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\startproduct aether_2008
\starttext
\part[2008]{2008}
\marking[P]{2008}
\page
\setuplayout[nomargins]
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\page
\setuplayout[reset]
\chatbox{\stylechatpiece{300} }{\stylechatinfo{Nylon 00:25}}{\stylechat{maybe i should repeat lines but only out of their original order. 5 min is a long time}}
\chatbox{\stylechatpiece{301} }{\stylechatinfo{paula vélez 00:36}}{\stylechat{you said again?}}
\chatbox{\stylechatpiece{302} }{\stylechatinfo{paula vélez 00:36}}{\stylechat{from wish act}}
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\chatbox{\stylechatpiece{304} }{\stylechatinfo{boris 00:39}}{\stylechat{credits}}
\chatbox{\stylechatpiece{305} }{\stylechatinfo{boris 00:39}}{\stylechat{??}}
\chatbox{\stylechatpiece{306} }{\stylechatinfo{aether9: 00:40}}{\stylechat{end of the first rehearsal?}}
\useexternalfigure[e0jGnMIyIup4I7Zxp6Mx5w==][../PAR-PERFO/2008-02-16\_iMAL/img/20080215\_00h41m01s\_end.png]\medskip\hbox {\externalfigure[e0jGnMIyIup4I7Zxp6Mx5w==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{308} }{\stylechatinfo{paula vélez 00:41}}{\stylechat{i dindt understood}}
\chatbox{\stylechatpiece{309} }{\stylechatinfo{paula vélez 00:41}}{\stylechat{a moment i thogth we where going to stop and restart in one of acts}}
\chatbox{\stylechatpiece{310} }{\stylechatinfo{aether9: 00:42}}{\stylechat{well, there were some techincal problems, but we tried to play through all the 5 acts}}
\chatbox{\stylechatpiece{311} }{\stylechatinfo{boris 00:42}}{\stylechat{OK, I was chlloe, using Boris' \stylerefchatlogchat{Skype}\stylerefroad{175}{323} and I was controling time and text box}}
\chatbox{\stylechatpiece{312} }{\stylechatinfo{paula vélez 00:42}}{\stylechat{sorry , i lost concentration for a moment}}
\chatbox{\stylechatpiece{313} }{\stylechatinfo{boris 00:42}}{\stylechat{I used 5 minutes units for each act}}
\useexternalfigure[vVXXihvajQIwdajrUKl/Uw==][../PAR-PERFO/2008-02-16\_iMAL/img/20080215\_01h44m46s.png]\medskip\hbox {\externalfigure[vVXXihvajQIwdajrUKl/Uw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
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\chatbox{\stylechatpiece{317} }{\stylechatinfo{boris 01:45}}{\stylechat{Participate in our poll:}}
\chatbox{\stylechatpiece{318} }{\stylechatinfo{boris 01:46}}{\stylechat{you prefer webcams or ascii in the bottom frames?}}
\useexternalfigure[6AbG1/FxKnNy/AxVxiOcvw==][../PAR-PERFO/2008-02-16\_iMAL/img/20080215\_13h43m21s\_imal.png]\medskip\hbox {\externalfigure[6AbG1/FxKnNy/AxVxiOcvw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
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\stylepiece{321}
\styleinfoperfo
\startinfopar \perfotitle{CMYK}
\infopar 2008-02-16 21:00:00
\infopar “Stream on You” event, curated by Nathalie Fougeras and produced by iMAL
\infopar iMAL, Brussels (Belgium)
\infopar Bjorn
Eriksson,
Boris
Kish,
Chloé
Cramer,
ideacritik,
Judy
Nylon,
Laure
De
Selys,
Manuel
Schmalstieg,
Nathalie
Fougeras,
Pascale
Barret,
Paula
Vélez,
Richard
Milan,
Jonathan
Goldstein\stopinfopar
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
\styleperfo
AN IMPROVISATIONAL STRUCTURE BASED ON LIST OF ACTIONS COUPLED TO THE FOUR SUITS OF A DECK OF CARDS. SUITS ARE CALLED BY A HUMAN \stylerefperfothemes{random}\stylerefroad{255}{323} GENERATOR. THESE ACTIONS ARE FRAMED WITHIN THE CMYK COLOR SPACE.
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
\stylepiece{322}
\stylemailtitle
new max/msp patch
\styleinfos
1.1.1904 1.1 [*]
07.03.2008
\stylemail
hi group,
a short message to inform you that a new performance patch is available:
\hyphenatedurl{http://www.1904.cc/~aether/kode/max\_image\_upload/}
i finally added some functions i was planning since a long time, most
importantly an "archiving" function:
as soon as you start uploading images, the patch will automatically
store an image, ca. once per minute, on a specific server location
(for now it's \hyphenatedurl{http://www.cave12.org/~aether/archive/} )
this will allow us to have an image data-bank of our performances,
which will be ready for many interesting uses.
\stylepiece{323}
\stylemailtitle
new script proposal
\styleinfos bk
15.03.2008
\stylemail
Hi all,
I throw a script idea here. Still needs lots of input fortunately. I
believe now that it would be better to do twice the same script for the
2 april performances.
---
It is a first draft sort of inspired by the LRRH tale, an essay from Lev
Manovich, sites like livejasmin.com and elements of our previous
discussions. I also had a meeting with Chloé in a brussels bar yesterday
night where we discussed this.
This requires 5 live performers. I guess that it would last about 40
minutes.
LAYERS
> remember the first script, i think we all liked the 3 layers: Gods /
Stratosphere / underworld. I think we mostly liked it and in this
proposal, there are also layers. But not so rigid: at times the fixed
clear structure is broken when the performers decide to \stylerefmailtech{upload}\stylerefroadfwdonly{349} their
images to another frame. There would be set moments for this principle,
it would be chaotic (like an unpredictable frame battle - easy to do for
the \stylerefmailpatch{Max}\stylerefroadfwdonly{349}-\stylerefmailpatch{Patch}\stylerefroadrwdonly{119} users, i don't know for performers who use another upload
system)
(check Lev Manovich essay "Interaction as an Aesthetic Event" (2007),
found the other day on manovich.net, a short must read that i attach it
to this mail. Key quote: "Command-line interfaces "deliver the goods",
that is, they focus on pure functionality and utility. GUI (Graphic User
Interface) adds "service" to interfaces (like mac OS9). And at next
stage, interfaces become "experiences" (like mac OSX) " (it helped me to
imagine the 3 layers as: "goods / services / experiences" but i don't
think we should remember this for a performance script really).
TOP LAYER (frames 1,2,3) - experiences
the Little \stylerefmailred{red}\stylerefroad{304}{324} Riding Hood
> must attract all 5 senses.
> Shows 1 girl doing the \stylerefmailtech{webcam}\stylerefroadrwdonly{318} thing (check www.livejasmin.com to get
the idea...) - her body is spread out on 3 frames, in the illogical
horizontally way (assuming the girl is sitting and not laying on a
matress for example, but she could switch positions of course):
frame 1: head and shoulders
frame 2: chest to tights
frame 3: legs
(This requires 3 cameras and 3 computers!)
> Differently colored frames (Godard's "Contempt" / "Le mépris" style lol)
> The girl is "typographed": lighten by a video-beamer (projector) if
available: light, images and texts (screen surface would be the skin,
the clothes and the wall in the background). Magical transparency etc.
> The girl would wear red cape at times.
> Live stream would be the sound environnement (spoken interactions
between girls, with the technical assistant(s) and sounds from their
surroundings).
> A different girl could appear at times (i mean that they could
switch, on location of the shooting: people on livesjasmin.com often
operate from studios where different people work)
> nb: I talked with Chloé who is enthusiastic for doing this part! And
in bruxelles it would be totally feasible without big organisation fuzz
to have 3 cameras and 3 computers for the 3 part upload. So we can
assume that brussels could do this sort of complicate part :-)
MIDDLE LAYER (frames 4,5,6) - services
> The Hunter, The Wolf, and other persons/things (grandmother? Dolls?
Objects? central frame 5 could be a webcam highway all the time?) /
could be the people through wich the tale is carried and transmitted /
could be the people looking at the kind of peepshow / the forest / the house
> The Wolf: a person could be disguised in wolf, wild and chaotic.
Undecipherable. Basic instincts.
> The Hunter: could be disguised with mustache, hat with feather,
riffle. Could spend a lot of time cleaning his gun.
LOWER LAYER (frames 7,8,9) - goods
The transmission operator (frame 8) + 2 text frames (frames 7 + 9)
> The Operator frame is played at the Mapping festival. He is in front
of an old-fashionned greyish computer screen.He is the person managing
the live \stylerefmailchat{Skype}\stylerefroadrwdonly{311} \stylerefmailchat{chat}\stylerefroadfwdonly{405} (that should be projected at Mapping). He has a desk
with a lot of stuff around, like a police inspector (i am thinking of
the police office at the end of "The Usual Suspects: crowded with
pictures, notes, etc - here all these documents would relate to the LRRH
case of course).
> black and white image only.
> The Operator becomes mad when the frames change of place, when it is
chaotic. Hence he would appear as a puppet-master whose puppets aren't
obedient. Also as the manager of the webcam girl. I imagine he would
have a eastern-mafia feel.
> He gives orders at time to the girl of top layer (with text).
NARRATIVE
So far i've described mostly stuctural elements. But i feel we need
actions. Like sketches. Series of little interactions (like in the last
performance when there's the "murder with the typingmachine" betwwen 2
frames). What will be doing :-) ?
This needs a lot of development. Here are a couple ideas:
> When the Wolf catches the LRRH (by going up a ladder and exiting his
frame by the top? bof...) , a curtain could come down on the LRRH (like
when they do a private show in web-peepshows - well of course the morale
of the the LRRH story can be read as: the LRRH shall have a lover (the
wolf) before marriage (with the hunter)...
> END: for the grand finale, i imagine with pleasure a big showdown
(after a tense preparation time, like in westerns), with everybody
shooting against everybody, and constantly changing of frames, so it
would be a shooting chaotic ballet (before everybody going back to it's
orîginal frame for the salutes - where the assistants also come in the
image to salute).
> There should be a moment of eating alltogether.
> Text: in 1 text frame, the text could be a chat session between the
LRRH, the hunter and the Wolf. They could be rambling over their great
memories of they recall from their story, and the operator could be
there as well (live on the skype-chat and somebody remote would take
care to upload the logs into the text frame or we could write this chat
session in advance and somebody would upload it as well.)
(n3krozoft did a performance with images of a chatter and the chat:
\hyphenatedurl{http://www.n3krozoft.com/projects/art/lol/index.html\#}
In the other text frame, something totally different could be going on.
> I guess that to emphasize the actual LRRH tale, we could upload
images from books / illustrations / drawings / dolls / films / comics
etc. on the theme - or not on the theme actually :-)
> SOUND: i imagine BliscappenVonMaria could do "musique descriptive",
i mean develop expressionistic themes around the themes of the LRRH.
////////
I believe this structure is an invitation to a lot of playfullness and
inventions.
For instance the roles between the LRRH and the Wolf(es) can be inverted
at some point. The LRRH could turn into a big eater, in a very
disgusting way (dirty or jung food only, and alcohol) - well just a
\stylerefmailthemes{random}\stylerefroad{321}{542} thought.
Please don't hesitate to tell clearly your critics. If negative, please
propose other concrete directions. Or if you wish to bring it to an all
other level or direction, let's share ideas!
///////
PARTICIPANTS \& DATES:
Confirmed for Festival de la Imagen (but we still need a date):
> Boris (i'm available at almost any time this week)
> Paula
Confirmed for Mapping (19th April, we don't know at what time yet):
> Boris + Manu team
> Chris
> Chloé
> Bliscappen music band
//////////
See you soon,
Boris
\stylepiece{324}
\stylemailtitle
new script proposal
\styleinfos Judy Nylon
17.03.2008
\stylemail
This is exciting.....I must still call around for a camera; I still have nothing but my Mac built-in...but I have built a doll house (thinking about Duchamp's valise) in which, with surreal sized objets relating to the \stylerefmailred{red}\stylerefroad{323}{345} Riding Hood story, I can build the emotive current of the story with signifiers. I am attaching jpgs. The dollhouse has six rooms and I can access the objets (barely) sticking my hands (with long stick on red fingernails) through the windows on the front. I hope you all like this; I think the smaller (rooms) boxes within on of the larger Aether boxes will give an odd scale/depth sensation that will relate to the body spread across three frames. The tits in the picture are tension toys for executives (weird to touch/squeeze).
The \stylerefmailscience{test}\stylerefroad{149}{332} of the new Aether page looks good. I think doing the same performance twice is a good move. i will look at the references below. and also check about the web cams ....And if we think this dollhouse idea will work to show the elements of the myth in an emotional/ mental \stylerefmailslow{landscape}\stylerefroad{280}{405} , I will continue to collect ephemeria related to the story. I have watched an artist Laurie Simmons use cutouts from magazines propped up like paperdolls \& moved in these scenerios....it is very dream-like.
And yes, I am glad to have anything to help my half hour lecture on Aether.
The doll house is out in my own dollhouse sized apartment where I can see it and think...so feed back would be good. Also, are we sticking to having a single source for sound or not? Great script start..... Judy
\useexternalfigure[km6H4MY3X0AZYeWVMGD8mQ==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080321\_19h39m42s.jpg]\medskip\hbox {\externalfigure[km6H4MY3X0AZYeWVMGD8mQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[7r3MJgxetqoA0PbiU7vo3w==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080321\_20h11m31s.jpg]\medskip\hbox {\externalfigure[7r3MJgxetqoA0PbiU7vo3w==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[z0pFzgYxKSBlRu49sse61Q==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080329\_20h13m.png]\medskip\hbox {\externalfigure[z0pFzgYxKSBlRu49sse61Q==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\stylepiece{328}
\stylequoteblock{
\styleinfos
Boris Kish
\stylequote
> i am really wondering why we have the ASCII cam option - i wonder how
> it fits into the story.
The idea is that the girls become ascii as they are eaten and in the
stomach of the wolf / in a private show.
}
\useexternalfigure[k5CBQq71Pfh1GSQwYo8Suw==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080405\_17h17m.png]\medskip\hbox {\externalfigure[k5CBQq71Pfh1GSQwYo8Suw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\stylepiece{330}
\stylemailtitle
Flip"book"
\styleinfos
1.1.1904 1.1 [*]
12.04.2008
\stylemail
to repeat it for those who didn't participate in that particular chat
session, the idea is that at some moment (beginning/end) a shot shows
the location / set-up of each performer, with the location name in
big letters written/taped on some wall in the background (all
locations should use the same font for this - we could agree on
arial, or on Deja-Vu Sans, which is a major open-source font)
best,
manuel
\vfill
\break
\chatbox{\stylechatpiece{331} }{\stylechatinfo{aleij 20:13}}{\stylechat{ paula is usefull to not eat your bandwith streaming and listening (via vlc) at the same time}}
\chatbox{\stylechatpiece{332} }{\stylechatinfo{paula 20:13}}{\stylechat{ then i must \stylerefchatlogscience{test}\stylerefroad{324}{362} a line in signal in stead of mic signal}}
\chatbox{\stylechatpiece{333} }{\stylechatinfo{aleij 20:13}}{\stylechat{ see if its online here:}}
\chatbox{\stylechatpiece{334} }{\stylechatinfo{aleij 20:13}}{\stylechat{ \hyphenatedurl{http://giss.tv:8000/}}}
\chatbox{\stylechatpiece{335} }{\stylechatinfo{paula 20:13}}{\stylechat{ yes, i m not hearing }}
\chatbox{\stylechatpiece{336} }{\stylechatinfo{aleij 20:13}}{\stylechat{ just for the record}}
\chatbox{\stylechatpiece{337} }{\stylechatinfo{aleij 20:14}}{\stylechat{ btw, how is bandwidt there?}}
\chatbox{\stylechatpiece{338} }{\stylechatinfo{aleij 20:14}}{\stylechat{ i listen}}
\vfill
\break
\chatbox{\stylechatpiece{339} }{\stylechatinfo{aleij 20:14}}{\stylechat{ you can just talk my dear}}
\chatbox{\stylechatpiece{340} }{\stylechatinfo{aleij 20:14}}{\stylechat{ stable}}
\useexternalfigure[VptpV6eQJvAADJmYQz8K0w==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h15m01s.jpg]\medskip\hbox {\externalfigure[VptpV6eQJvAADJmYQz8K0w==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{342} }{\stylechatinfo{aleij 20:15}}{\stylechat{ parle francais svp}}
\chatbox{\stylechatpiece{343} }{\stylechatinfo{aleij 20:15}}{\stylechat{ je arrive}}
\chatbox{\stylechatpiece{344} }{\stylechatinfo{aleij 20:15}}{\stylechat{ hehe}}
\chatbox{\stylechatpiece{345} }{\stylechatinfo{aleij 20:15}}{\stylechat{ redemarrer fixes all}}
\chatbox{\stylechatpiece{346} }{\stylechatinfo{paula 20:18}}{\stylechat{ i'm sending sound and image. do you hear me?}}
\vfill
\break
\chatbox{\stylechatpiece{347} }{\stylechatinfo{paula 20:18}}{\stylechat{ see}}
\useexternalfigure[iucyL3gnwZjisH5dpfRbhQ==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h19m10s.png]\medskip\hbox {\externalfigure[iucyL3gnwZjisH5dpfRbhQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{349} }{\stylechatinfo{paula 20:20}}{\stylechat{ the \stylerefchatlogpatch{Patch}\stylerefroad{323}{355} sound seems to work very goog in transmision, but it dont looks that i can not \stylerefchatlogtech{upload}\stylerefroad{323}{429} image at the same time.}}
\useexternalfigure[BhPncKWLssh+IErGie0lww==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h20m10s\_080330\_premanizal.jpg]\medskip\hbox {\externalfigure[BhPncKWLssh+IErGie0lww==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[WN0vXn6Y6EqlPgtwKbB55w==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h20m11s\_ae9\_080404\_premanizal41.jpg]\medskip\hbox {\externalfigure[WN0vXn6Y6EqlPgtwKbB55w==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{352} }{\stylechatinfo{paula 20:20}}{\stylechat{ because it crash...}}
\chatbox{\stylechatpiece{353} }{\stylechatinfo{paula 20:20}}{\stylechat{ the interface works good it seams}}
\chatbox{\stylechatpiece{354} }{\stylechatinfo{paula 20:20}}{\stylechat{ but....}}
\chatbox{\stylechatpiece{355} }{\stylechatinfo{paula 20:20}}{\stylechat{ letme put patches in the same folder, maybe that is the problem}}
\useexternalfigure[zvb4zYdv2FAVEnXmUcM6wg==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h21m10s\_ae9\_080405\_premanizal.jpg]\medskip\hbox {\externalfigure[zvb4zYdv2FAVEnXmUcM6wg==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{357} }{\stylechatinfo{paula 20:21}}{\stylechat{ are you receving soudn alejoooo?}}
\useexternalfigure[xf0plnjZP0QHNigVH2/C0w==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h22m10s\_080405\_premanizal1.jpg]\medskip\hbox {\externalfigure[xf0plnjZP0QHNigVH2/C0w==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[AFH8ZK7tnWhJQw4Iqx9gpg==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h22m11s\_080405\_premanizal4.jpg]\medskip\hbox {\externalfigure[AFH8ZK7tnWhJQw4Iqx9gpg==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
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\chatbox{\stylechatpiece{361} }{\stylechatinfo{paula 20:23}}{\stylechat{ error: shoutcast\textasciitilde{}: No such object}}
\chatbox{\stylechatpiece{362} }{\stylechatinfo{paula 20:23}}{\stylechat{ shoutcast\textasciitilde{} v1.3test3, 2001-2006 Olaf Matthes}}
\chatbox{\stylechatpiece{363} }{\stylechatinfo{aleij 20:24}}{\stylechat{ im back}}
\chatbox{\stylechatpiece{364} }{\stylechatinfo{aleij 20:24}}{\stylechat{ stream is back}}
\useexternalfigure[EdVl/uCjWCxqs3lcIqLQIg==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h25m10s\_080405\_premanizal9.jpg]\medskip\hbox {\externalfigure[EdVl/uCjWCxqs3lcIqLQIg==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{366} }{\stylechatinfo{paula 20:25}}{\stylechat{ now, i will start the image \stylerefchatlogpatch{Patch}\stylerefroad{355}{370} and you tell me if it crashes}}
\chatbox{\stylechatpiece{367} }{\stylechatinfo{aleij 20:25}}{\stylechat{ no sound}}
\useexternalfigure[/jL+WsdytyoToO6QyPNC9Q==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h26m10s\_080405\_premanizal10.jpg]\medskip\hbox {\externalfigure[/jL+WsdytyoToO6QyPNC9Q==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
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\chatbox{\stylechatpiece{370} }{\stylechatinfo{paula 20:26}}{\stylechat{ it crashes when i start the image \stylerefchatlogpatch{Patch}\stylerefroad{366}{543}}}
\useexternalfigure[CDyEAK6CnMiMyz8mcpiIWg==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h27m12s\_080409\_premanizal1.jpg]\medskip\hbox {\externalfigure[CDyEAK6CnMiMyz8mcpiIWg==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[58XH1dUMqu+wlJa40HNdzw==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h27m13s\_080409\_premanizal2.jpg]\medskip\hbox {\externalfigure[58XH1dUMqu+wlJa40HNdzw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
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\useexternalfigure[NpUXBhx9iNsVbso5REQ56A==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h28m21s\_080413\_premanizal10.jpg]\medskip\hbox {\externalfigure[NpUXBhx9iNsVbso5REQ56A==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
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\useexternalfigure[9KAiqM5/HTlArJ6sQw49FA==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h28m29s\_080413\_premanizal27.jpg]\medskip\hbox {\externalfigure[9KAiqM5/HTlArJ6sQw49FA==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[4eu+kdOyTsrUe4j1DPz+hA==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h28m30s\_080413\_premanizal34.jpg]\medskip\hbox {\externalfigure[4eu+kdOyTsrUe4j1DPz+hA==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\vfill
\break
\chatbox{\stylechatpiece{385} }{\stylechatinfo{aleij 20:33}}{\stylechat{ paula porque aparece la palabra colombia en los frames}}
\chatbox{\stylechatpiece{386} }{\stylechatinfo{aleij 20:34}}{\stylechat{ ahora hay audio}}
\chatbox{\stylechatpiece{387} }{\stylechatinfo{paula 20:34}}{\stylechat{ no se quien puso eso, creo que fu christian y se le qued puesto}}
\chatbox{\stylechatpiece{388} }{\stylechatinfo{aleij 20:34}}{\stylechat{ ahh ok}}
\chatbox{\stylechatpiece{389} }{\stylechatinfo{paula 20:34}}{\stylechat{ o manu y se le olvidó}}
\chatbox{\stylechatpiece{390} }{\stylechatinfo{paula 20:34}}{\stylechat{ ahora est sonando?}}
\chatbox{\stylechatpiece{391} }{\stylechatinfo{aleij 20:34}}{\stylechat{ audio up si}}
\useexternalfigure[uzTbj5ujPef6gknub2qIVw==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h35m10s\_080417\_premanizal.jpg]\medskip\hbox {\externalfigure[uzTbj5ujPef6gknub2qIVw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{393} }{\stylechatinfo{aleij 20:35}}{\stylechat{ ok}}
\useexternalfigure[TJDiCCrIMLIDw4DrmwstzQ==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h36m10s\_080418\_manizal.jpg]\medskip\hbox {\externalfigure[TJDiCCrIMLIDw4DrmwstzQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[UCi6+DaR4C/0Q/AjAC9luw==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h36m11s\_080418\_manizal6.jpg]\medskip\hbox {\externalfigure[UCi6+DaR4C/0Q/AjAC9luw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[/9KZ9tzGOLeUqzww2CQqQA==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h36m12s\_080418\_manizal8.jpg]\medskip\hbox {\externalfigure[/9KZ9tzGOLeUqzww2CQqQA==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[vgbNCyiHDIDUIK7bfutGQQ==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h36m13s\_080418\_manizal9.jpg]\medskip\hbox {\externalfigure[vgbNCyiHDIDUIK7bfutGQQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[/WOiuB3nbH3ukmeJfq8qOw==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080415\_20h36m15s\_080418\_manizal10.jpg]\medskip\hbox {\externalfigure[/WOiuB3nbH3ukmeJfq8qOw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[odl4P5fkmme3E1exJIQAhg==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/6x.jpg]\medskip\hbox {\externalfigure[odl4P5fkmme3E1exJIQAhg==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[YftqsWZwc/cGtaNNqpd7Qg==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/0x.jpg]\medskip\hbox {\externalfigure[YftqsWZwc/cGtaNNqpd7Qg==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[Sd/UD23fdvgQso72dvTeWA==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/3x.jpg]\medskip\hbox {\externalfigure[Sd/UD23fdvgQso72dvTeWA==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[QHe0Y8o0M/bCqzcYFtV6RQ==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/2x.jpg]\medskip\hbox {\externalfigure[QHe0Y8o0M/bCqzcYFtV6RQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[rzvd8oyVh4FPLbpJNlKYbQ==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080417\_20h26\_17.png]\medskip\hbox {\externalfigure[rzvd8oyVh4FPLbpJNlKYbQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[+YJxHapWJfXwPyUyRHumeQ==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080417\_20h26m\_13.png]\medskip\hbox {\externalfigure[+YJxHapWJfXwPyUyRHumeQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\stylepiece{405}
\styleinfoperfo
\startinfopar \perfotitle{LHHR}
\infopar 2008-04-17 18:00:00
\infopar Festival Internacional de la Imagen
\infopar Alianza Francesa, Manizales (Colombia)
\infopar Boris
Kish,
Chloé
Cramer,
Christiaan
Cruz,
gladkazuka,
Gregorio
Gómez,
ideacritik,
Judy
Nylon,
Laure
De
Selys,
Manuel
Schmalstieg,
Natalia
Valencia,
Paula
Vélez,
The
League
of
Imaginary
Scientists\stopinfopar
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
\styleperfo
THE LITTLE \stylerefperfored{red}\stylerefroadrwdonly{345} RIDING HOOD TALE FRAGMENTED FOR A TWENTY FIRST CENTURY MIND, ONE THAT DETECTS A STORYLINE FROM MULTI-SOURCED INFORMATION STREAMS, PART CUBIST, PART 3D CHESS, BUT COHERENTLY SET IN HUMAN, ANCIENT, PRIMORDIAL MIND. WOLF, AN “ANYMAN”, SEEKS A ROLE-PLAYING LITTLE RED RIDING HOOD AMONG CYBER \stylerefperfored{sex}\stylerefroadfwdonly{463} \stylerefperfochat{chat}\stylerefroad{323}{409} GIRLS. A JOURNEY INTO THE PSYCHOLOGICAL \stylerefperfoslow{landscape}\stylerefroad{324}{463} OF THE CLASSICAL TALE, A CIPHER OF AGING, SEX, DEATH, DESIRE, VIOLENCE, SECRECY, BEAUTY AND DECAY. LIVE SOUNDTRACK BY GREGORIO GóMEZ (AKA GLADKAZUKA).
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
\chatbox{\stylechatpiece{406} }{\stylechatinfo{chloe_ 20:59}}{\stylechat{ yes, but I will try to follow the timing}}
\chatbox{\stylechatpiece{407} }{\stylechatinfo{bk2 20:59}}{\stylechat{ ok}}
\chatbox{\stylechatpiece{408} }{\stylechatinfo{saylor 20:59}}{\stylechat{ but its not a forest ?}}
\chatbox{\stylechatpiece{409} }{\stylechatinfo{ideacritik 20:59}}{\stylechat{ i need cues on \stylerefchatlogchat{IRC}\stylerefroad{405}{463} if possible}}
\chatbox{\stylechatpiece{410} }{\stylechatinfo{bk2 20:59}}{\stylechat{ ready here}}
\chatbox{\stylechatpiece{411} }{\stylechatinfo{bk2 21:00}}{\stylechat{ day forests are crap iun my}}
\chatbox{\stylechatpiece{412} }{\stylechatinfo{chloe_ 21:00}}{\stylechat{ cues is indication?}}
\chatbox{\stylechatpiece{413} }{\stylechatinfo{bk2 21:00}}{\stylechat{ humpble opinion}}
\chatbox{\stylechatpiece{414} }{\stylechatinfo{bk2 21:00}}{\stylechat{ chlo? you do cues}}
\chatbox{\stylechatpiece{415} }{\stylechatinfo{chloe_ 21:00}}{\stylechat{ yes}}
\chatbox{\stylechatpiece{416} }{\stylechatinfo{ideacritik 21:00}}{\stylechat{ chloe\_: as in ACT 1 ... etc}}
\chatbox{\stylechatpiece{417} }{\stylechatinfo{chloe_ 21:01}}{\stylechat{ operator: before start}}
\chatbox{\stylechatpiece{418} }{\stylechatinfo{bk2 21:01}}{\stylechat{ yes, geneva, ok}}
\chatbox{\stylechatpiece{419} }{\stylechatinfo{bk2 21:01}}{\stylechat{ black for now...}}
\chatbox{\stylechatpiece{420} }{\stylechatinfo{chloe_ 21:01}}{\stylechat{ ok}}
\useexternalfigure[SDDLK1cw6AM5UgtzZSJpLw==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080417\_21h01m40s.jpg]\medskip\hbox {\externalfigure[SDDLK1cw6AM5UgtzZSJpLw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{422} }{\stylechatinfo{chloe_ 21:01}}{\stylechat{ act 1 now}}
\chatbox{\stylechatpiece{423} }{\stylechatinfo{chloe_ 21:01}}{\stylechat{ Judy: show us image of LRRH}}
\chatbox{\stylechatpiece{424} }{\stylechatinfo{chloe_ 21:02}}{\stylechat{ when approaching dollhouse}}
\chatbox{\stylechatpiece{425} }{\stylechatinfo{bk2 21:02}}{\stylechat{ and bliscappen is streamed... relod the button}}
\vfill
\break
\chatbox{\stylechatpiece{426} }{\stylechatinfo{chloe_ 21:02}}{\stylechat{ operator: image please}}
\useexternalfigure[8RLC6UDC637aJLASCPivwQ==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080417\_21h03m40s.png]\medskip\hbox {\externalfigure[8RLC6UDC637aJLASCPivwQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{428} }{\stylechatinfo{chloe_ 21:03}}{\stylechat{ act 2 now}}
\chatbox{\stylechatpiece{429} }{\stylechatinfo{chloe_ 21:04}}{\stylechat{ 1-3-4 6 -7 webcams}}
\chatbox{\stylechatpiece{430} }{\stylechatinfo{chloe_ 21:04}}{\stylechat{ sorry 1, 3, 4 , 7, 9}}
\chatbox{\stylechatpiece{431} }{\stylechatinfo{chloe_ 21:04}}{\stylechat{ nice saylor}}
\chatbox{\stylechatpiece{432} }{\stylechatinfo{chloe_ 21:05}}{\stylechat{ \# 1}}
\useexternalfigure[GaiAqrR0ewa9f8XSS8HmiQ==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080417\_21h05m40s.jpg]\medskip\hbox {\externalfigure[GaiAqrR0ewa9f8XSS8HmiQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{434} }{\stylechatinfo{chloe_ 21:05}}{\stylechat{ LRRH image}}
\chatbox{\stylechatpiece{435} }{\stylechatinfo{chloe_ 21:05}}{\stylechat{ judy}}
\chatbox{\stylechatpiece{436} }{\stylechatinfo{fe2cruz 21:06}}{\stylechat{ band goes in 4 no?}}
\chatbox{\stylechatpiece{437} }{\stylechatinfo{chloe_ 21:06}}{\stylechat{ 4 will be wolf}}
\chatbox{\stylechatpiece{438} }{\stylechatinfo{chloe_ 21:06}}{\stylechat{ close up on LRRH}}
\useexternalfigure[ST8WCjXDQXa458gCb6zhyQ==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080417\_21h06m40s.jpg]\medskip\hbox {\externalfigure[ST8WCjXDQXa458gCb6zhyQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{440} }{\stylechatinfo{chloe_ 21:06}}{\stylechat{ cool}}
\chatbox{\stylechatpiece{441} }{\stylechatinfo{bk2 21:07}}{\stylechat{ sorry for problem with operator.}}
\chatbox{\stylechatpiece{442} }{\stylechatinfo{chloe_ 21:07}}{\stylechat{ act 3 now}}
\chatbox{\stylechatpiece{443} }{\stylechatinfo{chloe_ 21:08}}{\stylechat{ eslewhere and yorba lind (5 and 6 ) should be black}}
\chatbox{\stylechatpiece{444} }{\stylechatinfo{chloe_ 21:08}}{\stylechat{ bk you are allready in act 4}}
\chatbox{\stylechatpiece{445} }{\stylechatinfo{bk2 21:09}}{\stylechat{ sorry}}
\chatbox{\stylechatpiece{446} }{\stylechatinfo{chloe_ 21:09}}{\stylechat{ what i f you \stylerefchatlogtech{upload}\stylerefroad{429}{595} th eband, please do it in frame 4}}
\chatbox{\stylechatpiece{447} }{\stylechatinfo{chloe_ 21:09}}{\stylechat{ not in 5}}
\vfill
\break
\chatbox{\stylechatpiece{448} }{\stylechatinfo{chloe_ 21:09}}{\stylechat{ act 4}}
\chatbox{\stylechatpiece{449} }{\stylechatinfo{bk2 21:09}}{\stylechat{ sorry}}
\chatbox{\stylechatpiece{450} }{\stylechatinfo{chloe_ 21:09}}{\stylechat{ now}}
\chatbox{\stylechatpiece{451} }{\stylechatinfo{chloe_ 21:09}}{\stylechat{ girl in frame 1 and 6}}
\chatbox{\stylechatpiece{452} }{\stylechatinfo{chloe_ 21:10}}{\stylechat{ I have no more sound}}
\chatbox{\stylechatpiece{453} }{\stylechatinfo{chloe_ 21:10}}{\stylechat{ frame 6 girl}}
\useexternalfigure[G0FD1ETslXbcgXc5/l9/xw==][../PAR-PERFO/2008-04-17\_LRRH\_Manizales/img/20080417\_21h10m40s.jpg]\medskip\hbox {\externalfigure[G0FD1ETslXbcgXc5/l9/xw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\chatbox{\stylechatpiece{455} }{\stylechatinfo{chloe_ 21:12}}{\stylechat{ act 5}}
\chatbox{\stylechatpiece{456} }{\stylechatinfo{chloe_ 21:12}}{\stylechat{ now}}
\chatbox{\stylechatpiece{457} }{\stylechatinfo{chloe_ 21:12}}{\stylechat{ frame 1 black}}
\useexternalfigure[oacSaiO2lP7L2OE4JbPWMw==][../PAR-PERFO/2008-04-19\_LHHR\_Geneva/img/20080418\_19h47m08s\_blicappen\_live2.png]\medskip\hbox {\externalfigure[oacSaiO2lP7L2OE4JbPWMw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[JpjVT+/Eo9UeqcJyF3TyxQ==][../PAR-PERFO/2008-04-19\_LHHR\_Geneva/img/20080418\_19h49m08s\_blicappen\_live3.png]\medskip\hbox {\externalfigure[JpjVT+/Eo9UeqcJyF3TyxQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[r8nGVZR+VH/bF77m/WY/dw==][../PAR-PERFO/2008-04-19\_LHHR\_Geneva/img/20080418\_19h50m08s\_blicappen\_live5.png]\medskip\hbox {\externalfigure[r8nGVZR+VH/bF77m/WY/dw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[EW9lQow6qk3KAvwAIRHsaw==][../PAR-PERFO/2008-04-19\_LHHR\_Geneva/img/20080418\_19h52m08s\_blicappen\_live8.png]\medskip\hbox {\externalfigure[EW9lQow6qk3KAvwAIRHsaw==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\useexternalfigure[M8aQQn3ZFipqWZybygXL5w==][../PAR-PERFO/2008-04-19\_LHHR\_Geneva/img/20080418\_19h54m08s\_blicappen\_live9.png]\medskip\hbox {\externalfigure[M8aQQn3ZFipqWZybygXL5w==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
\stylepiece{463}
\styleinfoperfo
\startinfopar \perfotitle{LHHR}
\infopar 2008-04-19 19:00:00
\infopar Mapping Festival
\infopar Bâtiment d’Art Contemporain (BAC), Geneva (Switzerland)
\infopar Boris
Kish,
Chloé
Cramer,
Christiaan
Cruz,
ideacritik,
Judy
Nylon,
Laure
De
Selys,
Manuel
Schmalstieg,
Paula
Vélez\stopinfopar
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
\styleperfo
THE LITTLE \stylerefperfored{red}\stylerefroadrwdonly{405} RIDING HOOD TALE FRAGMENTED FOR A TWENTY FIRST CENTURY MIND, ONE THAT DETECTS A STORYLINE FROM MULTI-SOURCED INFORMATION STREAMS, PART CUBIST, PART 3D CHESS, BUT COHERENTLY SET IN HUMAN, ANCIENT, PRIMORDIAL MIND. WOLF, AN “ANYMAN”, SEEKS A ROLE-PLAYING LITTLE RED RIDING HOOD AMONG CYBER \stylerefperfored{sex}\stylerefroadfwdonly{484} \stylerefperfochat{chat}\stylerefroad{409}{484} GIRLS. A JOURNEY INTO THE PSYCHOLOGICAL \stylerefperfoslow{landscape}\stylerefroad{405}{484} OF THE CLASSICAL TALE, A CIPHER OF AGING, SEX, DEATH, DESIRE, VIOLENCE, SECRECY, BEAUTY AND DECAY. LIVE SOUNDTRACK BY BLISCAPPEN VAN MARIA.
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
\stylepiece{464}
\stylemailtitle
feedback from mapping
\styleinfos
bk
25.04.2008
\stylemail
except at the beggining when we lost all internet connexion... this
generated a good deal of tension and nervousness. the remote team was
without news from us, manu had to restart his computer, he did it hastly
and mistakenly restarted in linux, so he had to restart again... it was
hectic... then it was a pleasure to see that the remote team had carried
the performance and where at the 3rd act already... so of course it was
enjoyable that everything fell into place after a catastrophic start for
us at mapping! the audience was around 70-80 people, which impressed me as "a lot".
\stylepiece{465}
\stylemailtitle
workshop upload
\styleinfos
chloé cramer
26.04.2008
\stylemail
such, they have to listen to others. Sometimes, it is better to be silent,
let somebody else do a solo. Sometimes, it is better to keep a simple image
that will sustain others images.
**
Chloé
\stylepiece{466}
\stylequoteblock{
\styleinfos
Audrey Samson
\stylequote
hi all -
i just wanted to say i haven't read any mails since saturday.
my cat fell out of the window (20meters). has been an 'emergency' weekend. looks like he will make it though - indestructible creatures!
i've been and will continue to be 'under the hood' for a few days. need a rest.
audrey
}
\stylepiece{467}
\stylemailtitle
workshops
\styleinfos
::audrey::
19.06.2008
\stylemail
the workshop i proposed to the willem de kooning academie (that i forwarded to the list some time ago) was deamed "beyond the level" of students there. they study design and are not exposed to performance in any way during their studies. i was asked to think of a way to "bring it down to their level". i was thinking of ways in which the patch could be otherwise used. i haven't really come up with anything, if anyone has ideas...
audrey
PS i think i will send the proposal (as is) to KHM (academy of media arts in cologne) -- there students are 'of the level' for it.
\stylepiece{468}
\stylemailtitle
what is going on with ISEA???
\styleinfos
1.1.1904
28.06.2008
\stylemail
i have no idea what's going on in singapore... i wrote to the
organisers that i couldn't attend the festival in person but that one
of our agents, cym, could do the presentation of the project.
since then, no answer or sign of life.
regarding our global aetheric activities, i know some of us are very
busy right now completing project proposals, dossiers, dvd etc for
diverse big festivals and grants...
so i guess there will be some more performances upcoming soon.
best,
manuel
>have we desisted the idea?
>has sleeping gas slipped into the aether?
>:)
>
\useexternalfigure[JfpX8uguWa+0ooFyVYTAUQ==][../PAR-PERFO/2008-07-31\_LRRH\_London/img/20080731\_22h00m10s\_lhhr.png]\medskip\hbox {\externalfigure[JfpX8uguWa+0ooFyVYTAUQ==][width=\getvariable{pageprops}{columnwidth},factor=max]}\blank[image]
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\vfill
\break
\stylepiece{484}
\styleinfoperfo
\startinfopar \perfotitle{LHHR}
\infopar 2008-07-31 22:30:00
\infopar London Short Film Festival
\infopar Tenderpixel Gallery, London (GB)
\infopar Chloé
Cramer,
ideacritik,
Laure
De
Selys,
Manuel
Schmalstieg,
Paula
Vélez,
Christiaan
Cruz,
Judy
Nylon,
Pascale
Barret,
Jérome
Prosperger,
Boris
Kish\stopinfopar
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
\styleperfo
THE LITTLE \stylerefperfored{red}\stylerefroadrwdonly{463} RIDING HOOD TALE FRAGMENTED FOR A TWENTY FIRST CENTURY MIND, ONE THAT DETECTS A STORYLINE FROM MULTI-SOURCED INFORMATION STREAMS, PART CUBIST, PART 3D CHESS, BUT COHERENTLY SET IN HUMAN, ANCIENT, PRIMORDIAL MIND. WOLF, AN “ANYMAN”, SEEKS A ROLE-PLAYING LITTLE RED RIDING HOOD AMONG CYBER \stylerefperfored{sex}\stylerefroadfwdonly{501} \stylerefperfochat{chat}\stylerefroad{463}{501} GIRLS. A JOURNEY INTO THE PSYCHOLOGICAL \stylerefperfoslow{landscape}\stylerefroad{463}{501} OF THE CLASSICAL TALE, A CIPHER OF AGING, SEX, DEATH, DESIRE, VIOLENCE, SECRECY, BEAUTY AND DECAY. LIVE AUDIO BY JéRôME PROSPERGER, TRANSMITTED FROM BRUSSELS. IN THIS ITERATION OF LRRH, THE AUDIENCE HAD THE OPPORTUNITY TO INTERACT WITH THE REMOTE PERFORMERS THROUGH INSTANT MESSAGING DURING THE PERFORMANCE.
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
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\stylepiece{492}
\stylemailtitle
overview of next performance and aether9 chat brainstorming discussion
\styleinfos
::audrey::
05.08.2008
\stylemail
the 'girl' in is the space - (for all to see) and she is being directed by me with a microphone - 'turn to left, look scared, show your ears to the camera.
this mimics what occurs on in livejasmin - and i mimic the chatters (giving the girl requests, orders, etc).
roles/characters:
-the wolf (? who could do this -- paula?)
-the girl (local actor in montreal - maybe a guy)
-jasmin girl + text in black frame uploader (boris?)
-analogue set (replacing dollhouse) - (chloe?)
-giving cues and direction (chloe?)
-sound (manu?)
-IRC chat (this role is not certain/undecided)
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\stylepiece{501}
\styleinfoperfo
\startinfopar \perfotitle{LHHR}
\infopar 2008-08-16 18:45:00
\infopar Residency @ Perte-de-Signal
\infopar Perte-de-Signal, Montréal (Canada)
\infopar Boris
Kish,
Chloé
Cramer,
Christiaan
Cruz,
ideacritik,
Judy
Nylon,
Manuel
Schmalstieg,
Maria
Hermelin,
Paula
Vélez,
Sofian
Audry\stopinfopar
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
\styleperfo
THE LITTLE \stylerefperfored{red}\stylerefroadrwdonly{484} RIDING HOOD TALE FRAGMENTED FOR A TWENTY FIRST CENTURY MIND, ONE THAT DETECTS A STORYLINE FROM MULTI-SOURCED INFORMATION STREAMS, PART CUBIST, PART 3D CHESS, BUT COHERENTLY SET IN HUMAN, ANCIENT, PRIMORDIAL MIND. WOLF, AN “ANYMAN”, SEEKS A ROLE-PLAYING LITTLE RED RIDING HOOD AMONG CYBER \stylerefperfored{sex}\stylerefroadfwdonly{539} \stylerefperfochat{chat}\stylerefroad{484}{542} GIRLS. A JOURNEY INTO THE PSYCHOLOGICAL \stylerefperfoslow{landscape}\stylerefroad{484}{542} OF THE CLASSICAL TALE, A CIPHER OF AGING, SEX, DEATH, DESIRE, VIOLENCE, SECRECY, BEAUTY AND DECAY.
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
\vfill
\break
\stylepiece{502}
\stylemailtitle
ad lib
\styleinfos
laure deselys
16.09.2008
\stylemail
by the way ether means in arabic radio waves.
\chatbox{\stylechatpiece{503} }{\stylechatinfo{fe2cruz 21:19}}{\stylechat{met too i;m back}}
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\chatbox{\stylechatpiece{505} }{\stylechatinfo{laure.dit 21:20}}{\stylechat{so Live in}}
\chatbox{\stylechatpiece{506} }{\stylechatinfo{laure.dit 21:20}}{\stylechat{everybody}}
\chatbox{\stylechatpiece{507} }{\stylechatinfo{khrizantyema 21:21}}{\stylechat{davvay}}
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\page
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\stylepiece{529}
\styleinfoperfo
\startinfopar \perfotitle{When antennas convert love in space}
\infopar 2008-09-28 00:00:00
\infopar Beirut Street Festival
\infopar Hamra Street (el medina theater), Beirut (Lebanon)
\infopar Boris
Kish,
Christiaan
Cruz,
ideacritik,
Joe
Elias,
Judy
Nylon,
Laure
De
Selys,
Manuel
Schmalstieg,
Paula
Vélez,
Samir
Youssef,
Zoe
Judell\stopinfopar
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
\styleperfo
AN INTIMATE PERFORMANCE SCREENED ON HAMRA STREET, TAKING THE MYRIAD OF BEIRUT ROOFTOP ANTENNAS AS A STARTING POINT FOR DISCUSSING CULTURAL IDENTITY.
\blackrule[color=black, width=60mm, height=0.5pt, depth=0mm]
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\stylepiece{535}
\stylemailtitle
the invisible work-
\styleinfos
laure deselys
29.09.2008
\stylemail
but yesterday evening the connection was totally unregular, as it was ok in the afternoon and the day before
i had yet took some precaution using two different connections and computers for sound and image connection.
the worse moment was i guess when, after listening for a full song of Leo Ferre and wandering what was actually joe and samir trip on this one, i realised
that the sound streaming was off and that the owner of the computer playing list was tuning...
it looks like the guy in charge of the internet connection in hamra area
who was asked during the performance to allow a maximum of internet for us
on the way deleted one of the connection the beirut team was working with
Actually what i heard very often yesterday evening was : " This is Lebanon..." u cannot be sure of anything anytime.
If im certainly vaccinated for a while for these kind of last minute works
i dont feel like i dont want to do it anymore
it was really meaningfull for me to work for the last two weeks, on something specially for here, with people from here making them meet with us through the tool
but what should surely be rethought is how we do it, definitely not a one new script shot , how to reduce the energy and time engagement of participants, how to include the transmission problems (as they often happen) in the sentiment of the screening, etc...
Im looking forward for the satyricon script.
\stylepiece{536}
\stylemailtitle
upladed recording
\styleinfos
bk
03.10.2008
\stylemail
indicates that there's no "definitive" recording and that the recordings
are relative to the never similar upload conditions of the
computer/connexion where it's recorded.
Have a good friday,
Boris
\stylepiece{537}
\stylemailtitle
Re : upladed recording
\styleinfos
::audrey::
03.10.2008
\stylemail
audrey
PS --is this database art or what ;p
\stoptext
\stopproduct