731</small>
In these respects, clo<span class="high1">thing</span> and housing are near twins, though<br>
</div>

<div class="line t1"><small class="linenumber">3732</small>
clo<span class="high1">thing</span> is both nearer and elder; for housing extends the inner<br>
</div>

<div class="line t1"><small class="linenumber">3733</small>
heat-control mechanisms of our organism, whileclo<span class="high1">thing</span> is a more direct extension of the outer surface of the body.<br>
</div>

<div class="line t1"><small class="linenumber">3753</small>
rich, courtly attire in favor of simpler <span class="high1">material</span>s. That was the time<br>
</div>

<div class="line t1"><small class="linenumber">3770</small>
This is precisely the message that the new simple clo<span class="high1">thing</span> of our<br>
</div>

<div class="line t1"><small class="linenumber">3772</small>
Revolution. Clo<span class="high1">thing</span> was then a nonverbal manifesto of political<br>
</div>

<div class="line t1"><small class="linenumber">3785</small>
to recognize clo<span class="high1">thing</span> as an extension of the skin. In the age of the<br>
</div>

<div class="line t1"><small class="linenumber">3818</small>
clo<span class="high1">thing</span> and in housing. Meantime, in both new attire and new<br>
</div>

<div class="line t1"><small class="linenumber">3820</small>
awareness of <span class="high1">material</span>s and colors which makes ours one of the<br>
</div>

<div class="line t1"><small class="linenumber">3824</small>
If clo<span class="high1">thing</span> is an extension of our private skins to store and channel<br>
</div>

<div class="line t1"><small class="linenumber">3894</small>
<span class="high1">object</span>. A square moves beyond such kinetic pressures to enclose<br>
</div>

<div class="line t1"><small class="linenumber">3914</small>
extend the body's heat-control mechanism. Clo<span class="high1">thing</span> tackles the<br>
</div>

<div class="line t1"><small class="linenumber">3916</small>
than socially. Both clo<span class="high1">thing</span> and housing store warmth and energy<br>
</div>

<div class="line t1"><small class="linenumber">3921</small>
control is the key factor in housing, as well as in clo<span class="high1">thing</span>. The<br>
</div>

<div class="line t1"><small class="linenumber">3956</small>
Once housing is seen as group (or corporate) clo<span class="high1">thing</span> and heat<br>
</div>

<div class="line t1"><small class="linenumber">3968</small>
not see himself as becoming some<span class="high1">thing</span>. He does not envisage<br>
</div>

<div class="line t1"><small class="linenumber">3969</small>
distant goals and <span class="high1">object</span>ives. He has deeply involvedin his own world from day to day, and can establish no beachhead in<br>
</div>

<div class="line t1"><small class="linenumber">3973</small>
Clo<span class="high1">thing</span> and housing, as extensions of skin and heat-control<br>
</div>

<div class="line t1"><small class="linenumber">3978</small>
principle of these media of clo<span class="high1">thing</span> and housing; namely, their<br>
</div>

<div class="line t1"><small class="linenumber">4081</small>
Ferenczi, in particular, calls money "no<span class="high1">thing</span> other than odorless<br>
</div>

<div class="line t1"><small class="linenumber">4096</small>
were avid for tobacco. Since the supply was small, <span class="high1">object</span>s of high<br>
</div>

<div class="line t1"><small class="linenumber">4103</small>
Money always retains some<span class="high1">thing</span> of its commodity and community<br>
</div>

<div class="line t1"><small class="linenumber">4110</small>
with the development of the power to let go of <span class="high1">object</span>s. It gives the<br>
</div>

<div class="line t1"><small class="linenumber">4119</small>
other hand is extended in demand toward the <span class="high1">object</span> which is desired<br>
</div>

<div class="line t1"><small class="linenumber">4120</small>
in exchange. The first hand lets go as soon as the second <span class="high1">object</span> is<br>
</div>

<div class="line t1"><small class="linenumber">4200</small>
them; they regard it as a <span class="high1">thing</span> dropped from heaven.<br>
</div>

<div class="line t1"><small class="linenumber">4207</small>
me begin to see <span class="high1">thing</span>s in a new light, and I could not help<br>
</div>

<div class="line t1"><small class="linenumber">4219</small>
"The important <span class="high1">thing</span> in today's world of fashion is to appear to be<br>
</div>

<div class="line t1"><small class="linenumber">4351</small>
part of us into various <span class="high1">material</span>s, any study of one medium helps us<br>
</div>

<div class="line t1"><small class="linenumber">4401</small>
clutches the <span class="high1">material</span> stuff. It has become a much more abstract<br>
</div>

<div class="line t1"><small class="linenumber">4402</small>
<span class="high1">thing</span>--just a standard of value; and it only keeps this nominal<br>
</div>

<div class="line t1"><small class="linenumber">4460</small>
exceptional powers of substituting one kind of <span class="high1">thing</span> for another.<br>
</div>

<div class="line t1"><small class="linenumber">4464</small>
one food or fuel or raw <span class="high1">material</span>. Clothes and furniture can now be<br>
</div>

<div class="line t1"><small class="linenumber">4465</small>
made from many different <span class="high1">material</span>s. Money, which had been for<br>
</div>

<div class="line t1"><small class="linenumber">4479</small>
work has been done to some <span class="high1">material</span>, if only in bringing it from a<br>
</div>

<div class="line t1"><small class="linenumber">4480</small>
distance. The <span class="high1">object</span>, then, stores work and information or technical<br>
</div>

<div class="line t1"><small class="linenumber">4481</small>
knowledge to the extent that some<span class="high1">thing</span> has been done to it. When<br>
</div>

<div class="line t1"><small class="linenumber">4482</small>
the one <span class="high1">object</span> is exchanged for another, it is already assuming the<br>
</div>

<div class="line t1"><small class="linenumber">4483</small>
function of money, as translator or reducer of multiple <span class="high1">thing</span>s to some<br>
</div>

<div class="line t1"><small class="linenumber">4497</small>
alphabet was one <span class="high1">thing</span> when applied to clay or stone, and quite<br>
</div>

<div class="line t1"><small class="linenumber">4535</small>
as some<span class="high1">thing</span> that happens between two points. From this<br>
</div>

<div class="line t1"><small class="linenumber">4557</small>
measurement of time extended itself across society, even clo<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">4609</small>
pluralism of many kinds of <span class="high1">thing</span>s co-existing. "It is what happens<br>
</div>

<div class="line t1"><small class="linenumber">4615</small>
but think of each <span class="high1">thing</span> as making its own time and its own space.<br>
</div>

<div class="line t1"><small class="linenumber">4620</small>
pattern. Each <span class="high1">object</span> and each set of <span class="high1">object</span>s engenders its own<br>
</div>

<div class="line t1"><small class="linenumber">4623</small>
was denounced as the merging of all <span class="high1">thing</span>s in a flux. We now realize<br>
</div>

<div class="line t1"><small class="linenumber">4627</small>
tricity is not some<span class="high1">thing</span> that is conveyed by or contained in any<span class="high1">thing</span>,<br>
</div>

<div class="line t1"><small class="linenumber">4628</small>
but is some<span class="high1">thing</span> that occurs when two or more bodies are in special<br>
</div>

<div class="line t1"><small class="linenumber">4634</small>
are certain spatial relations between <span class="high1">thing</span>s." The painter learns how<br>
</div>

<div class="line t1"><small class="linenumber">4635</small>
to adjust relations among <span class="high1">thing</span>s to release new perception, and the<br>
</div>

<div class="line t1"><small class="linenumber">4638</small>
imposing the same set of relations on every kind of <span class="high1">object</span> or group<br>
</div>

<div class="line t1"><small class="linenumber">4639</small>
of <span class="high1">object</span>s. Yet in the ancient world the only means of achieving<br>
</div>

<div class="line t1"><small class="linenumber">4852</small>
alteration of clo<span class="high1">thing</span> styles, much in the same way that mass<br>
</div>

<div class="line t1"><small class="linenumber">4856</small>
being printed at all. When a <span class="high1">thing</span> is current, it creates currency;<br>
</div>

<div class="line t1"><small class="linenumber">4866</small>
furnace, speeded the melting of <span class="high1">material</span>s and the rise of smooth<br>
</div>

<div class="line t1"><small class="linenumber">4923</small>
maps in question had no<span class="high1">thing</span> in common with those of later design,<br>
</div>

<div class="line t1"><small class="linenumber">4926</small>
continuous was unknown to the medievalcartographer, whose efforts resembled modern non<span class="high1">object</span>ive art.<br>
</div>

<div class="line t1"><small class="linenumber">4938</small>
some way not known to me at the time. The <span class="high1">thing</span>s that hurt<br>
</div>

<div class="line t1"><small class="linenumber">4941</small>
any<span class="high1">thing</span> as inadequate as a map, he counseled. ... I under-<br>
</div>

<div class="line t1"><small class="linenumber">4947</small>
All the words in the world cannot describe an <span class="high1">object</span> like a bucket,<br>
</div>

<div class="line t1"><small class="linenumber">4949</small>
This inadequacy of words to convey visual information about <span class="high1">object</span>s<br>
</div>

<div class="line t1"><small class="linenumber">5027</small>
any particular moment in time, or aspect in space, of an <span class="high1">object</span>. The<br>
</div>

<div class="line t1"><small class="linenumber">5031</small>
its very low degree of data about <span class="high1">object</span>s, and the resulting high<br>
</div>

<div class="line t1"><small class="linenumber">5091</small>
identify spatial relations. Confronted with <span class="high1">object</span>s in sunshine, they<br>
</div>

<div class="line t1"><small class="linenumber">5095</small>
<span class="high1">object</span>s, and observer are experienced separately and regarded as<br>
</div>

<div class="line t1"><small class="linenumber">5097</small>
space was not homogeneous and did not contain <span class="high1">object</span>s. Each<br>
</div>

<div class="line t1"><small class="linenumber">5098</small>
<span class="high1">thing</span> made its own space, as it still does for the native (and equally<br>
</div>

<div class="line t1"><small class="linenumber">5100</small>
artists do not relate <span class="high1">thing</span>s. They often contrive the most complicated,<br>
</div>

<div class="line t1"><small class="linenumber">5112</small>
frustration. They couldn't crate what they had created.in the low definition world of the medieval woodcut, each <span class="high1">object</span><br>
</div>

<div class="line t1"><small class="linenumber">5115</small>
<span class="high1">object</span>s cease to cohere in a space of their own making, and, instead,<br>
</div>

<div class="line t1"><small class="linenumber">5172</small>
brains so that they can do no<span class="high1">thing</span> about it." Their inability to help<br>
</div>

<div class="line t1"><small class="linenumber">5190</small>
there are <span class="high1">thing</span>s about America we can't kid."<br>
</div>

<div class="line t1"><small class="linenumber">5197</small>
scenes and themes of ordinary life as funny as any<span class="high1">thing</span> in remote<br>
</div>

<div class="line t1"><small class="linenumber">5260</small>
The first comic books appeared in 1935. Not having any<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">5265</small>
eighth-century illuminations. So, having noticed no<span class="high1">thing</span> about the<br>
</div>

<div class="line t1"><small class="linenumber">5266</small>
form, they could discern no<span class="high1">thing</span> of the contents, either. The<br>
</div>

<div class="line t1"><small class="linenumber">5274</small>
viscera of the young. To live and experience any<span class="high1">thing</span> is to translate<br>
</div>

<div class="line t1"><small class="linenumber">5343</small>
No<span class="high1">thing</span> could be farther from typographic culture with its "place for<br>
</div>

<div class="line t1"><small class="linenumber">5344</small>
every<span class="high1">thing</span> and every<span class="high1">thing</span> in its place."<br>
</div>

<div class="line t1"><small class="linenumber">5361</small>
whether it be clo<span class="high1">thing</span> or the computer. An extension appears to be<br>
</div>

<div class="line t1"><small class="linenumber">5595</small>
to work on the archeological assumption that <span class="high1">thing</span>s need to be<br>
</div>

<div class="line t1"><small class="linenumber">5655</small>
Some might <span class="high1">object</span> that log-rolling is closer to the spindle operation of<br>
</div>

<div class="line t1"><small class="linenumber">5659</small>
another <span class="high1">material</span>, than it is to transfer any of the motions of external<br>
</div>

<div class="line t1"><small class="linenumber">5660</small>
<span class="high1">object</span>s into another <span class="high1">material</span>. To extend our bodily postures and<br>
</div>

<div class="line t1"><small class="linenumber">5661</small>
motions into new <span class="high1">material</span>s, by way of amplification, is a constant<br>
</div>

<div class="line t1"><small class="linenumber">5755</small>
powers to changing the forms of <span class="high1">thing</span>s by cultivation. Change to<br>
</div>

<div class="line t1"><small class="linenumber">5860</small>
sculpture today, provided the significant outline that had no<span class="high1">thing</span> to<br>
</div>

<div class="line t1"><small class="linenumber">5864</small>
"My, that's a fine child you have there!" Mother: "Oh, that's no<span class="high1">thing</span>.<br>
</div>

<div class="line t1"><small class="linenumber">5866</small>
everywhere and to interrelate <span class="high1">thing</span>s is well indicated in the Vogue<br>
</div>

<div class="line t1"><small class="linenumber">5874</small>
were <span class="high1">object</span>s. Eric von Stroheim did a great job with the monocle in<br>
</div>

<div class="line t1"><small class="linenumber">5876</small>
tend to turn people into <span class="high1">thing</span>s, and the photograph extends and<br>
</div>

<div class="line t1"><small class="linenumber">5920</small>
terms. Right side up is apparently some<span class="high1">thing</span> we feel but cannot see<br>
</div>

<div class="line t1"><small class="linenumber">5925</small>
culture induces in all of us. No<span class="high1">thing</span> amuses the Eskimo more than<br>
</div>

<div class="line t1"><small class="linenumber">5988</small>
creation from no<span class="high1">thing</span> (ab-nihil), or even a reduction of creation to a<br>
</div>

<div class="line t1"><small class="linenumber">6025</small>
Likewise, the novelist could no longer describe <span class="high1">object</span>s or<br>
</div>

<div class="line t1"><small class="linenumber">6065</small>
General Motors, for example, know, or even suspect, any<span class="high1">thing</span> about<br>
</div>

<div class="line t1"><small class="linenumber">6097</small>
normal now give a sharper sense of remote time than do <span class="high1">object</span>s of<br>
</div>

<div class="line t1"><small class="linenumber">6102</small>
yesterday's newspaper, than which no<span class="high1">thing</span> could be more<br>
</div>

<div class="line t1"><small class="linenumber">6171</small>
example. Thus the world itself becomes a sort of museum of <span class="high1">object</span>s<br>
</div>

<div class="line t1"><small class="linenumber">6174</small>
the originals of various <span class="high1">object</span>s in their own cases. In the same way,<br>
</div>

<div class="line t1"><small class="linenumber">6177</small>
some<span class="high1">thing</span> with which he has long been familiar, and take his own<br>
</div>

<div class="line t1"><small class="linenumber">6186</small>
involve an <span class="high1">object</span> in an aura of pseudo-values, as with a gem, a<br>
</div>

<div class="line t1"><small class="linenumber">6198</small>
There is no<span class="high1">thing</span> new or strange in a parochial preference for those<br>
</div>

<div class="line t1"><small class="linenumber">6265</small>
printing from movable types. "A place for every<span class="high1">thing</span> and every<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">6274</small>
Photography, by carrying the pictorial delineation of natural <span class="high1">object</span>s<br>
</div>

<div class="line t1"><small class="linenumber">6276</small>
self delineation of <span class="high1">object</span>s, of "statement without syntax," pho-<br>
</div>

<div class="line t1"><small class="linenumber">6391</small>
created new forms of arranging <span class="high1">material</span> for readers. As early as 1<br>
</div>

<div class="line t1"><small class="linenumber">6500</small>
A friend of mine who tried to teach some<span class="high1">thing</span> about the forms of<br>
</div>

<div class="line t1"><small class="linenumber">6512</small>
Media, men whoknow no<span class="high1">thing</span> about the form of any medium whatever. They imagine<br>
</div>

<div class="line t1"><small class="linenumber">6584</small>
beings to see or re-cognize their experience in a new <span class="high1">material</span> form<br>
</div>

<div class="line t1"><small class="linenumber">6605</small>
oftener)." No<span class="high1">thing</span> could more plainly indicate the idea that news<br>
</div>

<div class="line t1"><small class="linenumber">6606</small>
was some<span class="high1">thing</span> outside and beyond the newspaper. Under such<br>
</div>

<div class="line t1"><small class="linenumber">6616</small>
and fictions alike. But the press is a daily action and fiction or <span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">6617</small>
made, and it is made out of just about every<span class="high1">thing</span> in the community.<br>
</div>

<div class="line t1"><small class="linenumber">6636</small>
events, many <span class="high1">thing</span>s began to happen. Advertising and promotion,<br>
</div>

<div class="line t1"><small class="linenumber">6721</small>
dress. Radio does no<span class="high1">thing</span> for this uniform visual unity so necessary<br>
</div>

<div class="line t1"><small class="linenumber">6766</small>
if he were a public some<span class="high1">thing</span>-or-other is going to get into the press.<br>
</div>

<div class="line t1"><small class="linenumber">6824</small>
usually the first to disappear. The changing relationbetween customer and shopkeeper is as no<span class="high1">thing</span> compared to the<br>
</div>

<div class="line t1"><small class="linenumber">6850</small>
hysterical than any<span class="high1">thing</span> that could ever be printed. All the rhinos and<br>
</div>

<div class="line t1"><small class="linenumber">6868</small>
car as sex <span class="high1">object</span>, they have at last, in so doing, drawn attention to<br>
</div>

<div class="line t1"><small class="linenumber">6871</small>
less a sex <span class="high1">object</span> than the wheel or the hammer. What the motivation<br>
</div>

<div class="line t1"><small class="linenumber">6908</small>
about his 50,000,000 audience when TV struck. Some<span class="high1">thing</span> had<br>
</div>

<div class="line t1"><small class="linenumber">6957</small>
revolutionary period in marketing, as in every<span class="high1">thing</span> else.<br>
</div>

<div class="line t1"><small class="linenumber">6963</small>
could a millionaire be any<span class="high1">thing</span> but "middleclass" in America unless<br>
</div>

<div class="line t1"><small class="linenumber">6993</small>
taken as any<span class="high1">thing</span> but a car, is to mistake the whole meaning of this<br>
</div>

<div class="line t1"><small class="linenumber">7133</small>
magnificent accumulations of <span class="high1">material</span> about the shared experience<br>
</div>

<div class="line t1"><small class="linenumber">7208</small>
remove the baby's rattle. This kind of copy has really no<span class="high1">thing</span> to do<br>
</div>

<div class="line t1"><small class="linenumber">7231</small>
American bathroom, kitchen, and car, like every<span class="high1">thing</span> else, got the<br>
</div>

<div class="line t1"><small class="linenumber">7259</small>
process of integrating and interrelating that is any<span class="high1">thing</span> but innocent.<br>
</div>

<div class="line t1"><small class="linenumber">7355</small>
equally adept at dodging, and hence are rarely hit by any<span class="high1">thing</span>.The truly lethal part of this primitive warfare is not the formal<br>
</div>

<div class="line t1"><small class="linenumber">7412</small>
from the <span class="high1">material</span> pressures of routine and convention, observing and<br>
</div>

<div class="line t1"><small class="linenumber">7457</small>
a game of one-<span class="high1">thing</span>-at-a-time, fixed positions and visibly delegated<br>
</div>

<div class="line t1"><small class="linenumber">7530</small>
art accessible to many minds. Real interplay is reduced to no<span class="high1">thing</span> in<br>
</div>

<div class="line t1"><small class="linenumber">7544</small>
setting up diversity, achieved, if any<span class="high1">thing</span>, too much unity. The British<br>
</div>

<div class="line t1"><small class="linenumber">7576</small>
<span class="high1">material</span>. Games, likewise, shift familiar experience into new forms,<br>
</div>

<div class="line t1"><small class="linenumber">7577</small>
giving the bleak and the blear side of <span class="high1">thing</span>ssudden luminosity. The telephone companies make tapes of the<br>
</div>

<div class="line t1"><small class="linenumber">7609</small>
causes embarrassment. To take mere wordly <span class="high1">thing</span>s in dead earnest<br>
</div>

<div class="line t1"><small class="linenumber">7633</small>
mechanical age in order to explain the very unme-chanical <span class="high1">thing</span>,<br>
</div>

<div class="line t1"><small class="linenumber">7636</small>
TV quiz shows. For one <span class="high1">thing</span>, the big prize seemed to make fun of<br>
</div>

<div class="line t1"><small class="linenumber">7776</small>
organic, endowing each <span class="high1">object</span> with a kind of unified sensibility, as<br>
</div>

<div class="line t1"><small class="linenumber">7824</small>
every<span class="high1">thing</span> except common sense. When it was first cast aloft,<br>
</div>

<div class="line t1"><small class="linenumber">7831</small>
Telstarwent into operation in August when almost no<span class="high1">thing</span> of importance<br>
</div>

<div class="line t1"><small class="linenumber">7833</small>
to say some<span class="high1">thing</span>, any<span class="high1">thing</span>, on this miracle instrument. "It was a new<br>
</div>

<div class="line t1"><small class="linenumber">8028</small>
the British world. And yet no<span class="high1">thing</span> has been more misunderstood<br>
</div>

<div class="line t1"><small class="linenumber">8061</small>
Monthly in 1904, indicate a rich field of social <span class="high1">material</span> that still<br>
</div>

<div class="line t1"><small class="linenumber">8069</small>
uncommon <span class="high1">thing</span> in the typewriting booths at the Capitol in<br>
</div>

<div class="line t1"><small class="linenumber">8235</small>
of <span class="high1">material</span> energy into some new form, as trees into lumber or paper,<br>
</div>

<div class="line t1"><small class="linenumber">8245</small>
<span class="high1">material</span>s by assembly-line fragmentation of operations and<br>
</div>

<div class="line t1"><small class="linenumber">8265</small>
done any<span class="high1">thing</span> but simply to his being known for being well known.<br>
</div>

<div class="line t1"><small class="linenumber">8283</small>
1904-"Phony implies that a <span class="high1">thing</span> so qualified has no more substance<br>
</div>

<div class="line t1"><small class="linenumber">8307</small>
of the call-girl. To the blind, all <span class="high1">thing</span>s are unexpected. The form and<br>
</div>

<div class="line t1"><small class="linenumber">8630</small>
"How about that?" No<span class="high1">thing</span> could induce people to begin suddenly to<br>
</div>

<div class="line t1"><small class="linenumber">8643</small>
into a phonograph." No<span class="high1">thing</span> could more dramatically express the<br>
</div>

<div class="line t1"><small class="linenumber">8686</small>
And is not a great industrial civilization able to produce any<span class="high1">thing</span> in<br>
</div>

<div class="line t1"><small class="linenumber">8797</small>
Recording facilities did not presume to touch any<span class="high1">thing</span> so subtle as<br>
</div>

<div class="line t1"><small class="linenumber">8843</small>
qualms about popular music and culture. Any<span class="high1">thing</span> that is<br>
</div>

<div class="line t1"><small class="linenumber">8850</small>
consciousness of any<span class="high1">thing</span> in particular.<br>
</div>

<div class="line t1"><small class="linenumber">8939</small>
upon a ghostly paradigm of <span class="high1">thing</span>s." This was the world that haunted<br>
</div>

<div class="line t1"><small class="linenumber">8971</small>
effect as sequential, as if one <span class="high1">thing</span> pushed another along by<br>
</div>

<div class="line t1"><small class="linenumber">9051</small>
space of the kitten or the boot. If such <span class="high1">object</span>s appear, they must be<br>
</div>

<div class="line t1"><small class="linenumber">9056</small>
<span class="high1">object</span>s from the uniform continuous space of typography we got<br>
</div>

<div class="line t1"><small class="linenumber">9100</small>
No<span class="high1">thing</span> is more congenial to the film form than this pathos of<br>
</div>

<div class="line t1"><small class="linenumber">9174</small>
power.) Ideas presented as a sequence of shots or<span class="high1">material</span>ized situations, almost in the manner of a teaching machine<br>
</div>

<div class="line t1"><small class="linenumber">9209</small>
world. It seemed possible to achieve any<span class="high1">thing</span> by the new<br>
</div>

<div class="line t1"><small class="linenumber">9352</small>
The last <span class="high1">thing</span> at night, the first <span class="high1">thing</span> in the morning,<br>
</div>

<div class="line t1"><small class="linenumber">9382</small>
phony. I suppose "phony" is some<span class="high1">thing</span> that resonates wrong, that<br>
</div>

<div class="line t1"><small class="linenumber">9768</small>
exposure to the <span class="high1">material</span>. Each was asked to fill in the same quiz<br>
</div>

<div class="line t1"><small class="linenumber">9772</small>
well above the radio group. Since no<span class="high1">thing</span> had been done to give<br>
</div>

<div class="line t1"><small class="linenumber">9775</small>
allowed full opportunity to do its stuff. For radio and TV, the <span class="high1">material</span><br>
</div>

<div class="line t1"><small class="linenumber">9792</small>
A great many <span class="high1">thing</span>s will not work since the arrival of TV. Not only the<br>
</div>

<div class="line t1"><small class="linenumber">9804</small>
fact that it was the word 'virgin' that was <span class="high1">object</span>ed to in The Moon Is<br>
</div>

<div class="line t1"><small class="linenumber">9826</small>
The mode of the TV image has no<span class="high1">thing</span> in common with film or photo,<br>
</div>

<div class="line t1"><small class="linenumber">9832</small>
in any sense, hut a ceaselessly forming contour of <span class="high1">thing</span>s limned by<br>
</div>

<div class="line t1"><small class="linenumber">9869</small>
rather than the isolated contact of skin and <span class="high1">object</span>.<br>
</div>

<div class="line t1"><small class="linenumber">9901</small>
effects --to say no<span class="high1">thing</span> of a new concern for complex effects in<br>
</div>

<div class="line t1"><small class="linenumber">9975</small>
film, it does not afford detailed information about <span class="high1">object</span>s. The<br>
</div>

<div class="line t1"><small class="linenumber">9991</small>
casual <span class="high1">thing</span>. And whereas a glossy photo the size of the TV screen<br>
</div>

<div class="line t1"><small class="linenumber">10019</small>
<span class="high1">thing</span>.<br>
</div>

<div class="line t1"><small class="linenumber">10116</small>
any<span class="high1">thing</span> that offers humble involvement and deep commitment. It is<br>
</div>

<div class="line t1"><small class="linenumber">10168</small>
less homogenized set of <span class="high1">material</span>s to work with than even the<br>
</div>

<div class="line t1"><small class="linenumber">10194</small>
<span class="high1">object</span>s from out of their storied past. Many Americans will now<br>
</div>

<div class="line t1"><small class="linenumber">10256</small>
book culture into some<span class="high1">thing</span> else is manifested at that point.<br>
</div>

<div class="line t1"><small class="linenumber">10287</small>
features one-<span class="high1">thing</span>-at-a-time. It is a lineal, expansive game w hich, like<br>
</div>

<div class="line t1"><small class="linenumber">10299</small>
explosions of batters and pitchers in numerous games. No<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">10315</small>
as some<span class="high1">thing</span> to look at. They are some<span class="high1">thing</span> to put on, like pants or<br>
</div>

<div class="line t1"><small class="linenumber">10342</small>
a TV generation that has to be with every<span class="high1">thing</span> and has to dig <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">10357</small>
grimaces of which indicate involvement in depth, but "no<span class="high1">thing</span> to say."<br>
</div>

<div class="line t1"><small class="linenumber">10358</small>
Clo<span class="high1">thing</span> and styling in the past decade have gone so tactile and<br>
</div>

<div class="line t1"><small class="linenumber">10362</small>
imagery in clo<span class="high1">thing</span>, hairdo, walk, and gesture.<br>
</div>

<div class="line t1"><small class="linenumber">10365</small>
multi-uses for rooms and <span class="high1">thing</span>s and <span class="high1">object</span>s, in a single word --the<br>
</div>

<div class="line t1"><small class="linenumber">10430</small>
McLuhan says --some<span class="high1">thing</span> like the shy young Sheriff --while<br>
</div>

<div class="line t1"><small class="linenumber">10448</small>
businessman, or any of a dozen other <span class="high1">thing</span>s all at the same time is<br>
</div>

<div class="line t1"><small class="linenumber">10450</small>
did, the TV viewer has no<span class="high1">thing</span> to fill in. He feels uncomfortable with<br>
</div>

<div class="line t1"><small class="linenumber">10451</small>
his TV image. He says uneasily, "There's some<span class="high1">thing</span> about the guy<br>
</div>

<div class="line t1"><small class="linenumber">10465</small>
a rich man or like a politician. He could have been any<span class="high1">thing</span> from a<br>
</div>

<div class="line t1"><small class="linenumber">10511</small>
of forms of all kinds as no<span class="high1">thing</span> else can."<br>
</div>

<div class="line t1"><small class="linenumber">10517</small>
told that, once out of the sight of their governesses, the see<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">10533</small>
by explaining that there is no<span class="high1">thing</span> difficult about Einstein's ideas, but<br>
</div>

<div class="line t1"><small class="linenumber">10544</small>
level of full visual effectiveness. No<span class="high1">thing</span> could be further from the<br>
</div>

<div class="line t1"><small class="linenumber">10571</small>
sense of touch, all <span class="high1">thing</span>s are sudden, counter, original, spare,<br>
</div>

<div class="line t1"><small class="linenumber">10587</small>
or an <span class="high1">object</span>, a single phase or moment or aspect is separated from<br>
</div>

<div class="line t1"><small class="linenumber">10589</small>
person or <span class="high1">object</span>. By contrast, iconographic art uses the eye as we<br>
</div>

<div class="line t1"><small class="linenumber">10591</small>
many moments, phases, and aspects of the person or <span class="high1">thing</span>. Thus<br>
</div>

<div class="line t1"><small class="linenumber">10612</small>
TV's mosaic image. This change of attitude has no<span class="high1">thing</span> to do with<br>
</div>

<div class="line t1"><small class="linenumber">10724</small>
forgetting that any<span class="high1">thing</span> said here may be used by one side or<br>
</div>

<div class="line t1"><small class="linenumber">10803</small>
of dealing with <span class="high1">thing</span>s one at a time. Such habits are quite crippling in<br>
</div>

<div class="line t1"><small class="linenumber">10806</small>
literate society thinks of its artificial visual bias as a <span class="high1">thing</span> natural and<br>
</div>

<div class="line t1"><small class="linenumber">10831</small>
historians, who have often tended to find that war produces no<span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">10864</small>
skins, even as clo<span class="high1">thing</span> is an extension of our individual skins. But<br>
</div>

<div class="line t1"><small class="linenumber">10876</small>
difficult and resistant <span class="high1">material</span>s by the latest technology, the speedy<br>
</div>

<div class="line t1"><small class="linenumber">10896</small>
Between the acting of a dreadful <span class="high1">thing</span>,<br>
</div>

<div class="line t1"><small class="linenumber">10943</small>
<span class="high1">material</span>s in continuous process of transformation at spatially<br>
</div>

<div class="line t1"><small class="linenumber">10963</small>
<span class="high1">thing</span> that "flows" like water through a wire, oris "contained" in a battery. Rather, the tendency is to speak of<br>
</div>

<div class="line t1"><small class="linenumber">10967</small>
"contained" in any<span class="high1">thing</span>. Painters have long known that <span class="high1">object</span>s are<br>
</div>

<div class="line t1"><small class="linenumber">10999</small>
The same <span class="high1">thing</span> happens less superficially when the electric principle<br>
</div>

<div class="line t1"><small class="linenumber">11079</small>
almost any sort of <span class="high1">material</span> can be adapted to any sort of use. This<br>
</div>

<div class="line t1"><small class="linenumber">11102</small>
nonelectric media had merely hastened <span class="high1">thing</span>s a bit. The wheel, the<br>
</div>

<div class="line t1"><small class="linenumber">11113</small>
transformed itself into the <span class="high1">object</span> of desire. Automation brings us into<br>
</div>

<div class="line t1"><small class="linenumber">11118</small>
automation have no<span class="high1">thing</span> to do with ideologies or social programs. If<br>
</div>

<div class="line t1"><small class="linenumber">11210</small>
the entire industrial matrix of <span class="high1">material</span>s and services of a culture.<br>
</div>

<div class="line t1"><small class="linenumber">11233</small>
symphonists, since a player in a big orchestra can hear no<span class="high1">thing</span> of<br>
</div>

<div class="line t1"><small class="linenumber">11259</small>
stage of technology. As any<span class="high1">thing</span> becomes more complex, it<br>
</div>

<div class="line t1"><small class="linenumber">11267</small>
settings of any kind, but rather certain general-purpose <span class="high1">thing</span>s like<br>
</div>

<div class="line t1"><small class="linenumber">11279</small>
all automation. From the point of intake of <span class="high1">material</span>s t0 the output of<br>
</div>

<div class="line t1"><small class="linenumber">11283</small>
that are themselves electronic. The <span class="high1">material</span> of intake is relatively<br>
</div>

<div class="line t1"><small class="linenumber">11285</small>
<span class="high1">material</span> of the output. But the processing under these conditions<br>
</div><div class="source"><small>1240-bartholomeusbook-19_full-text.txt</small><br>

<div class="line t1"><small class="linenumber">19</small>
that followe the substaunce of bodely <span class="high1">thing</span>s, by the help & grace of our Lord,<br>
</div>

<div class="line t1"><small class="linenumber">27</small>
Aristotle in li. Meth. saith, that colour is the vttermost part of a cléere <span class="high1">thing</span> in a<br>
</div>

<div class="line t1"><small class="linenumber">28</small>
bodye that is determined, for the vtter part of a bode∣ly <span class="high1">thing</span>, that sight<br>
</div>

<div class="line t1"><small class="linenumber">30</small>
mastrie of Elements in a bodye that is compouned: For when a cléere <span class="high1">thing</span> and<br>
</div>

<div class="line t1"><small class="linenumber">35</small>
perfection of cléere <span class="high1">thing</span>s & bright, for it bringeth the kinde of cou∣lour that is<br>
</div>

<div class="line t1"><small class="linenumber">42</small>
Therefore some men meane, that the reason of <span class="high1">thing</span>es séene, is rooted and<br>
</div>

<div class="line t1"><small class="linenumber">62</small>
is not for the default of colour: but the default is in that <span class="high1">thing</span>, that should<br>
</div>

<div class="line t1"><small class="linenumber">68</small>
that shineth without vpon <span class="high1">thing</span>s: for y e ver∣tue of the lyght of heauen commeth<br>
</div>

<div class="line t1"><small class="linenumber">69</small>
vn∣seene into the inner parts of <span class="high1">thing</span>s, and gendreth colors by help of foure<br>
</div>

<div class="line t1"><small class="linenumber">74</small>
A Cléere <span class="high1">thing</span> well termined, is the matter of colour, and that onelye or<br>
</div>

<div class="line t1"><small class="linenumber">75</small>
namely <span class="high1">thing</span> that is moyst: for drye & earthie is not cléere, insomuch as it is<br>
</div>

<div class="line t1"><small class="linenumber">79</small>
sayd in li. de generatione. Then such a cléere∣nesse hath thrée <span class="high1">material</span>l<br>
</div>

<div class="line t1"><small class="linenumber">82</small>
aire failing from y e airie moysture. Or els it is airy much chaunged by the <span class="high1">thing</span><br>
</div>

<div class="line t1"><small class="linenumber">101</small>
for cléerenesse, is a certaine condition of <span class="high1">thing</span>s that are séene, and then the<br>
</div>

<div class="line t1"><small class="linenumber">108</small>
speaketh in libro. Meth. and saith, that in poores of <span class="high1">thing</span>s that burneth, is<br>
</div>

<div class="line t1"><small class="linenumber">111</small>
worketh principally in moyst <span class="high1">thing</span>s, & that moyst <span class="high1">thing</span>s is cause of black<br>
</div>

<div class="line t1"><small class="linenumber">124</small>
<span class="high1">thing</span>s, and also in fleumaticke humors: for though colde gathereth moist<br>
</div>

<div class="line t1"><small class="linenumber">150</small>
harder it is to make it clere, and to take white co∣lour: for a dry <span class="high1">thing</span> is sadde<br>
</div>

<div class="line t1"><small class="linenumber">179</small>
subtill and thin. And heate gathereth to∣gether <span class="high1">thing</span>s of one name & one kinde,<br>
</div>

<div class="line t1"><small class="linenumber">187</small>
thicke, as in princi∣pall working and déede, for colde gathe∣reth both <span class="high1">thing</span>es of<br>
</div>

<div class="line t1"><small class="linenumber">188</small>
one name and kinde, and also <span class="high1">thing</span>s of diuerse names and kinde.<br>
</div>

<div class="line t1"><small class="linenumber">223</small>
<span class="high1">thing</span>s y t cold bréedeth soone white coulour, as in Snowe, and that is not so<br>
</div>

<div class="line t1"><small class="linenumber">293</small>
<span class="high1">thing</span>es maketh whitenesse, brightnesse of light, and plentye thereof, &<br>
</div>

<div class="line t1"><small class="linenumber">317</small>
sight, so that no<span class="high1">thing</span> is séene there through: as boystrousnesse, stones, trées,<br>
</div>

<div class="line t1"><small class="linenumber">320</small>
that is séene within and without. But the same kinde of colour in some <span class="high1">thing</span>s is<br>
</div>

<div class="line t1"><small class="linenumber">323</small>
many <span class="high1">thing</span>s bée of one coulour with∣out, and of another coulour within, as it<br>
</div>

<div class="line t1"><small class="linenumber">324</small>
fareth in blacke Pepper, and in Apple graines. And many <span class="high1">thing</span>es dyeth and<br>
</div>

<div class="line t1"><small class="linenumber">325</small>
coloureth <span class="high1">thing</span>s without, and not with∣in, as it fareth in painting. Also redde<br>
</div>

<div class="line t1"><small class="linenumber">327</small>
knowen, that coulour is the vttermost parte of sight where cléere <span class="high1">thing</span>s bee, as<br>
</div>

<div class="line t1"><small class="linenumber">348</small>
multiplication of coulour, in the space and place be∣tweene the <span class="high1">thing</span> that is<br>
</div>

<div class="line t1"><small class="linenumber">352</small>
they bee not meane coulours: For no parte of a <span class="high1">thing</span> may be seene vnder the<br>
</div>

<div class="line t1"><small class="linenumber">367</small>
and deeme of that <span class="high1">thing</span> that is seene. Also meane colour well proportioned<br>
</div>

<div class="line t1"><small class="linenumber">376</small>
Also the coulour of that <span class="high1">thing</span> that is coloured, sheweth the complection therof<br>
</div>

<div class="line t1"><small class="linenumber">379</small>
<span class="high1">thing</span>es white, and dry blacke, and heate maketh wet <span class="high1">thing</span>s blacke, and drye<br>
</div>

<div class="line t1"><small class="linenumber">385</small>
shall be sayde héereafter. Also by the vtter coulour the inner qualities of <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">443</small>
singular parte, to speake plurall <span class="high1">thing</span>s, but not by the plurall part to speake<br>
</div>

<div class="line t1"><small class="linenumber">444</small>
singular <span class="high1">thing</span>es, which is the cause that men be so pru∣dent in earthie matters,<br>
</div>

<div class="line t1"><small class="linenumber">451</small>
grasse, hearbes, and other <span class="high1">thing</span>s that growe in earth: For first fruite is gréene<br>
</div>

<div class="line t1"><small class="linenumber">468</small>
gendered in <span class="high1">thing</span>s that bée full hot, & commeth of the same cause, that is heat,<br>
</div>

<div class="line t1"><small class="linenumber">475</small>
the skin commeth of inner <span class="high1">thing</span>s: sometime by hot humours, and sometime by<br>
</div>

<div class="line t1"><small class="linenumber">530</small>
yeolow colour & diuers colour commeth of <span class="high1">thing</span>es that maketh white &<br>
</div>

<div class="line t1"><small class="linenumber">542</small>
colour is, & the lesse medled with black, then y e <span class="high1">material</span>l cause of white<br>
</div>

<div class="line t1"><small class="linenumber">576</small>
no<span class="high1">thing</span> may be séene vnder the vttermost coulour: For the vtter∣most colours<br>
</div>

<div class="line t1"><small class="linenumber">653</small>
And such coulour betokeneth diuerse <span class="high1">thing</span>s and contrary by diuersitie of the<br>
</div>

<div class="line t1"><small class="linenumber">751</small>
such coulour is gendered in <span class="high1">thing</span>es that haue colde humour and thicke, as it<br>
</div>

<div class="line t1"><small class="linenumber">778</small>
colour, but only to make mētion of those <span class="high1">thing</span>s that our fore fathers haue<br>
</div>

<div class="line t1"><small class="linenumber">882</small>
STibiuiu is a fained colour made of Cerus, and of other <span class="high1">thing</span>s medde∣led<br>
</div>

<div class="line t1"><small class="linenumber">981</small>
pictureth Images and likenes of <span class="high1">thing</span>s is called a Paynter. A picture is called<br>
</div>

<div class="line t1"><small class="linenumber">996</small>
〈...〉 vpon 〈...〉 gorgeous cloa<span class="high1">thing</span>. But if mann eye first saw •un•••• be seeth<br>
</div>

<div class="line t1"><small class="linenumber">1000</small>
vapour resolued of the sub∣stance of a <span class="high1">thing</span>: and is drawen and passeth by the<br>
</div>

<div class="line t1"><small class="linenumber">1004</small>
feeling to receiue prin∣ting of <span class="high1">thing</span>s that they feele, & to ••mo tyking therein,<br>
</div>

<div class="line t1"><small class="linenumber">1007</small>
Then Doour is the propertie of a <span class="high1">thing</span> that is perceiued and felt by sum•••• To<br>
</div>

<div class="line t1"><small class="linenumber">1008</small>
make odour perfect and knowen in the li•u• of smelling, foure <span class="high1">thing</span>s rea∣deth<br>
</div>

<div class="line t1"><small class="linenumber">1017</small>
Therefore smelling <span class="high1">thing</span>s that be pro∣portionate is kinde, helpeth it and<br>
</div>

<div class="line t1"><small class="linenumber">1018</small>
com∣forteth, and for the contrary cause stin•∣ing <span class="high1">thing</span>s anoyeth and grieued it.<br>
</div>

<div class="line t1"><small class="linenumber">1045</small>
Then fumositie that commeth of the substaunce of a <span class="high1">thing</span> is the mat∣ter of<br>
</div>

<div class="line t1"><small class="linenumber">1056</small>
of hea•d that is 〈...〉 in a <span class="high1">thing</span>, that beginneth to appear and in take corruption,<br>
</div>

<div class="line t1"><small class="linenumber">1066</small>
for this default that commeth of working of heate, all <span class="high1">thing</span> with small & odour<br>
</div>

<div class="line t1"><small class="linenumber">1067</small>
is accounted but 〈...〉 Authors. For many <span class="high1">thing</span>s be soide in substaunce, as it<br>
</div>

<div class="line t1"><small class="linenumber">1072</small>
And thereby the <span class="high1">thing</span> that is toasted, may be perfectly knowe, but is the line of<br>
</div>

<div class="line t1"><small class="linenumber">1074</small>
that may so perfectly know the kinde of a <span class="high1">thing</span>. Also for the <span class="high1">thing</span> y t is smelled<br>
</div>

<div class="line t1"><small class="linenumber">1077</small>
not so well the kinde of <span class="high1">thing</span>s, but all the <span class="high1">thing</span> that is tasted within and with<br>
</div>

<div class="line t1"><small class="linenumber">1078</small>
out is layd to the lim of tasting: there∣fore a <span class="high1">thing</span> is more verelyer knowen, by<br>
</div>

<div class="line t1"><small class="linenumber">1080</small>
qualitie of a <span class="high1">thing</span>, the which qualitie is perceiued and known by smelling, as<br>
</div>

<div class="line t1"><small class="linenumber">1081</small>
I ∣ saac saith: for of the <span class="high1">thing</span> that is smel∣led by working of heale commeth a<br>
</div>

<div class="line t1"><small class="linenumber">1093</small>
owne lykenesse, and putteth off stench and roised <span class="high1">thing</span>s, and maketh it<br>
</div>

<div class="line t1"><small class="linenumber">1095</small>
fish loueth good odour, and hate those <span class="high1">thing</span>s that stinke, and so doe Bees.<br>
</div>

<div class="line t1"><small class="linenumber">1097</small>
wormes and beasts haseth good odour, & those <span class="high1">thing</span>s that smell well. And so<br>
</div>

<div class="line t1"><small class="linenumber">1101</small>
STinking is vapour resolued, and commeth of corrupt <span class="high1">thing</span>s, and in∣fecteth the<br>
</div>

<div class="line t1"><small class="linenumber">1104</small>
spirite: for as Isaac saith, fumositie that commeth of a <span class="high1">thing</span> of man<br>
</div>

<div class="line t1"><small class="linenumber">1113</small>
for heauie odour, all such hot <span class="high1">thing</span>s is vnwholesome foode: but it grieueth lests<br>
</div>

<div class="line t1"><small class="linenumber">1114</small>
then stinking <span class="high1">thing</span>s and rotted, as Galen saith. And this is seene in fresh fish,<br>
</div>

<div class="line t1"><small class="linenumber">1117</small>
moysture, heauye odour is taken awaye by heat: & so by sor<span class="high1">thing</span>, flesh is<br>
</div>

<div class="line t1"><small class="linenumber">1138</small>
helpeth: for some stinking <span class="high1">thing</span>s be put in medicine, as Aloe, Gallianum,<br>
</div>

<div class="line t1"><small class="linenumber">1144</small>
stink∣ing medicine is occasion of out putting of stinking <span class="high1">thing</span>s, for when one<br>
</div>

<div class="line t1"><small class="linenumber">1145</small>
stink∣ing <span class="high1">thing</span> is taken, another stinking <span class="high1">thing</span> to put out therewith. Also stench<br>
</div>

<div class="line t1"><small class="linenumber">1153</small>
<span class="high1">thing</span>s wholsom∣ly done to the nosethrils, & well smelling to the neather partes:<br>
</div>

<div class="line t1"><small class="linenumber">1158</small>
one is not felt, for one stench swallow∣eth another. Of <span class="high1">thing</span>s with good smell<br>
</div>

<div class="line t1"><small class="linenumber">1162</small>
so sauour is knowen by taste: and is the propertie of a <span class="high1">thing</span>, and pro∣fereth it<br>
</div>

<div class="line t1"><small class="linenumber">1177</small>
sower, & lesse sower, and meane sower and werishnes. Two <span class="high1">thing</span>s make sower<br>
</div>

<div class="line t1"><small class="linenumber">1203</small>
liking in tempe∣ratenes, and so kinde vnto more liking in sweetnes than in otherSauors. Al∣so no<span class="high1">thing</span> is so temperate and so such according to the euen<br>
</div>

<div class="line t1"><small class="linenumber">1211</small>
ge∣neration of <span class="high1">thing</span>s: for temperate heat working in moysture, heateth and<br>
</div>

<div class="line t1"><small class="linenumber">1220</small>
medled with gleimie <span class="high1">thing</span>s and thicke, as it fareth in Daies: and is somtime<br>
</div>

<div class="line t1"><small class="linenumber">1224</small>
stopping, for superfluitie of sweet <span class="high1">thing</span>s is gleimed in the poores, fille sweete<br>
</div>

<div class="line t1"><small class="linenumber">1225</small>
<span class="high1">thing</span>s softeneth the members, & washeth, dryeth and cleanseth and nou∣risheth<br>
</div>

<div class="line t1"><small class="linenumber">1228</small>
softe, and draweth out and clean∣seth sweete <span class="high1">thing</span>s, and nourisheth lyttle by<br>
</div>

<div class="line t1"><small class="linenumber">1241</small>
<span class="high1">thing</span>, is among all sauoure, most plea∣sing to the taste, and freend to kinde,<br>
</div>

<div class="line t1"><small class="linenumber">1242</small>
and most lyke therto, and restoreth in the bo∣dy the <span class="high1">thing</span>e that is lost, and most<br>
</div>

<div class="line t1"><small class="linenumber">1246</small>
members: and no∣<span class="high1">thing</span> norisheth, that is not medled with sweetnesse, and so<br>
</div>

<div class="line t1"><small class="linenumber">1252</small>
〈◊◊〉 be contrarie <span class="high1">thing</span>s: and so sweet∣nesse is head and well of all lyking<br>
</div>

<div class="line t1"><small class="linenumber">1261</small>
<span class="high1">thing</span>s was ma∣ny euills in the body, for they be vnctu∣ous, and breede<br>
</div>

<div class="line t1"><small class="linenumber">1266</small>
c•••se, sworde <span class="high1">thing</span>s 〈...〉 appetite, for 〈...〉 of thicke substaunce they stil<br>
</div>

<div class="line t1"><small class="linenumber">1293</small>
nourisheth not, but by meanes of aire, & vnctuous <span class="high1">thing</span>s passe soone into<br>
</div>

<div class="line t1"><small class="linenumber">1294</small>
sub∣stance of aire: & so vnctuous <span class="high1">thing</span>s that haue more water, pertain lesse to<br>
</div>

<div class="line t1"><small class="linenumber">1303</small>
as it fareth of butter, but soone vnc∣tuous <span class="high1">thing</span>s grieue y e brest for drines & is<br>
</div>

<div class="line t1"><small class="linenumber">1304</small>
therein, as it fareth of oyle of note, for such haue not pere 〈...〉. All such <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">1317</small>
& moderate heat, commeth mode∣rate boyling & see<span class="high1">thing</span> of moysture and so<br>
</div>

<div class="line t1"><small class="linenumber">1320</small>
substaunce by heate. Salt <span class="high1">thing</span>s cleanseth and tem∣pereth and departeth<br>
</div>

<div class="line t1"><small class="linenumber">1322</small>
being so bitten, be moued to put out moysture y t is dissol∣ued. And salt <span class="high1">thing</span>s,<br>
</div>

<div class="line t1"><small class="linenumber">1324</small>
depart the fast super∣fluitie of moysture, and so they mo••fie. Also 〈...〉 <span class="high1">thing</span>s<br>
</div>

<div class="line t1"><small class="linenumber">1337</small>
grounded therein, and all bitter <span class="high1">thing</span>es 〈...〉 to the tast more then any other<br>
</div>

<div class="line t1"><small class="linenumber">1338</small>
<span class="high1">thing</span>s with simple sauour, for it maketh more the parting are dea∣ling, &<br>
</div>

<div class="line t1"><small class="linenumber">1339</small>
though other <span class="high1">thing</span>s haue lesse heate then sharpe <span class="high1">thing</span>s of sauour yet it maketh<br>
</div>

<div class="line t1"><small class="linenumber">1341</small>
& thros•ing. Also bitter <span class="high1">thing</span>es purgeth Cholera, for they be like therto in<br>
</div>

<div class="line t1"><small class="linenumber">1342</small>
complection: or for in Cholera be ma∣ny pores that take the bitter <span class="high1">thing</span>s that<br>
</div>

<div class="line t1"><small class="linenumber">1343</small>
maketh the Cholera fléeting and <span class="high1">thing</span>s and w••ing, and bringeth it out in that<br>
</div>

<div class="line t1"><small class="linenumber">1344</small>
wise. Also bitter <span class="high1">thing</span>s exciteth appetite, for it putteth out Cholera, that is also<br>
</div>

<div class="line t1"><small class="linenumber">1345</small>
gathered, as a <span class="high1">thing</span> that is light aboue the mouth of the stomacke, & feedleth<br>
</div>

<div class="line t1"><small class="linenumber">1346</small>
the appetite. And also thicknes of bitter <span class="high1">thing</span>s helpeth therto, for they hold<br>
</div>

<div class="line t1"><small class="linenumber">1348</small>
of k••h meat. Also better <span class="high1">thing</span>s vnstoppeth the 〈...〉 and the sauor, for with heatit ope∣neth the p••res, and dissolueth and bea∣reth downe the 〈...〉 that be<br>
</div>

<div class="line t1"><small class="linenumber">1349</small>
dissol∣ued with thicknes, & putteth them out Also bitter <span class="high1">thing</span>s be cōtrary to<br>
</div>

<div class="line t1"><small class="linenumber">1353</small>
they be made made 〈...〉ting & f〈...〉ting. Also bitter <span class="high1">thing</span>es saueth the vtter<br>
</div>

<div class="line t1"><small class="linenumber">1354</small>
<span class="high1">thing</span>s, for if they bee tempered with some licour, they haue those three, that<br>
</div>

<div class="line t1"><small class="linenumber">1356</small>
deepe in the <span class="high1">thing</span>, and lieth in thicke substance, and hardeneth the <span class="high1">thing</span>, &<br>
</div>

<div class="line t1"><small class="linenumber">1363</small>
greene the tast, yet it is more needfull to many other <span class="high1">thing</span>s then is sw••• <span class="high1">thing</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">1375</small>
And thinne <span class="high1">thing</span>s with sharpe sa∣uour biteth, and be full hot and dry, and<br>
</div>

<div class="line t1"><small class="linenumber">1378</small>
Al such <span class="high1">thing</span>s fret and dissolue, for by qualitye and by substance it dissolueth<br>
</div>

<div class="line t1"><small class="linenumber">1383</small>
exciteth appetite in that wise. Also such biting <span class="high1">thing</span>s no∣rish but little, for of<br>
</div>

<div class="line t1"><small class="linenumber">1395</small>
sub∣staunce, and thereof commeth sowre sa∣uour. Sowre <span class="high1">thing</span>s make good<br>
</div>

<div class="line t1"><small class="linenumber">1399</small>
feeling. Also sowre <span class="high1">thing</span>s la•eth the full 〈...〉, But if the stomacke •• voide, it<br>
</div>

<div class="line t1"><small class="linenumber">1400</small>
findeth but lyttle moysture. And sowre <span class="high1">thing</span>s dryeth it with drynesse, and<br>
</div>

<div class="line t1"><small class="linenumber">1401</small>
bin∣deth it with colde. All such <span class="high1">thing</span>s ope∣neth stoppings of the splene, and of<br>
</div>

<div class="line t1"><small class="linenumber">1403</small>
by qualitie, but by subtill substance. Also such <span class="high1">thing</span>s greeueth the spirituall<br>
</div>

<div class="line t1"><small class="linenumber">1413</small>
drynesse in the third degree in the sub∣staunce that is thicke, and such <span class="high1">thing</span>es<br>
</div>

<div class="line t1"><small class="linenumber">1424</small>
for if sowrenesse wath sweete <span class="high1">thing</span>s and vnctuous cōmeth into y e pores, it<br>
</div>

<div class="line t1"><small class="linenumber">1434</small>
sowrish <span class="high1">thing</span>s exciteth appe∣tite, and lareth after meat, and the cause is, for<br>
</div>

<div class="line t1"><small class="linenumber">1466</small>
tast, for water is simple in com∣parison to the tongue, and taketh foure <span class="high1">thing</span>s in<br>
</div>

<div class="line t1"><small class="linenumber">1470</small>
not distemperately the first degree: Such wearish <span class="high1">thing</span>s be Courds, Citrone,<br>
</div>

<div class="line t1"><small class="linenumber">1487</small>
composition, for it worketh one wise in standing <span class="high1">thing</span>es, & other wise in<br>
</div>

<div class="line t1"><small class="linenumber">1488</small>
fleeting <span class="high1">thing</span>s: other wise in hearbes and trees, and other wise in men & in<br>
</div>

<div class="line t1"><small class="linenumber">1490</small>
<span class="high1">thing</span>es, and of bodies with soule and without soule: but of licours, in the<br>
</div>

<div class="line t1"><small class="linenumber">1502</small>
confect & made of diuerse <span class="high1">thing</span>s medled together. And those be simple that<br>
</div>

<div class="line t1"><small class="linenumber">1546</small>
kind of <span class="high1">thing</span>s, and name∣ly Galen, y e horne is vnprofitable meat, and greeuous<br>
</div>

<div class="line t1"><small class="linenumber">1552</small>
hot <span class="high1">thing</span> with honnie, therein is sharp∣nesse meddeled with sweetnesse. The<br>
</div>

<div class="line t1"><small class="linenumber">1596</small>
heere∣in knew much but not all <span class="high1">thing</span>es, and they are not wise y t will leane so<br>
</div>

<div class="line t1"><small class="linenumber">1649</small>
as Huguti ∣ on sayth. Also the Beare loueth honnie most of anye <span class="high1">thing</span>. And he<br>
</div>

<div class="line t1"><small class="linenumber">1743</small>
in colde y t seemeth not to wet <span class="high1">thing</span>s and tough And therefore seales the wet,<br>
</div>

<div class="line t1"><small class="linenumber">1749</small>
her <span class="high1">thing</span>s that be in darkness. For in the Taper be three <span class="high1">thing</span>s, the matter, &<br>
</div>

<div class="line t1"><small class="linenumber">1754</small>
the wike, and turneth them into his owne likenes: and <span class="high1">thing</span>s of diuers kinde<br>
</div>

<div class="line t1"><small class="linenumber">1870</small>
hot & more moist, & neere to the heat of bloud, & turneth soo∣ner vnto bloud.And as men of olde time tell, <span class="high1">thing</span>s y e turneth soonest into bloud, nourisheth<br>
</div>

<div class="line t1"><small class="linenumber">2021</small>
often it hap∣peneth, that <span class="high1">thing</span> which accordeth not to the throate, accordeth to<br>
</div>

<div class="line t1"><small class="linenumber">2061</small>
bo∣dy is not made, subtill therewith, as it is with other <span class="high1">thing</span>s that are subtill in<br>
</div>

<div class="line t1"><small class="linenumber">2065</small>
other <span class="high1">thing</span>s, that helpe in other maner, and tourneth them into worse<br>
</div>

<div class="line t1"><small class="linenumber">2133</small>
Of the vertues of diuers <span class="high1">thing</span>s, as humour and licour. Chap. 77.<br>
</div>

<div class="line t1"><small class="linenumber">2134</small>
IN humoures, licoures, and other <span class="high1">thing</span>s be certaine vertues, of whom some we<br>
</div>

<div class="line t1"><small class="linenumber">2136</small>
in diuers <span class="high1">thing</span>s, diuers manner of working is found, as the vertue of o∣pening,<br>
</div>

<div class="line t1"><small class="linenumber">2142</small>
the substaunce of a <span class="high1">thing</span>, and dissol∣ueth moysture that is 〈...〉ut thereto, and<br>
</div>

<div class="line t1"><small class="linenumber">2171</small>
proper∣ties, and medling of <span class="high1">thing</span>s gendred kind∣ly, either happely, as it is<br>
</div>

<div class="line t1"><small class="linenumber">2178</small>
and maketh softe in y t wise, other <span class="high1">thing</span>s that be softened by heate that hath<br>
</div>

<div class="line t1"><small class="linenumber">2183</small>
softneth such <span class="high1">thing</span>s, so that the parts cleaueth scarcely together in great<br>
</div>

<div class="line t1"><small class="linenumber">2184</small>
working of heate, as it fareth in waxe & in other <span class="high1">thing</span>s that melteth, for vertue<br>
</div>

<div class="line t1"><small class="linenumber">2192</small>
ver∣tues, but it worketh more strongly, and so some <span class="high1">thing</span>s that draw laxe also<br>
</div>

<div class="line t1"><small class="linenumber">2204</small>
Metheororum. For all that is earthye & cold rotteth later then the <span class="high1">thing</span> that is<br>
</div>

<div class="line t1"><small class="linenumber">2205</small>
hot, as Aristotle sayeth. Also the <span class="high1">thing</span> y t is hardned by colde, rotteth slowly, as<br>
</div>

<div class="line t1"><small class="linenumber">2209</small>
therefore it selfe to bée ouercome nor chaunging made against the <span class="high1">thing</span> that is<br>
</div>

<div class="line t1"><small class="linenumber">2210</small>
feruent. And all that moueth rotteth more slowly then that <span class="high1">thing</span> that moueth<br>
</div>

<div class="line t1"><small class="linenumber">2230</small>
heate that is therein, as the Commentour sai∣eth 〈...〉 <span class="high1">thing</span>s be grieuous to the<br>
</div>

<div class="line t1"><small class="linenumber">2235</small>
Serpents, and to wormes. And <span class="high1">thing</span>s that be dispo∣sed to rot, they rot y e sonner<br>
</div>

<div class="line t1"><small class="linenumber">2236</small>
if they touch a <span class="high1">thing</span> that is rotted, and corrupt and rotted members corrupteth<br>
</div>

<div class="line t1"><small class="linenumber">2261</small>
moyst <span class="high1">thing</span> hath moyst humour with∣in, and some without, as he saith. Some<br>
</div>

<div class="line t1"><small class="linenumber">2364</small>
eate, for in all <span class="high1">thing</span> what is di∣gest, is more swéete and farre more ly∣king then<br>
</div>

<div class="line t1"><small class="linenumber">2649</small>
vn∣cleane <span class="high1">thing</span>s, and he telleth, that these egges be good for Witches and euill<br>
</div>

<div class="line t1"><small class="linenumber">2659</small>
TO the foresaid propertyes of <span class="high1">thing</span>s, it séemeth mée good at last to set<br>
</div>

<div class="line t1"><small class="linenumber">2668</small>
to vnderstand of other numbers. And no∣<span class="high1">thing</span> we may know and learne<br>
</div>

<div class="line t1"><small class="linenumber">2672</small>
ac∣counts. Take away (as he sayth) num∣ber and tale, and all <span class="high1">thing</span>s be lost. Doe<br>
</div>

<div class="line t1"><small class="linenumber">2678</small>
knowen that no<span class="high1">thing</span> is knowen by the Science Mathematica, without number,<br>
</div>

<div class="line t1"><small class="linenumber">2686</small>
conteineth all vnder it selfe, and al <span class="high1">thing</span>s be therin, as in the taker, as he sayth<br>
</div>

<div class="line t1"><small class="linenumber">2689</small>
said, libro. 4. cap. •. And for asmuch as one is, y t well of al <span class="high1">thing</span>s, the more a<br>
</div>

<div class="line t1"><small class="linenumber">2690</small>
<span class="high1">thing</span> maketh to one and v∣nitie, the more it nigheth to veri••e and truth, as he<br>
</div>

<div class="line t1"><small class="linenumber">2695</small>
withholdeth al <span class="high1">thing</span>s, as it is sayd li. 5. cap. 31. One and vnitie is so praised<br>
</div>

<div class="line t1"><small class="linenumber">2698</small>
<span class="high1">thing</span>s, that is continuall and discreet, as Auicen sayth, lib. 3. ca. 1 Also one is<br>
</div>

<div class="line t1"><small class="linenumber">2705</small>
the which all <span class="high1">thing</span>s be reduct, bee they neuer so diuerse, for one is saide in<br>
</div>

<div class="line t1"><small class="linenumber">2707</small>
perfectnesse, for al particular <span class="high1">thing</span>s, which is perfect each in himselfe, be<br>
</div>

<div class="line t1"><small class="linenumber">2721</small>
and qualitie, as Snowe and Cerusa, and other white <span class="high1">thing</span>s. One in likenesse of<br>
</div>

<div class="line t1"><small class="linenumber">2731</small>
perfection, as is a circle. And one in matter, as all bodyly <span class="high1">thing</span>s. Bar ∣ nard<br>
</div>

<div class="line t1"><small class="linenumber">2734</small>
foure maner wise One is a vnity by assembling of diuers & distinct <span class="high1">thing</span>s, as<br>
</div>

<div class="line t1"><small class="linenumber">2768</small>
vnity, y e be∣ginning and end of all <span class="high1">thing</span>s maye be one, that is God, that is<br>
</div>

<div class="line t1"><small class="linenumber">2832</small>
Mar∣tires shall passe the ioye of consectoure, to that they be lyke other <span class="high1">thing</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">2992</small>
Arethmetik passeth all other to helpe to knowe all <span class="high1">thing</span>es of kinde, of the<br>
</div>

<div class="line t1"><small class="linenumber">3007</small>
might of all reasonable <span class="high1">thing</span>s & of spiri∣tuall wits be distinguished. And the<br>
</div>

<div class="line t1"><small class="linenumber">3009</small>
all <span class="high1">thing</span> vsed coniunction of numbers both spirituall and corporall, both of<br>
</div>

<div class="line t1"><small class="linenumber">3122</small>
certeine maner kind 〈...〉ulation, fol∣lowing all <span class="high1">thing</span>s. For heauen is round• in shape, &<br>
</div>

<div class="line t1"><small class="linenumber">3191</small>
seemeth wonderfull in all <span class="high1">thing</span>s, and namely in numbers & in figures: Of other figures,<br>
</div>

<div class="line t1"><small class="linenumber">3204</small>
conteyneth all <span class="high1">thing</span> vnder an angle: For the highnesse<br>
</div>

<div class="line t1"><small class="linenumber">3206</small>
that commeth from the <span class="high1">thing</span>, y t is seene straight to the eye maketh Pirame: * of the<br>
</div>

<div class="line t1"><small class="linenumber">3207</small>
which the point is in the blacke of the eye, and the broad ende in the <span class="high1">thing</span> that is<br>
</div>

<div class="line t1"><small class="linenumber">3222</small>
spiritually taken, and spiritual <span class="high1">thing</span>s with corporal be accorded. Under these<br>
</div>

<div class="line t1"><small class="linenumber">3224</small>
Of measures of bodies. ca. 131.MEasure, as Isid. sayth, li. 16. cap. pe. is some <span class="high1">thing</span> in his manner meet, or his<br>
</div>

<div class="line t1"><small class="linenumber">3226</small>
mesure of body is as of mē, of trees, and of other bodily <span class="high1">thing</span>s in length and in<br>
</div>

<div class="line t1"><small class="linenumber">3228</small>
called measure, by whome fruit & corne & licuor, and other <span class="high1">thing</span>s moist and<br>
</div>

<div class="line t1"><small class="linenumber">3245</small>
Congiarium is speciallye a measure of fleeting <span class="high1">thing</span>s, & the Romanes ordeined<br>
</div>

<div class="line t1"><small class="linenumber">3247</small>
Metreta is a measure of fleeting <span class="high1">thing</span>s, & hath that name of this Greeke name,<br>
</div>

<div class="line t1"><small class="linenumber">3248</small>
Metron, & is a common name of al mea∣sures, that conteine fleeting <span class="high1">thing</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">3252</small>
in the first day God made seuen manner <span class="high1">thing</span>s, matter & forme, light or fire,<br>
</div>

<div class="line t1"><small class="linenumber">3254</small>
instru∣ment. And the third day he made foure <span class="high1">thing</span>s, y e seas, séeds, hearbs, &<br>
</div>

<div class="line t1"><small class="linenumber">3255</small>
trées. The fourth daye he made three <span class="high1">thing</span>es, the Sunne, Moone, and Starres.<br>
</div>

<div class="line t1"><small class="linenumber">3258</small>
and man. And so. 21. manner <span class="high1">thing</span>s were made in sixe dayes. And 22.<br>
</div>

<div class="line t1"><small class="linenumber">3273</small>
33. pound .4. ounces, of Oyle 30. pound, of 〈...〉 50. pound. It is of our measurestandard, two gallons and a quart. Bee∣ing a measure of drye <span class="high1">thing</span>s, it is our<br>
</div>

<div class="line t1"><small class="linenumber">3275</small>
Bacus is a measure that holdeth 5•. Sextarius, & Batus is in fleeting <span class="high1">thing</span>s, as<br>
</div>

<div class="line t1"><small class="linenumber">3276</small>
Chorus and Ephi in drye <span class="high1">thing</span>s.<br>
</div>

<div class="line t1"><small class="linenumber">3300</small>
mysticall meaning : for euerye vessell in which <span class="high1">thing</span>s be kept that be measen,<br>
</div>

<div class="line t1"><small class="linenumber">3312</small>
Archa is a vessell and mesure, onely in the which <span class="high1">thing</span>s be put and kept out of<br>
</div>

<div class="line t1"><small class="linenumber">3316</small>
before. Batus is a measure of fleeting <span class="high1">thing</span>s, ordeined by y e law. Bachia is ame∣sure, ordained generaly to y e vse of wine. Calix is a certain porsion &<br>
</div>

<div class="line t1"><small class="linenumber">3328</small>
Curriferum, bering <span class="high1">thing</span>s that runneth, for wheate and other corne runneth ther<br>
</div>

<div class="line t1"><small class="linenumber">3387</small>
〈...〉 of some ashe••••ce <span class="high1">thing</span>, & light is closed therin, for the wind sh•ld not<br>
</div>

<div class="line t1"><small class="linenumber">3416</small>
Mola is a great bell déepe & round, & was so called, for all rounde <span class="high1">thing</span>s are<br>
</div>

<div class="line t1"><small class="linenumber">3441</small>
Quisquiliarium is a vessell or anye <span class="high1">thing</span>, in which coddes, huskes, or small<br>
</div>

<div class="line t1"><small class="linenumber">3444</small>
bur∣neth therein, and is a manner pan, in the which <span class="high1">thing</span>s be fryed with chéese,<br>
</div>

<div class="line t1"><small class="linenumber">3456</small>
other <span class="high1">thing</span>s that they need in the way.<br>
</div>

<div class="line t1"><small class="linenumber">3458</small>
<span class="high1">thing</span>s, which néedeth to houshold. Or hath y t name, for it is ofte made of rods<br>
</div>

<div class="line t1"><small class="linenumber">3464</small>
money is kept and other preuy <span class="high1">thing</span>s. Salinum is a saler, as Isidore saith.<br>
</div>

<div class="line t1"><small class="linenumber">3472</small>
propertie, that the light <span class="high1">thing</span> & vyle passeth out, and the heauie and cleanea∣bideth therein.<br>
</div>

<div class="line t1"><small class="linenumber">3485</small>
MEasure he sayeth, is all <span class="high1">thing</span> which hath 〈...〉 in w•ight, capacitie in length,<br>
</div>

<div class="line t1"><small class="linenumber">3494</small>
& sleight, they lesse no<span class="high1">thing</span> vnmeasured, from the most to the least. An inche<br>
</div>

<div class="line t1"><small class="linenumber">3531</small>
Vehiculum, a <span class="high1">thing</span> which beareth, for therein commeth and meeteth caria∣ges,<br>
</div>

<div class="line t1"><small class="linenumber">3583</small>
Isidore sayth, for the might of kinde giueth to all bodely <span class="high1">thing</span>s theyr owne<br>
</div>

<div class="line t1"><small class="linenumber">3586</small>
set∣teth all <span class="high1">thing</span>s in theyr owne place, for weight is not els, but receiuing a<br>
</div>

<div class="line t1"><small class="linenumber">3587</small>
<span class="high1">thing</span> toward his own place. Two <span class="high1">thing</span>s ma∣keth weight, lightnesse and<br>
</div>

<div class="line t1"><small class="linenumber">3605</small>
weight and heauinesse is all one: for <span class="high1">thing</span>s that moue down ward be called<br>
</div>

<div class="line t1"><small class="linenumber">3606</small>
weighty, for their heauinesse, and <span class="high1">thing</span>s that moue vpward, are called light<br>
</div>

<div class="line t1"><small class="linenumber">3607</small>
<span class="high1">thing</span>s: and so light and weight be diuided as contra∣ries. Therefore li. 15.<br>
</div>

<div class="line t1"><small class="linenumber">3610</small>
commonly, the <span class="high1">thing</span> in y e which a <span class="high1">thing</span> as wayed, is called a weight: and<br>
</div>

<div class="line t1"><small class="linenumber">3611</small>
somtime the <span class="high1">thing</span> that is weyed, & som∣time ma••ie <span class="high1">thing</span>s & heuy, by the<br>
</div>

<div class="line t1"><small class="linenumber">3613</small>
Also instruments in the which <span class="high1">thing</span>s be weighed, haue diuers names: For<br>
</div>

<div class="line t1"><small class="linenumber">3615</small>
as humorous, and talents, & small balan∣ces, for to weye small <span class="high1">thing</span>s and lyttle<br>
</div>

<div class="line t1"><small class="linenumber">3618</small>
standeth euen weyed by a <span class="high1">thing</span> y t bea∣reth it vp in the middle.<br>
</div>

<div class="line t1"><small class="linenumber">3620</small>
<span class="high1">thing</span> that is weighed is in the o∣ther, and the weight to rightfull, when both y e<br>
</div>

<div class="line t1"><small class="linenumber">3639</small>
Solide hath that name, for it seemeth that he lacketh no<span class="high1">thing</span>: and therefore men<br>
</div>

<div class="line t1"><small class="linenumber">3640</small>
in old time called a <span class="high1">thing</span> that was whole and vnbroken, Solidum & Totū. Also a<br>
</div>

<div class="line t1"><small class="linenumber">3682</small>
Talentum is accounted the greatest weyght among the Greekes for no<span class="high1">thing</span> is<br>
</div>

<div class="line t1"><small class="linenumber">3779</small>
sparpled by small and diuers brea<span class="high1">thing</span>: the blind voyce stinteth soone, and is<br>
</div>

<div class="line t1"><small class="linenumber">3928</small>
which was most buste about such <span class="high1">thing</span>s. And so it was sayd, y t by y e same<br>
</div>

<div class="line t1"><small class="linenumber">3952</small>
neuertheles disposition of kindly <span class="high1">thing</span>s & proportion of numbers, as Boctius<br>
</div>

<div class="line t1"><small class="linenumber">3965</small>
ver∣tue of nūbers, thereby it may be proued, that those <span class="high1">thing</span>es which doe<br>
</div>

<div class="line t1"><small class="linenumber">3966</small>
stande by themselves, be rather in kind, then those <span class="high1">thing</span>s which be in<br>
</div>

<div class="line t1"><small class="linenumber">3967</small>
comparison to some other <span class="high1">thing</span>s. And the melody of Musick is taken & called<br>
</div>

<div class="line t1"><small class="linenumber">4000</small>
comprehended all <span class="high1">thing</span>s. And so then reuolue and consider heereof in thy<br>
</div>

<div class="line t1"><small class="linenumber">4001</small>
minde, that Musicke and harmonye ioyneth and accordeth diuerse <span class="high1">thing</span>es that<br>
</div>

<div class="line t1"><small class="linenumber">4008</small>
contrary workings: and diuersly mani∣festeth & sheweth, y e earthly <span class="high1">thing</span>s may<br>
</div>

<div class="line t1"><small class="linenumber">4009</small>
be ioyned in accord to heauenly <span class="high1">thing</span>s: & causeth & maketh glad & ioyfull<br>
</div>

<div class="line t1"><small class="linenumber">4068</small>
verse. 17. 18. 19. Giue thanks alwayes for all <span class="high1">thing</span>s vnto God, euen the Father,<br>
</div>

<div class="line t1"><small class="linenumber">4081</small>
7.8. Moreouer, <span class="high1">thing</span>es without lyfe which giue a sounde, whether it bee a Pipe<br>
</div>

<div class="line t1"><small class="linenumber">4123</small>
were vnder them spoken, which <span class="high1">thing</span> heereby he proueth to be st••e, be∣cause<br>
</div>

<div class="line t1"><small class="linenumber">4166</small>
abuse, and not the <span class="high1">thing</span> it selfe.<br>
</div>

<div class="line t1"><small class="linenumber">4176</small>
onelye, is adorned with no<span class="high1">thing</span> but vertue. Alexander the great loued Musicke,<br>
</div>

<div class="line t1"><small class="linenumber">4191</small>
<span class="high1">thing</span> of all, which passeth the abuse of Musicke, is, that as the Gentiles and<br>
</div>

<div class="line t1"><small class="linenumber">4206</small>
THis that we haue shortlye placed heere of accidents of kindly <span class="high1">thing</span>s, as of<br>
</div>

<div class="line t1"><small class="linenumber">4209</small>
small or simple, that be like to mee in Christ Those <span class="high1">thing</span>s of properties of<br>
</div>

<div class="line t1"><small class="linenumber">4210</small>
kindly <span class="high1">thing</span>s that be fully conceiued in minde, & treated in .19. parcells or<br>
</div>

<div class="line t1"><small class="linenumber">4211</small>
books, shall suffies to finde some reason of the likenesse of <span class="high1">thing</span>s, for which<br>
</div>

<div class="line t1"><small class="linenumber">4212</small>
holy writ vseth so ready likenesse & figures of kind, not in all <span class="high1">thing</span>s, & of the<br>
</div>

<div class="line t1"><small class="linenumber">4218</small>
bookes seeke and finde all the properties of <span class="high1">thing</span>es, of the which holy writ<br>
</div>

<div class="line t1"><small class="linenumber">4225</small>
Page  [unnumbered]and to haue knowledge of greater, higher, and more subtill <span class="high1">thing</span>s. I coun∣sell,<br>
</div><div class="source"><small>350-gaius-julius-solinus_index.txt</small><br>

<div class="line t1"><small class="linenumber">6</small>
CAP. VII. Of Italy and the prayse therof: and of many peculiar <span class="high1">thing</span>es that are foundetherein.<br>
</div>

<div class="line t1"><small class="linenumber">10</small>
CAP. XI. Of the thyrd Coast of Europe: of the Countryes and places of Greece: of many <span class="high1">thing</span>es worthy to be re∣counted in them: and of the Nature of Partriches.<br>
</div>

<div class="line t1"><small class="linenumber">14</small>
CAP. XV. Of Creta, and of many other <span class="high1">thing</span>es pertay∣ning thereunto.<br>
</div>

<div class="line t1"><small class="linenumber">38</small>
CAP. XXXIX. Of Affrick, of Lyons, of the Hyene, of the sundry sorts of Serpents, of precious stones, of monstrous kindes of creatures, and of other notable <span class="high1">thing</span>es of that Countrey.<br>
</div>

<div class="line t1"><small class="linenumber">42</small>
CAP. XLIII. VVonderfull <span class="high1">thing</span>s of the nations of Lybia, and of the stone called Hexacontaly thos.<br>
</div><div class="source"><small>1932-abbot_great-inventions_index.txt</small><br></div>