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        <dcterms:abstract>In The Novel of the Future, Anaïs Nin explores the act of creation—in literature, film, art, and dance—to arrive at a new synthesis for the young artist struggling against the sterility, formlessness, and spiritual bankruptcy afflicting much of modern fiction.</dcterms:abstract>
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        <dc:subject>Asylum Piece</dc:subject>
        <dc:subject>Bright Green Field</dc:subject>
        <dc:subject>Ice</dc:subject>
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        <dcterms:abstract>How can nature exist ? To this Anna Kavan wandering across europe really allows for a single response because you’ll remain “a stranger still” as you approach the “bright green field” having left the asylum after suffering a “scarcity of love”. The car driving across the ice, the heavy gun in his pocket. The girls, the drugs, the small bare rooms in which you can hear the birds singing in the trees. All this is marked by the fact of its being irreparable, its this which is written into Kavan’s world, her writing which engraves into things.</dcterms:abstract>
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        <link:link rdf:resource="#item_368"/>
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        <dc:title>Beyond The Lighthouse. English Women Novelists In The Twentieth Century</dc:title>
        <dcterms:abstract>Are novels by women 'different' from those written by men? If so, how? Do women writers possess a sense of humour? And why have so many of their novels been over- or under-rated? These are some of the questions raised in this stimulating book, which considers the work of some sixty British and Commonwealth women novelists of the twentieth century. Margaret Crosland's enthusiasm for her subject will encourage readers, both women and men, to study the modern classics which they had always meant to read, or re-read those they read too long ago. The author considers some pioneers, such as May Sinclair, and experimenters of different types: Virginia Woolf, Dorothy Richardson, Anna Kavan, Ann Quin; humorists whose humour is often `black': Rose Macaulay, Muriel Spark, Barbara Pym, Beryl Bainbridge, Fay Weldon, Ivy Compton-Burnett;</dcterms:abstract>
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        <dc:title>Experimental and semi-autobiographical novels of the 1930s and ’40s written by Jean Rhys, Elizabeth Bowen, Stevie Smith, and Anna Kavan</dc:title>
        <dcterms:abstract>My doctoral dissertation explores experimental and semi-autobiographical novels of the 1930s and ’40s written by Jean Rhys, Elizabeth Bowen, Stevie Smith, and Anna Kavan with a focus on language, narrative self-reflexivity, and the subject’s ambivalence about her gender, national, and cultural identity.</dcterms:abstract>
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        <dcterms:abstract>1957:
“ Everything appeared slightly distorted to me just then. I saw the station as the garishly lit shrine of some cult, dedicated to huge iron monsters, bellowing peremptorily at the timid...</dcterms:abstract>
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        <dc:title>2666 and what I learned from Anna Kavan</dc:title>
        <dcterms:abstract>Right now I’m reading Ice by Anna Kavan. Scant 150 pages of flat characterization and a fantastic, visceral, amorphous ice world that includes a dragon.</dcterms:abstract>
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        <dcterms:abstract>If you thought you knew a lot about the ‘wives’ of modernism and the various forms of silencing they suffered, Kate Zambreno’s Heroines will teach you more; if you didn’t know much, your mouth will fall open in enraged amazement.</dcterms:abstract>
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Unique. In my experience. I can think of no other novel that I have read that comes anywhere near this. Based in part on her own life and withdrawal from the world, it is a truly surreal journey from day into night, from reality into dreams, from normality into a world of symbolism that is cut off from the mainstream. Yet it manages at the same to imply that, in fact, the night and the dreams and the symbols are a much more fundamental reality underlying the chaotic world in which we are expected to live.</dcterms:abstract>
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Qu' il soit ici remercié !</dcterms:abstract>
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        <dcterms:abstract>About a year ago, I attended the guest of honor talk at ICon, the Israeli science fiction and fantasy convention. The speaker was Neil Gaiman, and his topic was dreams. With typical low-key irreverence, Mr. Gaiman sidestepped his assigned subject. Nothing, he claimed, is quite so boring as actual dreams, in which the mind's processing centers, cut off from the senses and from higher reasoning, continue to churn and light up, producing certainties and causal leaps (&quot;and suddenly it wasn't my high school gym teacher; it was my mother&quot; is my best recollection of Mr. Gaiman's way of describing this effect) that have no relation to logic, narrative, or even metaphor and symbolism. Anna Kavan's Ice unfolds with a similar dream-like logic.</dcterms:abstract>
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        <dcterms:abstract>When I picked up this book, all I knew about it was that it was apocalyptic. I certainly didn’t realise that the apocalyptic scenario in fact plays out a sinister psychological dreamscape, where the boundaries between interior and exterior, real and imagined, hallucination and daydream, sadistic wish-fulfillment and physical injury, are utterly erased. That was a shock. But whilst Kavan’s Ice turned out to be far more disconcerting than I’d anticipated, it certainly wasn’t disappointing.</dcterms:abstract>
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        <dcterms:abstract>Anna Kavan was the pen-name of Helen Woods (1901-68), a British writer and artist (her self-portrait can be seen here). By all accounts she was a deeply damaged individual: prone to mental illness and a lifelong heroin addict, she attempted suicide several times in the course of her life.</dcterms:abstract>
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In This Episode

Dr Jennifer Sturm and friend Debbie Knowles discuss the life and work of Anna Kavan, an ‘unconventional’ and enigmatic personality whose experiences in NZ over 18 months in the 1940’s were written about in Sturm’s insightful book ‘Anna Kavan’s New Zealand’.  Sturm’s research and her discovery of previously unpublished short stories by Anna Kavan has contributed significantly to renewed interest in the work of a woman whose writing has been compared to that of Virginia Woolf, Djuna Barnes and Jean Rhys.</dcterms:abstract>
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        <dcterms:abstract>Before powerhouse vocalist Thalia Zedek added her verve to New York's no wave band Live Skull or fronted her own blues-tinged Come during the 1990s, she was fulfilling, in part, the legacy Patti Smith left behind when she dropped from sight to raise her family at the end of the 1970s. Fronting the little-known and even less-remembered Boston band Uzi during the first half of the 1980s, Zedek spit her voice across a dark, underground rock that barely tempered the ferocity of her delivery. The group's only album, Sleep Asylum, was racked in 1986 and displayed their skill at creating a wall of sound that didn't depend on screamed vocals to front the din. It was a godsend for the Massachusetts no wavers, who'd only previously been able to sample the band via the college circuit. A delicious blend of gritty guitar, tape loops, and heavy drumbeats, the music was another slice of the pie served à la Sonic Youth and to a lesser extent, Big Black. Packed with sophisticated melody that barely traps the menace, Sleep Asylum builds across the opening &quot;Criminal Child&quot; to the sweet fragility of &quot;Gabrielle&quot; before launching into the balls-out crash-bang nervous breakdown of &quot;Ha-Ha-Ha,&quot; which remains one of the band's finest. Nearly, but not quite outdoing that triumph, though, is the hypnotic &quot;Collections,&quot; which roils around guitar and drums and some otherworldly chant before Zedek's vocals weigh in to pose the question, &quot;Would you let me inside your house/Would you like to push me inside out?/Someone should dare.&quot; With that delicious intent and her bludgeoned come-on cutting through the music, one can only wonder if anyone would have. Probably not. This album, an early Homestead release, remains devilishly hard to find, but is well worth the price. Sleep Asylum is one of the American underground's long-forgotten secrets, a bit of archeology that, in its own way, helped set the scene for the drone of music's future.</dcterms:abstract>
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        <dcterms:abstract>This was the first in a regular series of spring exhibitions that explore common concerns and themes in the work of some of the most innovative contemporary artists. Heather and Ivan Morison, Ben Rivers and David Thorpe use film, sculpture, installation and performance to pose questions regarding our relationship to nature and what happens when man-made and natural worlds collide.These exhibitions explore utopian beliefs and practices and an impending sense of apocalypse.

Heather and Ivan Morison presented a new body of work using objects, performance and puppetry to draw on the life and work of 20th century British novelist Anna Kavan.</dcterms:abstract>
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        <dc:title>Rhys Davies Papers</dc:title>
        <dcterms:abstract>Rhys Davies (1901-1978), novelist and short story writer. His archives  comprises literary and personal papers, 1901-1979 : manuscript drafts and typescript copies, mainly of short stories and plays, together with drafts and a manuscript text of his last novel Ram with red horns (Bridgend, 1996), set in south Wales. Also included are letters to and from Rhys Davies, mostly 1960s and 1970s, and papers relating to his friend, the novelist 'Anna Kavan' (Helen Ferguson, 1901-1968), including a short draft of a work of fiction in her hand.</dcterms:abstract>
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        <dcterms:abstract>I live in a geographically isolated place, Napier. It takes five hours driving to reach Auckland, the city in which I grew up. When I was a kid we used to come down and visit my grandmother in Napier. There was one part of the road which was notorious. This was the Napier-Taupo road. It starts off being very flat then you enter a series of corrugations where the hills become increasingly moutainous, until you lose cellphone contact and there are no houses. It is very beautiful. Strangely beautiful.</dcterms:abstract>
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        <dcterms:abstract>Nata a Cannes quasi per casa, ma cresciuta in Inghilterra ed in America, Anna Kavan ebbe un’infanzia solitaria, agiata ma profondamente infelice, contrassegnata da un rapporto difficilissimo con la ricchissima madre e dal suicidio dell’amatissimo padre. I suoi matrimoni, ben due, furono fallimentari, la sua dipendenza della morfina una costante di tutta la sua vita. Umanamente la sua predilezione, quando si trattava di stringere nuove amicizie, era per gli omosessuali.</dcterms:abstract>
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        <dc:subject>web folklore</dc:subject>
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        <dcterms:abstract>What books are you currently loving?
Ooh! Seriously still amazed by Anna Kavan</dcterms:abstract>
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        <dc:subject>mental instability</dc:subject>
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        <dcterms:abstract>Anna Kavan was born &quot;Helen Woods&quot; in Cannes, France on April 10, 1901 to wealthy expatriot British parents. Anna spent her childhood in several European countries, California and England. She completed her education in England. She married (Donald Ferguson) and for a time lived in Burma.</dcterms:abstract>
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        <dc:subject>like Barnes</dc:subject>
        <dc:subject>like Mansfield</dc:subject>
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        <dc:title>Psyché et le scret de Perséphone - Prose en métamorphose, mémoire et création - Katherine Mansfield, Catherine Pozzi, Anna Kavan, Djuna Barnes</dc:title>
        <dcterms:abstract>L'auteur étudie dans cet ouvrage à travers quatre écrivains et poètes, Katherine Mansfield, Catherine Pozzi, Anna Kavan et Djuna Barnes les qualités de leur prose poétique dont elle montre comme elle se fonde sur réminiscence et imagination et échappe à toute forme de fixité. Le récit établit un lien au monde et à autrui en sa propre dimension temporelle, recréation, au présent, de l'unité de l'être, le sentiment parvenant, de façon semblable à ce que décrit Spinoza, à la conscience claire.</dcterms:abstract>
        <dc:date>2004</dc:date>
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        <dcterms:dateSubmitted>2013-03-01 15:23:49</dcterms:dateSubmitted>
        <dc:description>Née en 1955, Anne Mounic est l’auteur d’une œuvre poétique, romanesque et critique. Elle a également traduit quelques poètes anglo-saxons, tels que Robert Graves, Stevie Smith ou Vincent O’Sullivan.  Elle est co-rédactrice de Temporel, http://temporel.fr, revue littéraire et artistique en ligne.</dc:description>
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        <dc:description>A revised and expanded version of Billion Year Spree and winner of the 1987 Hugo Award for the year's best nonfiction.</dc:description>
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        <dcterms:abstract>In an effort to depress myself, I'm reading another one of Anna Kavan's early books: &quot;Change the Name&quot; from 1941, written before she really DID change her name from &quot;Helen Ferguson&quot; to &quot;Anna Kavan.&quot; (Anna's sad childhood, depression, heroin addiction, and coping methods are fascinating reading...get her biography if you can).</dcterms:abstract>
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        <dcterms:abstract>&quot; 'orda çalışırken rahatsız olmazsınız, çok sakindir. ev caddenin aksi yönüne bakar, denize karşıdır: hem oraya kimse gitmez.' adamın işbirliği değerliydi, bu yüzden konuşmayı sürdürmek için insanların neden fiyordun civarından uzak durduklarını sordum. 'çünkü dipte yaşayan ejderlerden korkuyorlar.' ona baktım, şaka yaptığını düşünüyordum; ama yüzü alabildiğine ciddiydi, sesi renksizleşmişti. telefonu olan ve ejderlere inanan biriyle hiç karşılaşmamıştım.&quot;</dcterms:abstract>
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        <dcterms:abstract>Handwritten and typed letters and postcards from various individuals who knew Kavan (including 5 handwritten letters from Rhys Davies and a typed letter from Raymond B. Marriott); photocopied or excised short stories, articles about Kavan, and bibliographic information, all from various sources; and reprints of photographs of Kavan and two of Kavan's paintings.</dcterms:abstract>
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        <dcterms:dateSubmitted>2013-02-28 15:43:37</dcterms:dateSubmitted>
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        <dcterms:abstract>&quot;WHY DON’T YOU have a beard?”

This was a question that a London taxi driver once posited to me. I’d just told him I was a novelist, and he eyed me with great suspicion, questioned my lack of facial hair and then concluded, with authority, “A Proper Author ought to be old, and look jaded, and have a beard.” I pointed out that Jane Austen and George Eliot had managed to pen fine prose despite having hair on their cunts rather than their chins; he merely looked confused.</dcterms:abstract>
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        <dc:subject>Ballard likes</dc:subject>
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        <dcterms:abstract>A master-craftsman of Welsh fiction, Rhys Davies combined pin-point observation of Valleys life with a twinkling sense of comedy. His long-term friend Anna Kavan wrote dark and troubled novels described by J.G. Ballard as “somewhere between poetry and madness”. Each lived a life of self-invention, in which secrets, sexuality and deep questions of personal identity lurked constantly in the shadows. 

D.J. Britton’s high-energy play is set in the late 1960s when Davies’ late literary recognition and Kavan’s final tragedy came together like a thunderclap.</dcterms:abstract>
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        <dcterms:abstract>I love the way with libraries you go in there, drift around and often seem to arrive, as if with a sense of predestination, before a book. This book, once you pick it up - there’s something almost magnetic happening here - now opens at a particular page. It is all random - or else it is the magic which accrues to the long time searcher and reader. This happened to me yesterday. I was browsing in the Auckland Public Library heritage room. I saw a book called Anna Kavan’s New Zealand. I picked it up, the book fell open and immediately I spied the word Napier.</dcterms:abstract>
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– not conventionally erotic but hauntingly sadistic and compelling. Woman and man in pursuit of each other, a world encroached by ice, a prisoner escaping her jailer.The ice is encroaching global winter but also the white powder Kavan couldn’t do without</dcterms:abstract>
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        <dc:subject>personal mythologies</dc:subject>
        <dc:subject>puzzling narrative</dc:subject>
        <dc:subject>Scarcity of Love</dc:subject>
        <dc:subject>SF writer</dc:subject>
        <dc:subject>Sleep Has His House</dc:subject>
        <dc:subject>Stranger Still</dc:subject>
        <dc:subject>the girl</dc:subject>
        <dc:subject>The Horse's Tale</dc:subject>
        <dc:subject>Who Are You?</dc:subject>
        <dc:subject>WW II</dc:subject>
        <dc:title>Anna Kavan</dc:title>
        <dcterms:abstract>It has been said that Anna Kavan wrote in a mirror. The body of work left by the now obscure British modernist represented a constant inquiry into her own identity, and the invention of a personal mythology—or demonology, as it would become later in her career.</dcterms:abstract>
        <z:language>English</z:language>
        <dc:identifier>
            <dcterms:URI>
                <rdf:value>http://www.dalkeyarchive.com/book/?fa=customcontent&amp;GCOI=15647100400020&amp;extrasfile=A1260D94-B0D0-B086-B62839355A6A03BC.html</rdf:value>
            </dcterms:URI>
        </dc:identifier>
        <dcterms:dateSubmitted>2013-03-01 11:15:32</dcterms:dateSubmitted>
        <dc:description>Kate Zambreno is the author of a critical memoir - Heroines - on wives and myths of modernism.</dc:description>
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        <dc:title>Context N°18</dc:title>
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            </rdf:Seq>
        </bib:authors>
        <link:link rdf:resource="#item_535"/>
        <dc:subject>bio Callard</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>Ice</dc:subject>
        <dc:subject>mental instability</dc:subject>
        <dc:subject>over again</dc:subject>
        <dc:subject>papers Aldiss</dc:subject>
        <dc:subject>proto feminism</dc:subject>
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        <dc:subject>SF writer</dc:subject>
        <dc:subject>the girl</dc:subject>
        <dc:subject>the warden</dc:subject>
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        <dc:title>What's the Story: Reading Anna Kavan's Ice</dc:title>
        <dcterms:abstract>Anna Kavan's Ice is a novel of relentless, evanescent beauty that depicts a world in which two explicitly linked forms of violence dominate and inexorably and insanely destroy it. First published in 1967, on the eve of the second wave of feminism, Ice has never been regarded as a significant work of proto-feminist literature, although scholars occasionally include it on lists of sf by women written before the major works of feminist sf burst onto the scene in the 1970s.</dcterms:abstract>
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        <dc:subject>coffee break</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>R.</dc:subject>
        <dc:title>Rhys Davies: A Writer’s Life</dc:title>
        <dcterms:abstract>Rhys Davies (1901-78) was among the most dedicated, prolific and accomplished of Welsh prose-writers, in both the short story and the novel form. By temperament a loner, he gave up his life entirely to his writing. A homosexual in the days before the Sexual Offences Act, he maintained complete discretion and ‘acted straight’. The only woman to whom he was drawn was Anna Kavan (1901-68), a fellow-novelist and drug addict, whom he saved from suicide on two occasions.</dcterms:abstract>
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        <dc:subject>Ice</dc:subject>
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        <dc:title>Dany:Kavan : Neige</dc:title>
        <dcterms:abstract>Je n'ai malheureusement pas trouvé de présentation de la nouvelle édition de ce Neige sur le site de Cambourakis, pas plus que sur le site de Stock ayant publié, il est vrai en 1975, Neige suivi de Mal aimées (épuisé aujourd'hui). Du coup, il est difficile de se faire une idée de la différence entre ces versions, sans se procurer la seconde en ayant déjà la première. Il semble qu'il s'agisse de la même traduction.</dcterms:abstract>
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        <dc:title>Black Treacle: a story of Anna Kavan.</dc:title>
        <dcterms:abstract>When I read the work of visionary writer Anna Kavan, I was immediately entranced.  I wrote Black Treacle as a tribute to her marvelous work.</dcterms:abstract>
        <dc:date>10/08/2008</dc:date>
        <z:language>English</z:language>
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        <dcterms:dateSubmitted>2013-03-01 19:33:53</dcterms:dateSubmitted>
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        <dc:title>Sunday Confessions</dc:title>
        <dcterms:abstract>I now shamelessly beg from Peter Owen.Honestly what has happened to me? They took instant pity and came up with a lighteningly quick copy of A Stranger on Earth, The Life and Work of Anna Kavan by Jeremy Reed to help fuel my Anna Kavan-fest.</dcterms:abstract>
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        <dc:subject>coffee break</dc:subject>
        <dc:subject>like Walker</dc:subject>
        <dc:title>Anna Kavan Society</dc:title>
        <dcterms:abstract>Founded in 2009, the Anna Kavan Society aims to encourage wider readership and increase academic scholarship of Kavan’s work. These pages provide accurate information about Kavan’s life and writing and news of Kavan-related events and publications. The society hopes to create a forum for information exchange and research collaboration, eventually producing a journal of academic work and hosting a Kavan conference.</dcterms:abstract>
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        <dc:subject>CharmedCircle</dc:subject>
        <dc:subject>Hannington</dc:subject>
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        <dcterms:abstract>I love finding new/old authors. So what do I mean by that? Well, authors that wrote many years ago, but who I’ve never heard off. Many of these have become favourites, such as Barbara Pym. Anna Kavan will be the same I have a feeling, though from what I understand some of her later books are a lot different then her first few.</dcterms:abstract>
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                       <foaf:surname>Impossible Mike</foaf:surname>
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        <dc:subject>drug addict</dc:subject>
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        <dcterms:abstract>My first encounter with Anna Kavan came via an image found trawling through a friend’s flicker page. There is a lovely group of really wonderful women I have met online via my obsession with the 60s &amp; 70s films of the fantastique, and “Oola” is one acquaintance I was particularly bewitched by. She seemed to have impeccable taste and a wonderfully exciting life (from what I could see of it online), so the combination of my experience with the owner of the book and the cover of the book itself, I immediately requested the book from inter-library-loan (at the time, Kavan’s Julia and the Bazooka was out of print).</dcterms:abstract>
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        <dc:subject>enough heroin</dc:subject>
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        <dc:date>2006</dc:date>
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        <dc:description>Jeremy Reed's 'A Stranger on Earth: The Life and Work of Anne Kavan' (2006) is an interesting if liberal-minded exploration of the novelist and short story writer about whom relatively little has previously been known. This is partially because Kavan was a marginal literary figure during her own lifetime, but also because the secretive, obsessive Kavan, who destroyed most of her diaries, correspondence, and other private papers, wished to remain as much a mystery in death as she had been in life. As Reed acknowledges, his loosely-structured biography has been composed from the various scattered and frequently incomplete resources presently available.</dc:description>
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                       <foaf:surname>Сергей Сиротин</foaf:surname>
                    </foaf:Person>
                </rdf:li>
            </rdf:Seq>
        </bib:authors>
        <link:link rdf:resource="#item_527"/>
        <dc:subject>Ice</dc:subject>
        <dc:title>Анна Каван. Лед</dc:title>
        <dcterms:abstract>«Лед» – книга о том, как человек, против которого восстает уже и неорганический мир, идет к обретению покоя и целостности в условиях тотальной катастрофы</dcterms:abstract>
        <dc:date>24/02/2011</dc:date>
        <dc:identifier>
            <dcterms:URI>
                <rdf:value>http://os.colta.ru/literature/events/details/20722/</rdf:value>
            </dcterms:URI>
        </dc:identifier>
        <dcterms:dateSubmitted>2014-04-17 14:39:18</dcterms:dateSubmitted>
        <z:language>Langues</z:language>
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    <z:Attachment rdf:about="#item_527">
        <z:itemType>attachment</z:itemType>
        <dc:title>Анна Каван. Лед (рецензия) — Литература — OpenSpace.ru</dc:title>
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            <dcterms:URI>
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        <link:type>text/html</link:type>
        <link:charset>utf-8</link:charset>
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    <bib:Book rdf:about="http://http://www.tworavenspress.com/product/murmurations/">
        <z:itemType>book</z:itemType>
        <bib:authors>
            <rdf:Seq>
                <rdf:li>
                    <foaf:Person>
                       <foaf:surname>Nicholas Royle</foaf:surname>
                    </foaf:Person>
                </rdf:li>
            </rdf:Seq>
        </bib:authors>
        <link:link rdf:resource="#item_393"/>
        <dc:subject>slipstream</dc:subject>
        <dc:subject>uncanny birds</dc:subject>
        <dc:title>Murmurations, uncanny stories about birds</dc:title>
        <dcterms:abstract>Freud observed that birds ‘don’t seem to be submitted to the same laws of gravity as us’, although without gravity they would die, as they need it to swallow. Birds are all around us; they could not be more familiar. And yet at the same time they are alien, unheimlich – uncanny. Award-winning editor Nicholas Royle brings together previously published stories by Daphne du Maurier, Anna Kavan, Russell Hoban and others with brand-new tales by contemporary writers including Bill Broady, Adam Marek, Regi Claire and many more.</dcterms:abstract>
        <dc:date>2011</dc:date>
        <z:language>English</z:language>
        <dc:identifier>
            <dcterms:URI>
                <rdf:value>http://http://www.tworavenspress.com/product/murmurations/</rdf:value>
            </dcterms:URI>
        </dc:identifier>
        <dcterms:dateSubmitted>2013-03-01 17:24:09</dcterms:dateSubmitted>
        <dc:description>including The Gannets, short story by Anna Kavan.</dc:description>
    </bib:Book>
    <z:Attachment rdf:about="#item_393">
        <z:itemType>attachment</z:itemType>
        <dc:title>Two Ravens Press: Murmurations edited by Nicholas Royle</dc:title>
        <dcterms:dateSubmitted>2013-03-01 17:24:10</dcterms:dateSubmitted>
        <dc:identifier>
            <dcterms:URI>
                <rdf:value>http://www.tworavenspress.com/TRP_Murmurations.html</rdf:value>
            </dcterms:URI>
        </dc:identifier>
        <link:type>text/html</link:type>
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    <bib:Article rdf:about="http://gumilev.blogspot.fr/2010/07/anna-kavan_30.html">
        <z:itemType>magazineArticle</z:itemType>
        <dcterms:isPartOf>
           <bib:Periodical></bib:Periodical>
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        <bib:authors>
            <rdf:Seq>
                <rdf:li>
                    <foaf:Person>
                       <foaf:surname>Emily Hill</foaf:surname>
                    </foaf:Person>
                </rdf:li>
            </rdf:Seq>
        </bib:authors>
        <link:link rdf:resource="#item_394"/>
        <dc:subject>Asylum Piece</dc:subject>
        <dc:subject>Ballard likes</dc:subject>
        <dc:subject>coffee break</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>enough heroin</dc:subject>
        <dc:subject>Ice</dc:subject>
        <dc:subject>Lessing likes</dc:subject>
        <dc:subject>Let Me Alone</dc:subject>
        <dc:subject>like Ballard</dc:subject>
        <dc:subject>like Kafka</dc:subject>
        <dc:subject>like Walker</dc:subject>
        <dc:subject>papers Aldiss</dc:subject>
        <dc:subject>proto feminism</dc:subject>
        <dc:subject>self-portrait</dc:subject>
        <dc:subject>sensational life</dc:subject>
        <dc:subject>Sleep Has His House</dc:subject>
        <dc:subject>Who Are You?</dc:subject>
        <dc:subject>WW II</dc:subject>
        <dc:title>Kafka's sister</dc:title>
        <dcterms:abstract>Fuelled by heroin and self-exploration, Anna Kavan's underground Kafka-esque novels penetrated the human psyche in a manner that distrubed even JG Ballard.</dcterms:abstract>
        <dc:date>31/07/2010</dc:date>
        <z:language>English</z:language>
        <dc:identifier>
            <dcterms:URI>
                <rdf:value>http://gumilev.blogspot.fr/2010/07/anna-kavan_30.html</rdf:value>
            </dcterms:URI>
        </dc:identifier>
        <dcterms:dateSubmitted>2013-03-01 12:01:35</dcterms:dateSubmitted>
        <dc:description>An online collection of Emily Hill's articles for The Evening Standard, Dazed&amp;Confused, The Guardian and Spiked.</dc:description>
    </bib:Article>
    <z:Attachment rdf:about="#item_394">
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        <dc:title>Emily Hill: Anna Kavan</dc:title>
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        <dc:identifier>
            <dcterms:URI>
                <rdf:value>http://gumilev.blogspot.fr/2010/07/anna-kavan_30.html</rdf:value>
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    <bib:Document rdf:about="http://marginalutilite.tumblr.com/post/35714978961/my-somewhat-tortured-love-affair-with-modernism">
        <z:itemType>blogPost</z:itemType>
        <dcterms:isPartOf>
           <z:Blog><dc:title>insert pseudonym</dc:title></z:Blog>
        </dcterms:isPartOf>
        <bib:authors>
            <rdf:Seq>
                <rdf:li>
                    <foaf:Person>
                       <foaf:surname>insert pseudonym</foaf:surname>
                    </foaf:Person>
                </rdf:li>
            </rdf:Seq>
        </bib:authors>
        <link:link rdf:resource="#item_282"/>
        <dc:subject>proto feminism</dc:subject>
        <dc:subject>Zambreno likes</dc:subject>
        <dc:title>“My somewhat tortured love affair with modernism...</dc:title>
        <dcterms:abstract>“ “My somewhat tortured love affair with modernism began when I was working in a bookshop in London, reading these amazing women writers of that period who I had never heard of previously, obscure...</dcterms:abstract>
        <z:type>tumblr</z:type>
        <dc:date>14/11/2012</dc:date>
        <dc:identifier>
            <dcterms:URI>
                <rdf:value>http://marginalutilite.tumblr.com/post/35714978961/my-somewhat-tortured-love-affair-with-modernism</rdf:value>
            </dcterms:URI>
        </dc:identifier>
        <dcterms:dateSubmitted>2013-01-28 11:09:49</dcterms:dateSubmitted>
        <z:language>English</z:language>
    </bib:Document>
    <z:Attachment rdf:about="#item_282">
        <z:itemType>attachment</z:itemType>
        <dc:title>Snapshot</dc:title>
        <dcterms:dateSubmitted>2013-01-28 11:09:49</dcterms:dateSubmitted>
        <dc:identifier>
            <dcterms:URI>
                <rdf:value>http://marginalutilite.tumblr.com/post/35714978961/my-somewhat-tortured-love-affair-with-modernism</rdf:value>
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    <bib:Document rdf:about="http://escritorasfantastikas.blogspot.be/search/label/Anna%20Kavan">
        <z:itemType>blogPost</z:itemType>
        <dcterms:isPartOf>
            <z:Blog>
                <dc:title>LITERATURAS FANTÁSTIKAS, DE CIENCIA FICCIÓN Y OTRAS</dc:title>
            </z:Blog>
        </dcterms:isPartOf>
        <bib:authors>
            <rdf:Seq>
                <rdf:li>
                    <foaf:Person>
                       <foaf:surname>Lola Robles</foaf:surname>
                    </foaf:Person>
                </rdf:li>
            </rdf:Seq>
        </bib:authors>
        <link:link rdf:resource="#item_450"/>
        <dc:subject>coffee break</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>enough heroin</dc:subject>
        <dc:subject>Ice</dc:subject>
        <dc:subject>julia and the bazooka</dc:subject>
        <dc:subject>Kay</dc:subject>
        <dc:subject>like Barnes</dc:subject>
        <dc:subject>like Kafka</dc:subject>
        <dc:subject>like Woolf</dc:subject>
        <dc:subject>My Soul in China</dc:subject>
        <dc:subject>Nin likes</dc:subject>
        <dc:subject>proto feminism</dc:subject>
        <dc:subject>puzzling narrative</dc:subject>
        <dc:subject>R.</dc:subject>
        <dc:subject>sensational life</dc:subject>
        <dc:subject>SF writer</dc:subject>
        <dc:subject>the girl</dc:subject>
        <dc:subject>the warden</dc:subject>
        <dc:title>Anna Kavan, la ciencia ficcion extrana y alucinada : Hielo</dc:title>
        <dcterms:abstract>Conocí Hielo, de Anna Kavan, porque soy aficionada a la ciencia ficción y estaba preparando una Bibliografía de escritoras del género. Alguien me recomendó la novela, como uno de esos ejemplos en que una autora no especializada en CF hace una incursión en esa literatura que -tanto respecto a los autores como al público aficionado- tiene mucho de ghetto.</dcterms:abstract>
        <z:type>blogspot</z:type>
        <dc:date>28/10/2008</dc:date>
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            <dcterms:URI>
                <rdf:value>http://escritorasfantastikas.blogspot.be/search/label/Anna%20Kavan</rdf:value>
            </dcterms:URI>
        </dc:identifier>
        <dcterms:dateSubmitted>2012-10-18 07:52:57</dcterms:dateSubmitted>
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    <z:Attachment rdf:about="#item_450">
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        <dc:title>LITERATURAS FANTÁSTIKAS, DE CIENCIA FICCIÓN Y OTRAS: Anna Kavan</dc:title>
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    <bib:Document rdf:about="http://tonyshaw3.blogspot.fr/2012/07/anna-kavan-asylum-piece-1940.html">
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        <dcterms:isPartOf>
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        <bib:authors>
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                <rdf:li>
                    <foaf:Person>
                       <foaf:surname>Dr Tony Shaw</foaf:surname>
                    </foaf:Person>
                </rdf:li>
            </rdf:Seq>
        </bib:authors>
        <link:link rdf:resource="#item_250"/>
        <dc:subject>Asylum Piece</dc:subject>
        <dc:subject>bio Sturm</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>papers Bluth</dc:subject>
        <dc:subject>The Horse's Tale</dc:subject>
        <dc:title>Anna Kavan : Asylum Piece (1940)</dc:title>
        <dcterms:abstract>Anna Kavan (1901–68) was born Helen Woods, although she initially wrote as Helen Ferguson, her married name. Following the failure of her second marriage and one of many nervous breakdowns she changed her name to Anna Kavan, the main character of her novel Let Me Alone (1930). Asylum Piece is a collection of short stories which her publisher Peter Owen describes as 'mostly interlinked and largely autobiographical'. The cover shows Karl Theodor Bluth, the doctor who prescribed Kavan's heroin and co-wrote The Horse's Tail (1949) with her.</dcterms:abstract>
        <z:type>blogspot</z:type>
        <dc:date>06/07/2012</dc:date>
        <dc:identifier>
            <dcterms:URI>
                <rdf:value>http://tonyshaw3.blogspot.fr/2012/07/anna-kavan-asylum-piece-1940.html</rdf:value>
            </dcterms:URI>
        </dc:identifier>
        <dcterms:dateSubmitted>2012-11-14 21:41:54</dcterms:dateSubmitted>
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    </bib:Document>
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            <dcterms:URI>
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    <bib:Article rdf:about="http://www.highbeam.com/doc/1P2-5194261.html">
        <z:itemType>newspaperArticle</z:itemType>
        <dcterms:isPartOf>
           <bib:Newspaper><dc:title>The Independent</dc:title></bib:Newspaper>
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                <rdf:li>
                    <foaf:Person>
                       <foaf:surname>Virginia Ironside</foaf:surname>
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                </rdf:li>
            </rdf:Seq>
        </bib:authors>
        <link:link rdf:resource="#item_403"/>
        <dc:subject>Asylum Piece</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>papers Cape</dc:subject>
        <dc:title>Heroin, madness and men: a hell of a life</dc:title>
        <dcterms:abstract>Self-loathing, abuse and drug addiction plagued novelist Anna Kavan but also inspired her best work, says Virginia Ironside. It's time her genius was recognised.</dcterms:abstract>
        <dc:date>September 3, 2001</dc:date>
        <z:language>en</z:language>
        <dc:identifier>
            <dcterms:URI>
               <rdf:value>http://www.highbeam.com/doc/1P2-5194261.html</rdf:value>
            </dcterms:URI>
        </dc:identifier>
        <dcterms:dateSubmitted>2013-03-01 10:39:31</dcterms:dateSubmitted>
        <dc:description>Virginia Ironside is an agony aunt, columnist and author. She writes the weekly Dilemmas column for The Independent.</dc:description>
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        <dc:title>Heroin, madness and men: a hell of a life ; Self-loathing, abuse and drug addiction plagued novelist Anna Kavan but also inspired her best work, says Virginia Ironside. It's time her genius was recognised - The Independent (London, England) | HighBeam Research</dc:title>
        <dcterms:dateSubmitted>2013-03-01 10:39:32</dcterms:dateSubmitted>
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                <rdf:li>
                    <foaf:Person>
                       <foaf:surname>Anthony Brockway</foaf:surname>
                    </foaf:Person>
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        </bib:authors>
        <link:link rdf:resource="#item_444"/>
        <dc:subject>Asylum Piece</dc:subject>
        <dc:subject>Bellevue sanatorium</dc:subject>
        <dc:subject>bio Callard</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>enough heroin</dc:subject>
        <dc:subject>julia and the bazooka</dc:subject>
        <dc:subject>kavan land</dc:subject>
        <dc:subject>My Soul in China</dc:subject>
        <dc:subject>R.</dc:subject>
        <dc:title>Rhys Davies and Anna Kavan</dc:title>
        <dcterms:abstract>The relationship between Welsh novelist Rhys Davies and cult author Anna Kavan is a fascinating one. I guess what drew them together must have been their outsider status - Davies the closeted homosexual and Kavan the secret heroin addict.</dcterms:abstract>
        <z:type>blogspot</z:type>
        <dc:date>16/01/2008</dc:date>
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            <dcterms:URI>
                <rdf:value>http://babylonwales.blogspot.be/2008/01/rhys-davies-and-anna-kavan.html</rdf:value>
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        <dcterms:dateSubmitted>2012-10-19 09:58:54</dcterms:dateSubmitted>
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        <dc:title>Babylon Wales: Rhys Davies and Anna Kavan</dc:title>
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    <bib:Document rdf:about="http://www.cafardcosmique.com/drogSF-stupefiantes-fictions">
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           <z:Website><dc:title>Le cafard cosmique</dc:title></z:Website>
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                <rdf:li>
                   <foaf:Person><foaf:surname>Mr C</foaf:surname></foaf:Person>
                </rdf:li>
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        </bib:authors>
        <link:link rdf:resource="#item_385"/>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>SF writer</dc:subject>
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        <dcterms:abstract>Le terme de drogue recouvre une grande diversité de substances aux effets très différents. Les dépresseurs [barbituriques, opiacés, alcool..] provoquent une sensation de calme, un relâchement musculaire et la ralentissement des mouvements et des réflexes, accompagnés d’un sentiment de calme et de bien-être.</dcterms:abstract>
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        </dc:identifier>
        <dcterms:dateSubmitted>2013-03-03 18:54:43</dcterms:dateSubmitted>
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           <z:Blog><dc:title>we bleed ink</dc:title></z:Blog>
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        <bib:authors>
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                    <foaf:Person>
                       <foaf:surname>Miggy Angel</foaf:surname>
                    </foaf:Person>
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        </bib:authors>
        <link:link rdf:resource="#item_436"/>
        <dc:subject>Ballard likes</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>enough heroin</dc:subject>
        <dc:subject>julia and the bazooka</dc:subject>
        <dc:subject>self-portrait</dc:subject>
        <dc:title>Anna Kavan</dc:title>
        <dcterms:abstract>whenever i discover an artist who has something to say that i want to hear, i’m firstly grateful for their work having found me &amp; then i’m sort of shocked that it’s taken so long, &amp; left wondering where they’ve been all my life. i just bought a brand new 2009 reprint of anna kavan‘s ‘julia &amp; the bazooka‘ for 2.99 from a bookshop in waterloo.</dcterms:abstract>
        <z:type>wordpress</z:type>
        <dc:date>25/07/2010</dc:date>
        <dc:identifier>
            <dcterms:URI>
                <rdf:value>http://webleedink.wordpress.com/2010/07/25/anna-kavan/</rdf:value>
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        </dc:identifier>
        <dcterms:dateSubmitted>2012-11-16 14:43:00</dcterms:dateSubmitted>
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        <dc:title>anna kavan | we bleed ink</dc:title>
        <dcterms:dateSubmitted>2012-11-16 14:43:01</dcterms:dateSubmitted>
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            <dcterms:URI>
                <rdf:value>http://webleedink.wordpress.com/2010/07/25/anna-kavan/</rdf:value>
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    <bib:Document rdf:about="http://www.ipernity.com/blog/41365/archive/2010/10/07">
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           <z:Blog><dc:title>Blog de Odette Habram</dc:title></z:Blog>
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        <bib:authors>
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                <rdf:li>
                    <foaf:Person>
                       <foaf:surname>Odette Habram</foaf:surname>
                    </foaf:Person>
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            </rdf:Seq>
        </bib:authors>
        <link:link rdf:resource="#item_295"/>
        <dc:subject>Asylum Piece</dc:subject>
        <dc:subject>self-portrait</dc:subject>
        <dc:title>Anna Kavan</dc:title>
        <dcterms:abstract>« J’avais un ami, un amant. Ou l’ai-je rêvé ? Tant de rêves m’assaillent désormais que je peux à peine distinguer le vrai du faux : des rêves comme de la lumière emprisonnée dans de brillantes cavernes minérales, des rêves lourds, brûlants, des rêves de l’air glaciaire, des rêves comme des machines dans la tête. Je suis allongée entre le mur nu et le remède amer qui forme un dépôt dans le verre nain, et je m’efforce de me souvenir de mon rêve.
Je me vois en train de marcher la main dans la main avec quelqu’un d’autre, un être humain dont le cœur et l’esprit ont poussé dans mon cœur et mon esprit. Nous nous promenions ensemble sur beaucoup de routes dans la clarté du soleil (…). Il y avait entre nous une compréhension sans réserve et une paix indestructible. Moi qui avais été solitaire et inaccomplie, j’étais alors exaucée. Nos pensées couraient ensemble comme des lévriers, avec la même rapidité. A l’égal d’une musique, nos pensées étaient la perfection même. »</dcterms:abstract>
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        <dcterms:abstract>Writers such as Brian Aldiss and J.G. Ballard have praised the writings of Anna Kavan, but I find her work uneven – I couldn’t get beyond the first few pages of self-indulgent, rambling dream visions in Sleep Has His House, first published in 1948.  Julia and the Bazooka is also uneven, but serves as a good introduction to the qualities (and weaknesses) of Kavan’s fiction.</dcterms:abstract>
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        <dcterms:abstract>l’approche des fêtes, Lyon Capitale vous propose chaque jour jusqu’à Noël sa sélection dans les vitrines des libraires. Aujourd’hui, un roman d’Anna Kavan qui nous revient des années 1970.</dcterms:abstract>
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        <dcterms:abstract>Jonathan Cape established his publishing company in 1921. The firm published both mainstream and more experimental literature, including a number of classic works and best-sellers, and was taken over by Random House in 1987.

The collection includes book files 1960-1995 (including editorial, production and publicity correspondence etc.); author correspondence 1920s-1960; ledgers 1920s-1980s; rights correspondence; managing director's files 1960s-1980s.</dcterms:abstract>
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        <dc:subject>like Joyce</dc:subject>
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        <dcterms:abstract>I wrote about Anna Kavan and her story collection Julia and the Bazooka on this blog yesterday.  Born in Cannes in 1901, Kavan died in 1968.  The Parson was discovered among her papers and published posthumously.  It seems to have been written in the late 50s-early 60s.</dcterms:abstract>
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        <dcterms:abstract>“So many dreams are crowding upon me now that I can scarcely tell true from false: dreams like light imprisoned in bright mineral caves; hot, heavy dreams; ice-age dreams; dreams like machines in...”</dcterms:abstract>
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        <dcterms:abstract>Ah, when I have access to a massive inexpensive catalogue (Marx Books) the quality of my finds goes up and up…..</dcterms:abstract>
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        <dcterms:abstract>Books are our best friends. And they hardly ever let us down. I find second hand books especially fascinating, they have a life of their own…and you can find the weirdest things forgotten between the pages, such as old creepy letters, black &amp; white pictures, postcards from 20, 30, 40 years ago…</dcterms:abstract>
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                       <foaf:surname>Jane Garrity</foaf:surname>
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        <link:link rdf:resource="#item_457"/>
        <dc:subject>mental instability</dc:subject>
        <dc:subject>proto feminism</dc:subject>
        <dc:title>Nocturnal Transgressions in The House of Sleep : Anna Kavan's Maternal Registers</dc:title>
        <dcterms:abstract>Despite the critical attention feminist theorists have paid both to redefining the boundaries of modernism and to recuperating &quot;lost&quot; twentieth-century women writers, there remains a conspicuous neglect of British experimentalists, among them, Anna Kavan (19021968).2 Although Kavan published ten of her eighteen novels and short-story collections between 1929 and 1947, the critical evaluation so far evades serious consideration of her placement in the history of modernist fiction by women; instead, it has focused on Kavan herself as a literary curiosity, driven by a raving solipsism.3</dcterms:abstract>
        <dc:date>summer 1994</dc:date>
        <z:language>en</z:language>
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                   <foaf:Person><foaf:surname>Marya</foaf:surname></foaf:Person>
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        </bib:authors>
        <link:link rdf:resource="#item_321"/>
        <dc:subject>Asylum Piece</dc:subject>
        <dc:subject>Ballard likes</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>enough heroin</dc:subject>
        <dc:subject>julia and the bazooka</dc:subject>
        <dc:subject>kavan land</dc:subject>
        <dc:subject>Let Me Alone</dc:subject>
        <dc:subject>like Burroughs</dc:subject>
        <dc:subject>like De Quincey</dc:subject>
        <dc:subject>like Reage</dc:subject>
        <dc:subject>mental instability</dc:subject>
        <dc:subject>My Madness</dc:subject>
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        <dc:subject>proto feminism</dc:subject>
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        <dc:subject>self-portrait</dc:subject>
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        <dc:subject>Sleep Has His House</dc:subject>
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        <dc:subject>WW II</dc:subject>
        <dc:title>Anna Kavan : brilliant like ice</dc:title>
        <dcterms:abstract>Her descriptions burned so brightly when I first began reading  the work of Anna Kavan that I felt a kinship with her almost at once. I have sometimes wandered past her last home in Peel Street, London,  in pilgrimage. The novels and memoirs stand on my shelves: I came across Ice first, then Asylum Piece and My Madness, then Let me Alone,  Julia and the Bazooka with its 1960s hip bohemianism, and Sleep Has His House.</dcterms:abstract>
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        <dc:subject>bio Reed</dc:subject>
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        <dcterms:abstract>A new biography of Anna Kavan, A Stranger on Earth, by that pest Jeremy Reed is reviewed by Doris Lessing here: Independent Online Edition &gt; Reviews.

I call Jeremy Reed a pest because he has managed to write either Fiction or Non-Fiction on nearly ever fun subject. Every time I turn around to see what's been written about Rimbaud or Artaud, there's that damn Jeremy Reed. And now he has this biography coming out on my favorite fiction writer, Anna Kavan. Underappreciated she is, but then again you might easily believe that this is the way she would have wanted it. Her work has often been compared to Doris Lessing, so her thoughts on the subject are relevant:</dcterms:abstract>
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        <dcterms:abstract>Last Friday saw the Anna Kavan editathon, a morning of editing the Wikipedia page about her. This collaboration was the brainchild of Catherine Lenoble (User:Cathsign), a French writer whose first edit was a year ago at the Ada Lovelace Day event in Brussels. London is an expensive place to stay, so many of the symposium attendees left immediately afterwards, but remote participation in the editathon was made easier by an etherpad.</dcterms:abstract>
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        <dc:subject>My Soul in China</dc:subject>
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        <dc:title>Anna Kavan / Mon âme en Chine.</dc:title>
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        <link:link rdf:resource="#item_476"/>
        <dc:subject>A Charmed Circle</dc:subject>
        <dc:subject>Beryl Deane</dc:subject>
        <dc:subject>Old Vicarage</dc:subject>
        <dc:subject>Olive Deane</dc:subject>
        <dc:title>A Charmed Circle, Anna Kavan</dc:title>
        <dcterms:abstract>Marooned in a country house in an ugly manufacturing town is an old vicarage of which expensive improvements have been undertaken.</dcterms:abstract>
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        <dc:subject>Ice</dc:subject>
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        <dcterms:abstract>re: the apocalypse</dcterms:abstract>
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        <dc:subject>Guilty</dc:subject>
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        <dcterms:abstract>Guilty by Anna Kavan – I think after reading Max’s  post on Ice by Kavan I fancied trying here books so there was ice and this one on the library shelves so I choose this one a Kafkaesque style as mark struggles with life after his father returns from the war</dcterms:abstract>
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        <dc:subject>remix Verret</dc:subject>
        <dc:title>Ice</dc:title>
        <dcterms:abstract>François Verret monte Ice, une écriture scénique inspirée de l'œuvre éponyme de la grande voyageuse anglaise et héroïnomane Anna Kavan. Peut-être en est-il de l'écriture de François Verret ce qu'il en est du rhizome...</dcterms:abstract>
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        <dcterms:dateSubmitted>2013-03-01 13:56:58</dcterms:dateSubmitted>
        <z:language>Français</z:language>
        <dc:description>Ice sur une idée de Graham F. Valentine
à partir de la lecture d’un texte de Anna Kavan. Mise en scène : François Verret</dc:description>
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        <dc:subject>bio Sturm</dc:subject>
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        <dc:title>Anna Kavan's New Zealand: a Pacific interlude in a turbulent life</dc:title>
        <dcterms:abstract>New Zealanders live 'in temporary shacks, uneasily, as reluctant campers too far from home', wrote Anna Kavan in a London magazine in 1943. Her seemingly negative comments created a stir both in the UK and New Zealand and suggested Kavan felt nothing but antipathy for the country. However, in researching this prize-winning author of nineteen books, Dr Jennifer Sturm uncovered letters and unpublished short stories written during Kavan's sojourn in New Zealand that show a more complex, affectionate and significant response. Those stories are published here for the first time, along with a fascinating discussion of this experimental writer and talented artist, who struggled with bouts of depression and insecurity, as well as heroin addiction and a stream of unconventional love affairs. Kavan roamed the world trying to find a home, and although her stay in New Zealand was for less than two years, her stories reveal a country where she found temporary peace, a country she captures in a warm and astute gaze. This book provides an intriguing insight, not only into the life and writing of Anna Kavan but also New Zealand of the 1940s.</dcterms:abstract>
        <dc:date>2009</dc:date>
        <z:numPages>279</z:numPages>
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        <dc:identifier>ISBN 9781869791339</dc:identifier>
        <z:shortTitle>Anna Kavan's New Zealand</z:shortTitle>
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        <dcterms:abstract>I love the North London Line, and this was a perfect North London afternoon. There is something magical and breathless about the city in the embrace of an Indian summer, and yesterday I had the joy of experiencing it again when Chris and I went up to town for the launch of the Solaris anthology House of Fear. We spent the afternoon in Kensington, having lunch near Holland Park and then making our way across to Hillsleigh Road and nearby Peel Street, both once home to the writer Anna Kavan.</dcterms:abstract>
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        <dcterms:abstract>Anna Kavan returned to war time Britain and spent the rest of her troubled life there. She continued to publish books. I remember seeing a book by her in the 1970s and thinking she was Eastern European. She's that strain of English writing which is Eurocentric, 'surrealiste' is the term she used. I have now finished the book and it's lodged in my mind as something rare and wonderful - the sound of a voice.</dcterms:abstract>
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        <dcterms:abstract>Anna who? Hmm is it just me again? Anna Kavan nee Helen Woods, then Ferguson, born in Cannes probably in 1901, two divorces, nervous breakdowns, heroin addiction, name changes.</dcterms:abstract>
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        <dcterms:abstract>I think I’ll reread Anna Kavan’s Ice, a surreal science fiction novel about a post-apocalyptic Ice Age.  The narrator is obsessed with a beautiful girl, who flees from him all over the planet.</dcterms:abstract>
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        <dcterms:abstract>’ve been reading Anna Kavan’s Asylum Piece. It’s a stunning collection, each story stranger and more intense than the last.</dcterms:abstract>
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        <dc:subject>WW II</dc:subject>
        <dc:title>Urban Gothic of the Second World War : Dark London</dc:title>
        <dcterms:abstract>This book examines 'home front' literature of the Second World War, arguing that Gothic tropes and forms mark moments of fracture in the national mythologies of wartime home, city and fellowship. These works in the Gothic mode subvert mythologies of nation that are still influential today. Anna Kavan, Mervyn Peake, Elizabeth Bowen, Roy Fuller, Henry Green and others present counter-stories to the dominant national mythology of British survival and emotional resilience. In the texts of this monograph, the city grows strange, time distorts, and hallucinatory narrative voices depict a nightmare realm.</dcterms:abstract>
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        <dc:subject>Ballard likes</dc:subject>
        <dc:subject>bio Reed</dc:subject>
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        <dc:title>On Anna Kavan</dc:title>
        <dcterms:abstract>Anna Kavan, born Helen Ferguson in 1901 was a very English - and at the same time utterly alien - novelist whose own life took on the quality of an existential mystery.  

Praised by JG Ballard and Doris Lessing, drawing on Kafka and anticipating slipstream long before it became a genre in British writing, her novels described eerie states of dislocation; a lifelong heroin user, her prose has a needle-sharp precision  but her subject matter was never drugs.</dcterms:abstract>
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        <dcterms:abstract>NNA KAVAN is probably known in New Zealand, if at all, primarily for her rather unflattering portrait of the country in “New Zealand: Answer to an Inquiry,” published in 1943 in Horizon. This book, the fruit of eight years of research by Jennifer Sturm, has attempted to change that situation, to bring about the recognition of “Kavan’s role in the literary history of New Zealand.”</dcterms:abstract>
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        <dcterms:abstract>Une romancière singulière, un roman autre. L’appel de la blanche, de la poudreuse, en avalanche. Au creux de chaque ligne, une neige hypnotique et virginale délestant toute trace de vie.</dcterms:abstract>
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        <dcterms:abstract>Apparently, the character of Berlin was inspired by Anna Kavan who wrote for many years while addicted to heroin- which makes for an interesting premise for the story in itself.</dcterms:abstract>
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        <dc:date>1988</dc:date>
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    <bib:Article rdf:about="http://www.guardian.co.uk/books/2011/dec/21/ice-anna-kavan-winter-reads">
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                    <foaf:Person>
                       <foaf:surname>Hannah Freeman</foaf:surname>
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        </bib:authors>
        <link:link rdf:resource="#item_406"/>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>enough heroin</dc:subject>
        <dc:subject>Ice</dc:subject>
        <dc:subject>papers Aldiss</dc:subject>
        <dc:subject>puzzling narrative</dc:subject>
        <dc:subject>SF writer</dc:subject>
        <dc:subject>war cold</dc:subject>
        <dc:title>Winter reads: Ice by Anna Kavan</dc:title>
        <dcterms:abstract>A frozen post-nuclear dystopia is the setting for this raw, brutal tale. It may not cheer you up, but it will compel your attention</dcterms:abstract>
        <dc:date>21/12/2011</dc:date>
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        <dcterms:dateSubmitted>2013-02-28 16:34:04</dcterms:dateSubmitted>
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                        <foaf:surname>Callard</foaf:surname>
                        <foaf:givenname>D. A.</foaf:givenname>
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        <dc:subject>bio Callard</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>enough heroin</dc:subject>
        <dc:subject>mental instability</dc:subject>
        <dc:subject>over again</dc:subject>
        <dc:subject>puzzling narrative</dc:subject>
        <dc:subject>self-portrait</dc:subject>
        <dc:title>The case of Anna Kavan: a biography</dc:title>
        <dc:date>1992</dc:date>
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        <z:language>English</z:language>
        <dc:identifier>ISBN 0720608678</dc:identifier>
        <z:shortTitle>The case of Anna Kavan</z:shortTitle>
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           <dcterms:LCC><rdf:value>PR6009.D63 Z6 1992</rdf:value></dcterms:LCC>
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        <dc:description>The loveliest thing about this adequately written biography (&quot;THE CASE OF ANNA KAVAN: A BIOGRAPHY&quot; by D. A. Callard) -- about a very depressing and depressed personality and creator -- is that it is mercifully short: only 159 pages -- enough to get the core available facts across and then end. D. A. Callard, author of a prior biography about another not-well-known writer, Evelyn Scott, is aware of how much lying a biographer can do and makes a virtue of his awareness by attempting to state facts and estimates about Anna Kavan's life that are proof-positive, not speculations.</dc:description>
    </bib:Book>
    <bib:Document rdf:about="http://www.peterowenpublishers.com/product-category/authors/anna-kavan/">
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        <dc:subject>Ballard likes</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>Lessing likes</dc:subject>
        <dc:subject>like Kafka</dc:subject>
        <dc:subject>like Woolf</dc:subject>
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        <dc:subject>Nin likes</dc:subject>
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        <dc:title>Anna Kavan</dc:title>
        <dcterms:abstract>‘I was about to become the world’s best kept secret; one that would never be told. What a thrilling enigma for posterity I should be.’ Thus does one of Anna Kavan’s characters describe herself in an unpublished short story, and we know that, as in much of Kavan’s writing, she was describing herself. An enigma the author remains, but her talent was none the less remarkable, and her works have been compared to that of Doris Lessing, Virginia Woolf and Franz Kafka and acclaimed by writers from Anaïs Nin to J.B. Ballard.</dcterms:abstract>
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        <dc:subject>Ice</dc:subject>
        <dc:subject>remix Pochon</dc:subject>
        <dc:title>Ice Lady</dc:title>
        <dcterms:abstract>Vision sonore du monde tel que le ressent Anna Kavan, un monde où la glace a le pouvoir de tout figer pour l’éternité. Sauf le manque et l’hallucination. Voix : Floriane Pochon</dcterms:abstract>
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        <dc:description>Instant animal, les Nuits de la Phaune ne sont peut-être pas au goût du jour : elles cultivent six heures durant la force et la fragilité de ce qui se déguise et s’éveille dans la rencontre, dans le temps, dans l’espace, dans le vivant. Laissez vous bercer -ou secouer- ici par quelques unes des voix qui habitent nos Phaunes nocturnes, le temps de ré-interpreter un grand classique, dénicher les infos les plus authentiquement insolites ou pénetrer l’univers d’un illustre inconnu.</dc:description>
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        <dc:subject>coffee break</dc:subject>
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        <dc:title>Kavan</dc:title>
        <dcterms:abstract>San Francisco post-rock band Carta entitled their song &quot;Kavan&quot; on their album &quot;The Glass Bottom Boat&quot; after Anna Kavan.</dcterms:abstract>
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        <dc:description>The song was subsequently released as a remix by The Declining Winter on their album Haunt the Upper Hallways.</dc:description>
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        <link:link rdf:resource="#item_483"/>
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        <dc:subject>drug addict</dc:subject>
        <dc:subject>Ice</dc:subject>
        <dc:subject>Kay</dc:subject>
        <dc:subject>Lessing likes</dc:subject>
        <dc:subject>like McCullers</dc:subject>
        <dc:subject>My Soul in China</dc:subject>
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        <dc:title>Mon âme en Chine - Anna KAVAN</dc:title>
        <dcterms:abstract>Une femme rêve : Je suis seule dans un train, dans un compartiment de seconde classe ; au lieu de bagages, au lieu de cerveau, je porte une masse serrée de minuscules serpents gris dans mon crâne, (p. 14) De qui sont ces serpents ?</dcterms:abstract>
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        <dcterms:dateSubmitted>2013-03-01 12:13:59</dcterms:dateSubmitted>
        <z:language>Français</z:language>
        <dc:description>NooSFère ets une base de données sur la SF (critiques, revues, prix, événements, etc).</dc:description>
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        <link:link rdf:resource="#item_244"/>
        <dc:subject>I Am Lazarus</dc:subject>
        <dc:title>Murmurations</dc:title>
        <dcterms:abstract>Two Ravens Press are now taking orders for Murmurations – An Anthology of Uncanny Stories About Birds, edited by Nicholas Royle.</dcterms:abstract>
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        <dcterms:abstract>Having recently seen a body of contemporary artwork work by Heather and Ivan Morrison inspired by the life and work of the novelist Anna Kavan (1901-1968), on display at The Hepworth Wakefield until 10 June, the Archivist has written the following about Kavan’s portrait of Luz, the ‘elusive protagonist’ of her novels Ice and Mercury:</dcterms:abstract>
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    <bib:Book rdf:about="http://www.abebooks.fr/servlet/BookDetailsPL?bi=72471030&amp;searchurl=bsi%3D210%26kn%3Danna%2Bkavan%26x%3D56%26y%3D11">
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        <dc:subject>like Kafka</dc:subject>
        <dc:title>The World Within Fiction Illuminating Neuroses Of Our Time</dc:title>
        <dcterms:abstract>with an introduction and analyses by Frederic Wertham, M.D. Included are selections from E.T.A. Hoffman, Dostoevsky, Chekov, Henry James, Proust, Kafka, Aiken, E.B. White, Anna Kavan, Truman Capote, Edita Morris, Coates, James Still, Eudora Welty and William Faulkner</dcterms:abstract>
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                <rdf:value>http://www.abebooks.fr/servlet/BookDetailsPL?bi=72471030&amp;searchurl=bsi%3D210%26kn%3Danna%2Bkavan%26x%3D56%26y%3D11</rdf:value>
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        <dc:subject>Asylum Piece</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>enough heroin</dc:subject>
        <dc:subject>Ice</dc:subject>
        <dc:subject>like De Chirico</dc:subject>
        <dc:subject>like Delvaux</dc:subject>
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        <dc:subject>like Redon</dc:subject>
        <dc:subject>like Rhys</dc:subject>
        <dc:subject>papers Aldiss</dc:subject>
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        <dcterms:abstract>A l’origine, la photo d’une femme au visage serein, souriant…
Derrière laquelle se cache un monde asilaire, une femme glaciaire, lointaine, un écrivain hors du commun.</dcterms:abstract>
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        <dcterms:dateSubmitted>2012-10-18 09:29:58</dcterms:dateSubmitted>
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                <rdf:li>
                    <foaf:Person>
                       <foaf:surname>Jean McNeil</foaf:surname>
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        <dc:subject>bio Reed</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>Gee likes</dc:subject>
        <dc:subject>Ice</dc:subject>
        <dc:subject>like Eliot</dc:subject>
        <dc:subject>like Pessoa</dc:subject>
        <dc:subject>like Rhys</dc:subject>
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        <dc:title>Anna Kavan – a unique modernist vision</dc:title>
        <dcterms:abstract>It’s not quite correct to say that Anna Kavan has been forgotten. Her books are kept in print out of sheer dedication by her publisher, Peter Owen. My colleague at the University of East Anglia, Karen Schaller, teaches her novel Ice on her course Fiction After Modernism. And a recent paean to this same novel appeared in the Guardian.</dcterms:abstract>
        <dc:date>2013</dc:date>
        <dc:identifier>
            <dcterms:URI>
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        </dc:identifier>
        <dcterms:dateSubmitted>2014-08-22 13:09:17</dcterms:dateSubmitted>
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        <link:link rdf:resource="#item_361"/>
        <dc:subject>abusive men</dc:subject>
        <dc:subject>blue eyes</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>human beings</dc:subject>
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        <dc:subject>Lessing likes</dc:subject>
        <dc:subject>puzzling narrative</dc:subject>
        <dc:subject>slipstream</dc:subject>
        <dc:title>Ice by Anna Kavan</dc:title>
        <dcterms:abstract>Ice by Anna Kavan was 70% off, I do not know the writer, but after reading Doris Lessing’s comment, I carted it off with the rest of the titles for purchase. The eerie and strangeness of the story seems an exciting read. I am intrigued how a heroine addict writes one of slipstream’s most significant novel.</dcterms:abstract>
        <z:type>multiply</z:type>
        <dc:date>09/11/2011</dc:date>
        <dc:identifier>
            <dcterms:URI>
                <rdf:value>http://towknee.multiply.com/journal/item/124/Ice-by-Anna-Kavan</rdf:value>
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        <dcterms:dateSubmitted>2012-11-16 17:46:52</dcterms:dateSubmitted>
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        <link:link rdf:resource="#item_422"/>
        <dc:subject>Ballard likes</dc:subject>
        <dc:subject>Sleep Has His House</dc:subject>
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        <dc:title>Sleep Does Not Have His House: Anna Kavan</dc:title>
        <dcterms:abstract>A very rare bout of insomnia seems like the perfect time to discuss dreams.
Well, I did sleep for a few hours and woke up after a particularly vivid dream. Which I will not describe.</dcterms:abstract>
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        <link:link rdf:resource="#item_331"/>
        <dc:subject>proto feminism</dc:subject>
        <dc:subject>SF writer</dc:subject>
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        </bib:authors>
        <link:link rdf:resource="#item_298"/>
        <dc:subject>bio Sturm</dc:subject>
        <dc:title>Jennifer Sturm | English | Faculty of Arts Staff | The University of Auckland</dc:title>
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        <link:link rdf:resource="#item_303"/>
        <dc:subject>Asylum Piece</dc:subject>
        <dc:subject>bio Callard</dc:subject>
        <dc:subject>bio Reed</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>Ice</dc:subject>
        <dc:subject>Let Me Alone</dc:subject>
        <dc:subject>like Kafka</dc:subject>
        <dc:subject>like Woolf</dc:subject>
        <dc:subject>papers Bluth</dc:subject>
        <dc:subject>self-portrait</dc:subject>
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        <dc:subject>WW II</dc:subject>
        <dc:title>Outside the asylum of her mind</dc:title>
        <dcterms:abstract>Since we often hear complaints about the puerile state of current publishing, it is as well to remind oneself that exceptional work has often had a hard time of it in Britain. Henry James struggled to sell his greatest novels. James Joyce was published in Paris. Ronald Firbank paid for his own publication. D H Lawrence was reviled. But because literature is about extending reality, not repeating it, there is some law of creativity which guarantees that the exceptional is what survives. So perhaps it is no wonder that the esoteric and beautiful writing of Anna Kavan refuses to go away - but it has been a near thing.</dcterms:abstract>
        <dc:date>25/06/2006</dc:date>
        <z:language>English</z:language>
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            <dcterms:URI>
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        <dcterms:dateSubmitted>2013-03-01 12:22:40</dcterms:dateSubmitted>
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        <link:link rdf:resource="#item_305"/>
        <dc:subject>bio Reed</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>Let Me Alone</dc:subject>
        <dc:subject>like Stein</dc:subject>
        <dc:subject>like TS Eliot</dc:subject>
        <dc:subject>like Woolf</dc:subject>
        <dc:subject>mental instability</dc:subject>
        <dc:subject>Nin likes</dc:subject>
        <dc:subject>proto feminism</dc:subject>
        <dc:subject>Sleep Has His House</dc:subject>
        <dc:title>Literary Heroines to Love: Anna Kavan</dc:title>
        <dcterms:abstract>This week is the fortieth anniversary of Anna Kavan’s death. Although these days she remains largely unmentioned by the mainstream media, without her the modern literary landscape that we know and love would be much more barren. Canonised female authors from Anais Nin to Virginia Woolf owe much of their experimental style and strength of voice to Anna Kavan.</dcterms:abstract>
        <dc:date>07/122008</dc:date>
        <z:language>English</z:language>
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        <dcterms:dateSubmitted>2013-02-28 17:33:46</dcterms:dateSubmitted>
        <dc:description>Running from August 2008 until January 2013, BitchBuzz.com was an online lifestyle magazine for women spotlighting the best in style, tech, food and culture. It was one of the very first “group-blog” style sites for women and was incredibly influential in both the women’s lifestyle blogosphere and the online feminist community.</dc:description>
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        <dc:subject>Ballard likes</dc:subject>
        <dc:subject>drug addict</dc:subject>
        <dc:subject>Ironside likes</dc:subject>
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        <dc:subject>Lessing likes</dc:subject>
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        <dc:subject>puzzling narrative</dc:subject>
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        <dcterms:abstract>We have dedicated this section of the website to the passing on of the good word of short story collections that we feel have been either been missed or forgotten about, for one reason or another, but that deserve and need to be read. The first one I’ve selected is Julia and the Bazooka by Anna Kavan. Anna who? Exactly.</dcterms:abstract>
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        <dcterms:abstract>Anna, the Morisons’ installation at the Hepworth Wakefield, evokes presence in a different way. Based on the life and work of cult novelist Anna Kavan, it grasps for archetypes and universals through coded messages.</dcterms:abstract>
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        <dcterms:abstract>On the cover is an old snap of Anna Kavan tinted to make her look like somebody she never could have been. Before colour photography, it was a profession: tinting photographs, flattering the sitter. If it was the novelist herself who agreed to this enhanced Anna, then the picture is probably a witness to another of her attempts to be just like everybody else, and that is painful.</dcterms:abstract>
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        <dc:subject>Far East</dc:subject>
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        <dcterms:abstract>It's Anna Kavan time again. I'm enjoying tuning into her writing so much and having just finished her 1963 novel Who Are You? I think there is no doubt I will now have to read everything by and about her..thanks Kit at Peter Owen!</dcterms:abstract>
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        <dc:subject>coffee break</dc:subject>
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        <dcterms:abstract>The thing about trying to record quotes from Anna Kavan is that everything she writes reads this way — splendid, icy, nightmarish — and so that these are merely a random selection from a vast pool.</dcterms:abstract>
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        <dc:title>Anna Kavan papers</dc:title>
        <dcterms:abstract>This artificial collection has been compiled from a number of acquisitions and included handwritten and typed manuscripts of novels, novellas and short stories. Also diaries, notebooks, photographs, personal memorabilia and correspondence with theater critic Raymond B. Marriott, George Bullock, Rhys Davies and letters, notes and drawings from K. T. Bluth to Kavan. Kavan's artwork, predominantly water color but including oil, pen and ink, and goache.</dcterms:abstract>
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        <dc:description>Organized into six series: I. Writings; II. Correspondence; III. Photographs; IV. Artwork; V. Personal Papers. The writings are arranged alphabetically by title. The correspondence is arranged alphabetically by correspondent then chronologically within each grouping. Art work too large for the oversize box is housed in Map Case 5:Drawer 11.</dc:description>
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        <dc:subject>A Scarcity of Love</dc:subject>
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        <dc:title>‘Senin’ okumanı istediklerimden : ANNA KAVAN , Buz.</dc:title>
        <dcterms:abstract>(Helen Woods), 1901′de bir İngiliz ailesinin çocuğu olarak Fransa, Cannes’da doğdu. Zengin bir baba ile çocuğunu hem ezen hem de inkâr eden bir annenin kızıydı. 14 yaşındayken, babası ona “hayat boyu yalnızlık” bırakarak öldü. Kavan’ın müreffeh ama sevgisiz çocukluğu Avrupa ve California’da geçti. Yazmaya ilk kocası Donald Ferguson’la birlikte yaşadığı Burma’da (şimdiki Birmanya) başladı. Anna Kavan adını “Women’s Liberation için öncü bir çaba” olarak nitelenen Beni Rahat Bırak romanının kadın kahramanından aldı. Kavan, kahramanın nefret ettiği ve küçümsediği kocasının soyadıydı.</dcterms:abstract>
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        <dc:subject>bio Callard</dc:subject>
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        <dc:subject>Ice</dc:subject>
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        <dcterms:abstract>I'm in residence in Pittsburgh at the Cyber Punk Apocalypse, indulging my whims. Today I attempted a Burroughs-style cut-up with an existential excerpt from my journal and a selection from &quot;Ice,&quot; by Anna Kavan, a bleak surrealist novel I'm currently reading. I took the liberty of changing some tenses and inserting punctuation.</dcterms:abstract>
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        <dc:title>Fantastic tales</dc:title>
        <dcterms:abstract>Indhold: The Green Lady : English folktale. The witches' excursion : Irish legend. Edgar Allan Poe: The black cat. E.E. Kellett: The Lady Automaton. W.W. Jacobs: The monkey's paw. Charlotte Perkins Gilman: When I was a witch. Saki: Sredne Vashtar. Graham Greene: Proof positive. Manly Wade Wellman: The theater upstairs. Leonora Carrington: White rabbits. Richard Matheson: Blood son. Anna Kavan: A visit. Patricia Highsmith: The empty birdhouse. Vonda N. McIntyre: Spectra. Russell Bates: Rite of encounter. Angela Carter: Penetrating to the heart of the forest</dcterms:abstract>
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        <dc:title>Anna Kavan - Wikipedia, the free encyclopedia</dc:title>
        <dcterms:abstract>Anna Kavan (born Helen Emily Woods; 10 April 1901 – 5 December 1968) was a British novelist, short story writer and painter. Originally publishing under her first married name, Helen Ferguson, she adopted the name Anna Kavan in 1939, not only as a nom de plume but as her legal identity.</dcterms:abstract>
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        <dc:subject>Ice</dc:subject>
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        <dcterms:dateSubmitted>2013-05-14 10:11:02</dcterms:dateSubmitted>
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        <dc:description>Anna Kavan lived 22 months in NZ ffrom 1940 to 1942. see Anna Kavan's New Zealand - a pacific interlude in a turbulent life by Jennifer Sturm, Random House New Zealand 2009.</dc:description>
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        <dc:title>ARCHIVES</dc:title>
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        <dc:title>FANS</dc:title>
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        <dc:title>pages francophones</dc:title>
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        <dc:title>tumblr (samples)</dc:title>
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        <dc:title>my name is</dc:title>
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    <z:Collection rdf:about="#collection_23">
        <dc:title>pages anglophones</dc:title>
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        <dcterms:hasPart rdf:resource="http://pechorinsjournal.wordpress.com/2012/03/06/ice-by-anna-kavan/"/>
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        <dcterms:hasPart rdf:resource="http://www.peterwellsblog.com/2009/11/anna-kavans-eternal-journey.html"/>
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        <dcterms:hasPart rdf:resource="http://roomswithbooks.blogspot.fr/2011/01/anna-kavan-i-am-lazarus-spoiler.html"/>
        <dcterms:hasPart rdf:resource="http://www.peterwellsblog.com/2009/06/anna-kavan-and-libraries.html"/>
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        <dcterms:hasPart rdf:resource="http://roomswithbooks.blogspot.fr/2007/09/charmed-circle-by-anna-kavan.html"/>
        <dcterms:hasPart rdf:resource="http://devotionalhooligan-sniffingkeyholes.blogspot.be/2009/12/anna-kavan-de-quinceys-heir-kafkas.html"/>
        <dcterms:hasPart rdf:resource="http://stevenhartsite.wordpress.com/2009/10/21/cold-print/"/>
        <dcterms:hasPart rdf:resource="http://pburt.wordpress.com/2011/04/03/sunday-caught-my-interest-22/"/>
        <dcterms:hasPart rdf:resource="http://dovegreyreader.typepad.com/dovegreyreader_scribbles/2007/06/sunday_confessi.html"/>
        <dcterms:hasPart rdf:resource="http://www.jeanmcneil.co.uk/?q=content/anna-kavan-%E2%80%93-unique-modernist-vision"/>
        <dcterms:hasPart rdf:resource="http://tonyshaw3.blogspot.fr/2012/07/anna-kavan-asylum-piece-1940.html"/>
        <dcterms:hasPart rdf:resource="#item_142"/>
        <dcterms:hasPart rdf:resource="http://webleedink.wordpress.com/2010/07/25/anna-kavan/"/>
        <dcterms:hasPart rdf:resource="http://sciencefictionruminations.wordpress.com/2012/09/19/updates-recent-science-fiction-acquisitions-n-xxviii-spinrad-harrison-kavan-effinger/"/>
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        <dcterms:hasPart rdf:resource="http://towknee.multiply.com/journal/item/124/Ice-by-Anna-Kavan"/>
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        <dcterms:hasPart rdf:resource="http://craiglaurancegidney.com/2013/08/02/book-review-ice-by-anna-kavan-interior-landscapes-cast-in-ice/"/>
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        <dc:title>KAVAN IN BOOKS</dc:title>
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        <dc:title>PROMOTING KAVAN</dc:title>
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        <dcterms:hasPart rdf:resource="http://www.radionz.co.nz/national/programmes/saturday/audio/1995432/jennifer-sturm-anna-kavan"/>
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